• Books and reading

    Harrowing yet ultimately hopeful: ‘Invisible Boys’ by Holden Sheppard

    Holden Sheppard’s debut novel follows the struggles of three high school boys in the small Western Australian town of Geraldton, as they try to figure out the big things of life: who they are, where they belong, what family and friendships mean, and their sexuality. All three suspect they are gay and each has a different response , as they also try to navigate the various responses to homosexuality by the people around them.

    I recall that during Australia’s sometimes fractious marriage equality debates, there were warnings from those working with young people, especially in rural and regional areas, that the divisiveness and stigma still attached to homosexuality would be worsened by the rancour around the campaign. They worried that it could cause further harm to young people already struggling with questions around their sexual identity. The events played out in Invisible Boys bring these concerns to life in a realistic way.

    The author wrote in his Acknowledgements that each of the three main characters represented a part of himself. And yes, so vividly are they portrayed, the characters and events must surely have arisen from lived experience.

    The three young protagonists are Zeke, a studious boy from a staunchly Italian Catholic family; Hammer, an athletic boy who dreams of becoming a star football player; and Charlie, a punk rocker who has no idea of where he fits – he only knows that it’s not in Geraldton, not in his Catholic high school, and certainly not in his neglectful, dismissive family. A fourth character, Matt, comes from a local farming family and plays an important role as the novel progresses.

    The boys differ in the level of sympathy they engendered from me at the beginning of the novel. Hammer presents as a particularly repellent individual, the result of being raised in a toxic swill of extreme homophobia and sickening misogyny. As events unfold, there are glimpses of other facets of personality and what makes each boy behave the way they do, their fears and insecurities.
    Here is Zeke, for example:

    Why am I so weak? Why do I cower to this? I know homosexuality is natural in the animal kingdom. I don’t think anyone should have fewer rights than anyone else. I don’t hate it in other people as much as I hate it in myself. And yet I fall in line with Father Mulroney’s condemnation.

    Invisible Boys p507

    This quote, incidentally, is from a scene which also has some laugh-out-loud moments – Zeke’s excruciating enforced act of confession in church.

    And here is Charlie:

    I figured you’re allowed to tell other gay guys in the closet. It’s like mutually assured destruction. Either of you tells and it’s catastrophe, like a nuclear winter.

    Invisible Boys p523

    Anyone who can remember their own pathway through the agonies and traps of adolescence will relate to the boys’ struggles. And the added layers of difficulty imposed by their families, friends and community, can only be viewed as absurd, unfair and entirely unnecessary. Why make someone’s path to adulthood harder than it needs to be?

    The last word on this book belongs to its author:

    …my teenage self, who, for a long time, didn’t want to be on this planet anymore because he was a gay bloke. Good on you for staying alive, you resilient bastard. Turns out you were good just the way you were.

    Holden Sheppard, Acknowledgements in Invisible Boys.

    Invisible Boys was published by Fremantle Press in 2019. It was the recipient of the City of Fremantle Hungerford Award 2018 (even before publication!) and shortlisted for the Victorian Premier’s Literary Award 2020, as well as being a Notable Book in the 2020 Children’s Book Council of Australia (CBCA) and longlisted in the 2020 Indie Book Awards, among other accolades.

    #AussieAuthor20

  • Books and reading

    Book Review: ‘Nevermoor’ by Jessica Townsend

    ‘Nevermoor: The Trials of Morrigan Crow’ by Jessica Townsend

    LothianBooks 2017

    This is the first in the Nevermoor series of YA/children’s author, Australian Jessica Townsend. It has won many awards and commendations, including: Winner, Dymocks Book of the Year 2018, QBD Children’s Book of the Year 2018, Book of the Year for Younger Children, ABIA 2018, Indie Books Awards 2018, Aurealis Awards 2017, Waterstones Children’s Book Prize (UK) 2018, a CBCA Notable Book.

    I don’t read a lot in the fantasy genre nowadays, but this book was recommended to me by a friend. It is a rollicking tale of magic, centred around the adventures of young Morrigan Crow, who lives an unloved life in a drab and predictable town. Marked at birth as a ‘cursed child’ along with others born on Eventide, held to be an unlucky day, Morrigan is blamed for all the misfortunes of others, and doomed to die on Eventide when she turns eleven.

    Enter Jupiter North, her mysterious rescuer, who whisks Morrigan away from the threat of the Hunt of Smoke and Shadow and brings her to the magical city of Nevermoor. Here Morrigan is ensconced in the Hotel Deucalion, which magically changes the shapes of its rooms and fittings, and she learns that she must pass a series of trials if she is to be allowed to remain…

    I liked several things about this book. One is the humour that imbues every chapter. Despite some scenes that are a bit scary, even younger readers will appreciate the insouciance of Jupiter, the mild cynicism of his nephew Jack, the daredevil nature of Morrigan’s new friend Hawthorn, and especially, the sarcasm and bossiness of Fenestra, the giant Magnificat in charge of hotel housekeeping.

    Another is of course, the magic. Occasionally reminiscent of the brilliant world building to be found in the Harry Potter novels by JK Rowling, Nevermoor’s magic is nonetheless unique, surprising and sometimes laugh-out-loud funny.

    Morrigan is an endearing protagonist. Smart and brave but full of self- doubt and uncertainty, she yearns for friendship and belonging, both of which she finds in Nevermoor. There are plenty of heart-warming moments, along with the magic and quirky humour.

    And speaking of heart, a real theme of the novel is exactly that. There is a strong element of exploration of what it means to belong. Because Morrigan has not yet successfully completed the trials which will allow her to remain in Nevermoor, she is dogged by the City’s police force for being a ‘filthy illegal’. Inspector Flintlock berates Jupiter North for not handing Morrigan over for immediate deportation: reminders of the decidedly unmagical and unsympathetic scenes being played out in real life, all over our globe. So, while Nevermoor is a fantasy novel, it manages to hold within it messages to us all about caring, humanity and belonging.