I went to a screening of ‘Ladies in Black’ recently: it was a fundraising event for a local community group. Having seen the stage play musical last year, I thought the screen version a little lighter than the play, which I found had a few more pointed comments about the sexism and xenophobia of 1950’s Australia. However, for a light-hearted dip into our social history, the film does a terrific job. Great performances by Noni Hazelhurst, Shane Jacobson, Susie Porter and Julia Ormond, as well as the younger cast members. The real star, of course, is Sydney in the late 1950’s – the trams, the department stores, the fashions and hairstyles.
I haven’t read the book so I can’t comment on how well the movie adapts the original story by Madelaine St John.
If you have read the book, I’d love to know your opinion of the adaptation. Does the film do the original story justice?
I’ve just finished the audio book version of Liane Moriarty’s new release, Nine Perfect Strangers. I’ve ‘read’
(listened to) several books by this best selling author. The audio versions are terrific as the narrator captures the very Australian voice and tone of the books. I admire Liane Moriarty’s characters and dialogue; they are very believable, contemporary and often funny to boot. I always recognise one or two people I ‘know’ in her cast of characters.
Having also listened to the audio book and watched the TV adaptation of Big Little Lies, I was a bit sorry that the producers chose to change the setting from beach side Sydney to beach side California. Though of course, there are plenty of similarities. I heard an interview with Liane in which she said she was fine with it. She regarded the book and the series as two separate entities. Probably a very sensible approach: otherwise I’m sure it would be hard as an author to let go of your ‘baby’.
Moriarty’s fiction could be regarded as ‘Chick Lit’ (a term I dislike, by the way, because to me it implies frivolity, ‘escapism’ and shallow themes.) The novels I have read by Liane Moriarty have been anything but shallow. Her characters are flawed, complex, likeable and understandable. Her books deal with many of the big themes in contemporary life. Nine Perfect Strangers touches on teen suicide and family grief, divorce, mid life crises (the male and female variety), mental illness, illicit drugs, celebrity worship, money, the fast pace of the modern world, addictions (to drugs, exercise, social media…)
It’s a cornucopia of issues, stories and personalities in a big, satisfying novel.