This weekend I enjoyed a two day blitz of exploring local heritage. All in the name of research, of course. From a curated tour of the history of medical care in Parramatta, to an Open Day at Australia’s Pioneer Village at Wilberforce, one of the towns proclaimed by Governor Macquarie in 1810, I was able to absorb the sights and stories of colonial times.
While it’s hard to create completely authentic replicas of how settlements might have looked and felt in the nineteenth century, the Pioneer Village comes close, in part because most of the buildings there were not fabricated, but original cottages and businesses from around the historic Hawkesbury. They were brought to the site to create what looks and feels like a real nineteenth century village streetscape.
Adjacent to the Village is Rose Cottage, built in 1811 by Thomas Rose who, with his wife and family, emigrated to the colony. It still stands on its original site and was occupied by members of the family for 150 years.
For someone writing about people and places of our past, the Pioneer Village and heritage sites such as those preserved in Parramatta, are a real boon.
We’ve all heard of Markus Zusak, right? The Australian author of the runaway best-selling book of 2005, The Book Thief. It’s won numerous awards, been translated into multiple languages and made into a feature film. His new book, The Bridge of Clay, was published in October 2018, amid high anticipation. So the author would be well entitled to consider himself as having ‘made it’ in the world of publishing, surely?
I was listening to a podcast today (Writes4Women) recorded at a fundraiser for the inaugural 2019 StoryFest Festival to be held in Milton, on the beautiful South Coast of NSW. Markus Zusak was the guest speaker at this event and the talk was recorded for the podcast. You can listen to it here:
Some of what Markus Zusak says in this talk came as a bit of a surprise to me. For example, the author says:
I don’t think of writing (for me, anyway) as an art form. I’m a tradesman and I go to work and I just keep chipping away, waiting for the moment to come…but it won’t come unless you’re there, doing the work. The biggest effort can be just getting to the desk, and making that commitment and being prepared to fail. It’s a trade that you’re always working on and trying to get right…I can love the effort even if I don’t always love the result. Markus Zusak
These words are balm to the soul of anyone having more of the “I can’t believe I wrote this mess!” days than the “Wow, look at what I wrote!” ones. Just turn up. Keep plugging away. Commit. Learn to do it better. And then do it all again, on the next draft, and the next…
It doesn’t have to perfect or even very good. Be proud, still, of the effort and the improvements you make.
And actually I think this can apply to any endeavour in life. Art, music, writing, gardening, a profession, a job.
As Markus Zusak says, “Love the effort.”
Back in January I gave an update marking the halfway point of the ‘Write Your Novel’ program I’ve been working through, with the Australian Writers’ Centre.
This week my classmates and I have to submit our full manuscript for workshopping in small groups. So, we each submit our manuscript, and we have a month to read and comment on manuscripts submitted by two to three of our classmates.
A few minutes ago I clicked the ‘Submit’ button. How did it feel?
Scary – no one has as yet read my full draft. Will they like it? Hate it? Feel indifferent?
Exciting – the workshopping and feedback process in this program has been so useful to date. I just know I’ll get back comments that will help me make my story stronger.
There’s also a sense of responsibility to my classmates: to provide honest, worthwhile feedback to assist them in the way I hope to be helped along by them.
The feedback I’ve received on this program has been very worthwhile and certainly helped me to improve my writing.
As our online tutor, Cathie Tasker, has said:
It’s the arrogant authors who don’t make it.
Find the Australian Writers’ Centre programs here: