Some girls are born to be loved, Some are born to be useful, And some are born to be bad…
No Hearts of Gold
The strapline of Jackie French’s new historical fiction sums it up: not all colonial women in Australia were wives, mothers, convicts, or servants.
No Hearts of Gold is about three very different women: one from aristocratic English society; one of a sturdy business-minded nature; and one from a self-made-gone-bust family. They are brought together on a voyage from England to the colony in the 1850’s; the beginning of a complex but staunch friendship against all odds.
What they find in the booming, bustling, troubled colony defies their own expectations.
The three women embark on lives very different from the ones they may have envisaged for themselves, back in England.
Kat, daughter of a fond father whose fortune disappeared with the bust of railway shares that had created it in the first place, makes the quick marriage arranged for her by an aunt. While such a fast marriage seems improbable, they were surprisingly common at all levels of society then, especially in far-flung outposts like Sydney. Marriage offered protection, financial support and a chance to leave the past behind.
Titania launches a business provisioning the ships leaving the wharves, profiting from her acumen and hard work, but dispensing kindness and help to others where she can.
Wealthy, loving Viola lives with her guardian, Cousin Lionel, in the lavish house funded by her own inheritance.
It’s difficult to say much more about the plot while avoiding spoilers. So I will instead focus on the issues and themes canvassed in the novel.
The Gold Rushes play a major role in the plot line and set the scene for some of the drama. But the focus is also on the destructive nature of these crazy events: on families, on homes and businesses that overnight lost fathers, husbands, workers. And especially, on the fragile environment of this land.
… the vegetable gardens, the fruit crop, the supplies in their storeroom were a treasure now – a treasure that could keep you alive, when specks of gold could not, and envied by men who had forgotten laws and rules, even if they had once obeyed them. There was no one they could ask for help…
No Hearts of Gold p177
Women’s lack of ownership over their wealth, possessions, future and even their children, and the control wielded by men, is another important current running through the novel. As is the ways in which many women, including our three protagonists, defied the systems and conventions that kept these inequities in place.
An unexpected twist turns the story into a mystery involving a possible murder, a bushranger and a police detective.
The novel packs in all this and more: but I think, at its heart is the precious nature of enduring friendships between women.
Viola closed her eyes in sudden, deep pleasure. A friend one could say anything to. A friend who took you seriously, and not as a child, or one who must live up to the concept of ‘lady’.
No Hearts of Gold p171
No Hearts of Gold is another beauty of a Jackie French novel: a gripping mystery, a rollicking yarn, and an elegy to women’s strength and courage in a society that discouraged both.
No Hearts of Gold is published by Angus & Robertson, an imprint of Harper Collins Punishers, in December 2021. My thanks to the publishers for a copy to read and review.
Mrs Koala’s beauty parlour is so busy, with a succession of alliterative critters lining up to receive the feel-good ministrations of a skilled beauty therapist.
Each double page spread features different services offered by Mrs Koala, with fun for little ones who can join in the countdown, alliterative text and searching for the beauty parlour key, cleverly hidden in each scene.
There are 10 fancy frogs getting facials, 9 pampered porcupines getting perms, 8 trendy tigers getting trims, and so on, right down to 1 ‘kaput koala’ on the final page – Mrs Koala is tired after all that work!
The attractive colour illustrations by Tania McCartney invite close examination of each busy scene – and of course little ones will love to find the key on each page.
This is a sweet book that simply begs to be read aloud and I’m sure will be a favourite at story time.
Mrs Koala’s Beauty Parlour is published by Working Title Press (an imprint of Harper Collins Children’s Books in February 2022.
I’ve enjoyed participating in several reading challenges over the past few years. Kind of like being in a book club, it is an added incentive to read beyond my ‘usual’ genres, and especially to explore new authors or styles of writing.
For 2022, here’s what I am aiming for:
The Australian Women Writers Challenge has been going for 10 years and I’ve participated in the past few years. In 2022 the AWW blog will focus on ’19th and 20th century writers including authors who may not have achieved prominence in their lifetimes, or whose works have been forgotten and/or overlooked.’ I will join in discussion of contemporary Australian women writers in the AWW Facebook group Love Reading Books by Aussie Women. (No need for me to set a goal for this as I already ‘love reading books by Aussie women’!)
The Aussie Author Reading Challenge hosted by Jo at Book Lover Reviews is a fun one for me: I love to read books by the amazing talented authors we have in this country. This year I will go again for the ‘Kangaroo‘ level, which means I will read and review 12 books written by Australian Authors, of which at least 4 of those authors are female, at least 4 of those authors are male, and at least 4 of those authors are new to me; Fiction or non-fiction, at least 3 different genre.
1. Social History 2. Popular Science 3. Language 4. Medical Memoir 5. Climate/Weather 6. Celebrity 7. Reference 8. Geography 9. Linked to a podcast 10. Wild Animals 11. Economics 12. Published in 2022
And lastly, my own informal personal challenge: Continue to increase the number of works I read by First Nations authors and/or about First Nations cultures and histories, especially Australian. There are so many First Nations authors publishing wonderful works here just now and I always love discovering new ones.
So that’s it for me for 2022. As always I expect to vary from my initial goals: either I read way more than I anticipate or miss out on a particular category somewhere along the line. It’s all just fun, and a way to be a little mindful of the books I choose.
A brand-new character in the children’s book world, Einstein is a ‘little penguin’ from an Australian zoo who turns up in London, looking for his rockhopper penguin friend Isaac. The Stewart family encounter the little creature on an outing to London Zoo, and Mrs Stewart politely tells Einstein ‘And you, Mr Penguin, must come and stay with us whenever you like. Penguins are always very welcome at our house.’
The very next day, the family are amazed to find Einstein has done just that!
In this, the story is reminiscent of the Paddington Bear series. However, Einstein has his own, enchanting personality and reasons for being so far from his usual home.
He quickly becomes a favourite with the children, budding sleuth Imogen and shy Arthur. Even their parents find themselves catering to the penguin’s need for fish at every meal, making sure their guest is comfortable.
Einstein’s wish to find his friend lead the family on a chase to Edinburgh and home again, all the while trying to evade the mysterious tall man with the Australian accent. Does he mean Einstein harm? How can they find Isaac before he does?
It’s a fun, sweet story that will appeal to younger readers, especially those who love penguins – and really, who doesn’t?
I suspect this is the first book in a new series and look forward to reading more of Einstein’s adventures with the Stewarts.
Einstein the Penguin is published by HarperCollins Children’s Books in December 2021. My thanks to the publishers for a review copy.
For 2021, I nominated the ‘Victorian Reader’ and ’20th century Reader’ levels of the Historical Fiction Reading Challenge (hosted this year by The Intrepid Reader), which meant I committed to reading at least 5 books set in Victorian times and at least 2 set in the twentieth century.
Here are the books I read for this challenge: (links are to my reviews)
It’s good to branch out into a genre you don’t generally read much of, or an author not encountered before, and that’s what I’ve done with this contemporary fiction by Australian author Tricia Stringer.
Birds of a Feather is all about family and friendships, old and new. Set in fictional Wallaby Bay on South Australia’s Spencer Gulf, the story features three very different women. There is Eve, battling to maintain her independence after a crippling shoulder injury; her goddaughter Julia, struggling with suppressed grief and the sudden loss of her scientific research job; and Lucy, trying to be the best mother she can be to her two young children, and coping with the absence of her FIFO (Fly In Fly Out) husband.
The first part of the novel sets up the circumstances that bring these characters together: at first unwillingly, each feeling their way in a new situation, trying to overcome mistrust, hesitation and past hurts. Once the women are together, the story really gets going. Before that, there are hints and veiled references to their back stories, tensions, traumas and the circumstances that shaped each one, and it is fun to put their stories together as the novel goes along.
There are references to the Covid pandemic and the dilemmas faced by people like Lucy, an aged care worker, who must try to deal with an emotionally and physically draining experience while also worrying about her kids. It’s a very real scenario that brings home the additional challenges the pandemic introduced to already complicated lives.
The author captures the small town atmosphere beautifully: all the strengths of rural communities, along with the downsides that can accompany living in a place where everyone knows everybody else (and their business).
I found it soothing to be lost in the minutia of others’ lives, and the novel’s resolution was satisfying, even though some aspects felt a bit too tidy.
Birds of a Feather will be an enjoyable read for people who like to read character-based contemporary fiction about real-life struggles and challenges and the ways in which they can be overcome.
Birds of a Feather is published by HQ Fiction, an imprint of Harlequin Enterprises, in December 2021. My thanks to the publishers for a review copy.
This gorgeous, gorgeous book is balm for the soul. The author says that This particular river of ink is my love song to our shared humanity and it is my protest against intolerance, injustice, and inhumanity. The creator of the beautiful, colourful illustrations says We fear what we do not know, and I hope that through these pages, readers will learn more about cultures and families and rituals different from their own.
These comments sum up what the book does: by presenting some of the many ways in which humans can express welcome and care for others, it shows us the things we have in common: food, families, friends, fun and language.
There are thirteen languages featured (along with helpful pronunciation guides) including Mandarin, Arabic, Hindi, Bengali, Urdu, and Lakota Sioux.
The double page spread at the end completes the book with a Gaelic blessing:
May you never know hunger May peace fill your nights May your children’s children grow strong in the light. May the road rise to meet you, and walls fall away. A hundred thousand welcomes I sing, I sign, I pray.
A Hundred Thousand Welcomes
A Hundred Thousand Blessings is truly balm for the soul and belongs in every public and school library! It is published by GreenWillow Books, an imprint of HarperCollins Children’s Books, in 2021. My thanks to the publishers for a copy to review.
I was in my twenties when I read John Steinbeck’s classic novel about the experiences of ‘Okies’, the derogatory name given to migrants from the US Great Plains states who, in their thousands, went west to California during the 1930’s. They did so in an attempt to escape the shocking dust storms, drought and poverty that ruined so many farms and livelihoods, hoping to find work picking Californian cotton and fruit. After reading The Four Winds, I am moved to want to re-read Steinbeck’s book, because there is so much human drama, endurance and tragedy in these stories.
The Four Winds begins in the Texas Panhandle, where Elsa Martinelli is an unloved and isolated young woman in a well-to-do business family. Her longing for love leads her to an encounter with Rafe Martinelli, son of Italian immigrants who have made Texas their home. Pregnancy follows, resulting in expulsion from her family, and Elsa marries Rafe and goes to live with the Martinelli family on their farm. She earns a place in the family and fully adopts the life of a farmer, wife and mother; she has finally found a home.
Then come the effects of years of drought: dead crops, heat and shocking dust storms that blight the land. Combined with the Depression, the result is that thousands of farmers and local businesses lose their ability to make a living and feed their families. After Rafe deserts them, and her son becomes seriously ill, Elsa makes the hard decision to join the throngs of desperate people travelling to California, lured by the promise of work in a ‘milk and honey’ land.
Of course, the reality is very different and if anything, the hardships and injustices faced by Elsa and her two young children are even worse than those they left behind.
The story takes in the efforts of unions and Communist party members fighting for workers’ rights, especially for the ‘Okies’ who face discrimination and abuse by big farming concerns. Elsa is a woman with little agency over her own life, but for the sake of her children’s future, she puts herself in the path of danger, great risk and tragedy.
The descriptions of the dust storms are truly terrifying, and the despair felt by those affected leaps from the pages. So does the independence and self-reliance of the American farmer at that time: proud to work the land and reluctant to accept government help of any kind. There is irony, too: the methods used by those farmers led to the degradation of the land which, when combined with drought, resulted in an ecological disaster that even then was seen as such by the federal government.
Elsa now knew how Tony had felt when his land had died. There was a deep and abiding shame that came with asking for handouts. Poverty was a soul-crushing thing. A cave that tightened around you, its pinprick of light closing a little more at the end of each desperate, unchanged day.
The Four Winds p280
The romance in the latter part of the novel did not work so well for me; overall though, The Four Winds brings to life a tragic period in American history and highlights the resilience and courage of the many people affected by the environmental and economic tragedies that played out in the 1930’s.
The Four Winds was published by MacMillan in 2021.
Len Waters was born behind the gates of an Aboriginal reserve, but his big imagination and even bigger dreams took him soaring beyond the reach of those who tried to confine him.
Len Waters: Boundless and Born to Fly
Len Waters was a Kamilaroi man who became a trailblazer: probably only the second man of Aboriginal descent to be accepted into RAAF pilot training in the 1940’s, receiving his pilot’s wings in 1944 and graduating in the top four of his class – at just 19 years old.
Len went on to serve in the RAAF in the southwestern Pacific, flying bombing missions in his Kittyhawk aircraft Black Magic. Promoted to the rank of Flight Sergeant, he continued service in the Pacific until the war ended, when he’d been promoted to warrant officer.
Despite his bravery and skillful service, Len (and other First Nations servicemen and women) discovered that their service didn’t seem to matter once they returned to civilian life, and they faced the daily discrimination and disadvantage meted out to Aboriginal people in Australia.
This lovely book weaves Len’s childhood and early life experiences, the teachings of his parents and cultural knowledge, with his hard work, dreams and dedication, to create a picture of a truly remarkable Australian.
It is aimed at primary aged children and includes many illustrations and side boxes that pose questions for readers to consider as they learn more about Len and the Australia he grew up in and returned to.
It includes accessibly presented information on many key aspects of Australian First Nations culture and history: language, kinship, totems and respect for culture and knowledge holders, the British Empire and its consequences for First Nations people across the world, missions and reserves, Stolen Generations, Aboriginal servicemen in WWI, their experiences after that war and the Second World War.
I purchased the book for my 8-year old grandson who is interested in aircraft from this period, and also in stories about Indigenous Australians. I think it will well and truly tick both boxes.
Australia Remembers: Len Waters, Boundless and Born to Flyis published by Big Sky Publishing in 2021.
From the setting and the themes of this novel, I was not surprised to read in Victoria Brookman’s bio that she ‘is an author, activist and academic. She lives with her family in the Blue Mountains, on Darug and Gundungurra country.’
Burnt Out is not the first and certainly won’t be the last novel that deals with Australia’s catastrophic Black Summer fires of 2019-2020, when huge swathes of forest (and townships) were destroyed by out of control bushfires after years of crippling drought. It was, in many ways, a turning point for ‘mainstream Australia’ – evidence that climate change was indeed increasing the severity (and frequency) of fires and extreme ‘weather events’.
As a fellow resident of the Blue Mountains, the opening scenes of Burnt Out conjured visceral and unpleasant memories of the fear, smoke and danger of that time. Cali, a writer whose life is already crumbling around her, shelters at the home of her neighbour, Spike, while fire consumes her house, her car, her work, and her cat.
Cali vents her rage at government and corporate inaction on climate change while in front of a TV camera and journalist. Her emotional and angry outburst goes viral and her words become the hashtag of the moment: #Fu**ingDoSomething.
She is homeless, cat-less, car-less, and her publisher is demanding that she produce the manuscript she is supposed to have been writing over the previous three years, an intended follow up for her first, best-selling novel. But Cali has nothing to give them – not, as she tells her agent, because it went in the fire, but because for three years her writing has dried up. On top of it all, her husband leaves her.
Then a rich business tycoon, handsome Arlo Richardson, steps in, offering her free accommodation in his beautiful Point Piper home, space and time to ‘re-write’ her non-existent novel. Cali, bewildered, crushed, and fearing the end of her writing career, accepts. Arlo offers her the chance of a lifetime: to be the public face of a new charitable foundation which will fund action on climate change.
What follows is a twisty tale in which do-nothing politicians, the divide between Australia’s uber-rich and the rest, greenwashing, social media, the news cycle, the publishing industry, celebrity influencers, are all examined and thoroughly skewered.
I didn’t find Cali an endearing character: I tend to get rather frustrated in a novel where the protagonist is perpetuating their own train wreck of a life, and her helplessness and inability to make her own decisions were maddening. This fortunately changes towards the end of the novel and I was able to cheer Cali on when she finally gets her mojo back.
To be fair, though, Cali’s inability to get her bearings is probably a very real manifestation of trauma: the transformation of familiar landscapes, an inability to get a grip on a new reality.
As they turned down Gumnut Close, she began to doubt her own abilities. Had she directed him to take the wrong street? Everything looked wrong. There was no blue weatherboard cottage here. No bush, no wall of overgrown lilly pillies. Frantic, she looked out her window, desperate to get her bearings.
Burnt Out p132
Being a Blue Mountains gal, what I also enjoyed about this book were the frequent references to familiar places (and occasionally people). While fictionalised, there were enough details to spark a pleasant feeling of recognition and a smile.
Burnt Out is published by HarperCollins Publishers in January 2022. My thanks to the publishers for an advanced reading copy to review.
The first thing I love about this new novel by Wiradjuri author Anita Heiss is the title. Translating to ‘River of Dreams’ in English, it is in the Wiradjuri language, which is also sprinkled liberally throughout the narrative. What a privilege, to be given an opportunity to understand and experience words and phrases in the language of First Nations people.
The story starts with the drama and tragedy of the devastating 1852 Great Flood of the Marrambidya (Murrumbidgee River) in Gundagai, NSW. There are shocking losses of human and lives, property and livestock despite the heroic efforts of several men from the Aboriginal camp near the river, including Yarri, the father of the main character, Wagadhaany. She works for the Bailey family, a local White family. Yarri rescues his daughter and the two Bailey men who survived the flood, from their precarious perch on the roof of the house.
The river is a central theme of the novel, a presence both benevolent and destructive. It gives life and just as easily takes it away. The flood is important, as a real historical event that highlights the skill and courage of the Aboriginal rescuers, and also as a metaphor:
…as the canoe floats with effort to the shore, Yarri thinks about the two men there together; a naked White man and a barely clothed Black man are nothing but two men stuck in the middle of a devastating flood… A life is a life, he says over and over in his mind, knowing that the weather, the rain, the river don’t care what colour anyone is right now, and that in this moment they are equal. Yarri takes a deep breath and works his arms harder than he ever has, willing them both to bring both men to shore, and wishing they were both equals every day.
Bila Yarrudhanggalangdhuray p33
Louisa is the other main character: a young Quaker woman who has been recently widowed in the flood, she meets and marries James, the eldest of the two surviving Baileys. Her Quaker beliefs lead her to wish for an equal relationship with the original people of the land, and she endeavours to achieve this with Wagadhaany.
So much gets in the way of a genuine friendship. Louisa is a good example of how well intentioned White people can still end up using relationships with First Nations people for their own purposes, while still desiring to act in a benevolent manner. The most obvious way that Louisa does this is to insist that Wagadhaany accompany the Baileys when they move to Wagga Wagga. Wagadhaany is devastated to lose connection with her mayagan, her family and the Country on which she was born and raised.
This allows the reader to try to understand something of the grief and loss experienced by First Nations people since colonisation:
How can she explain to Louisa, whose family chose to live on other people’s land, that she feels her sense of identity has been robbed, that everything that makes her Wagadhaany, the dancer, has been taken from her?
Bila Yarrudhanggalangdhuray p162
Louisa is in many ways a sympathetic character, and in making her so, the author goes beyond the stomach-turning racism and cruelty perpetrated by Whites against First Nations people in this country, to explore some of the other ways in which racism manifests: the more subtle, systemic and insidious ways in which unequal power and racist assumptions play out.
Wagadhaany is an intelligent young woman, trying to assert her self and make sense of a world which has changed irrevocably for her people.
The irony is that, despite all her advantages and relative wealth, by the end of the novel Louisa is not necessarily the happier of the two women. Both characters face profound grief and loss. Wagadhaany’s connection to Country and kin help her to travel through these difficult events and by the end of the novel, there is space for hope.
Bila Yarrudhanggalangdhuray is a novel that uses real historic events to paint a picture of a colonial world which many Australians would prefer to either forget or romanticise. It’s a novel that made me think – always a good thing.
Bila Yarrudhanggalangdhuray was published by Simon & Schuster in 2021.