Books and reading
What stories tell us: ‘Finding Eliza’ by Larissa Behrendt
Euahleyai / Gamillaroi author, filmmaker, lawyer and academic, Larissa Behrendt writes both non-fiction and fiction which illuminate aspects of Australia’s history from an indigenous perspective. Her writing is always thought-provoking and perceptive, and Finding Eliza is no exception.
The book takes as its starting point the power of stories to teach, explain, and create beliefs and attitudes. She takes the well-known historical event of the 1836 shipwreck of the Sterling Castle on an island off Australia’s east coast. The only woman among a handful of survivors, Eliza was kept alive by the Butchulla people of the island called K’gari (later named by the English after the ship’s captain – and Eliza’s husband – Fraser Island). She spent several weeks there, separated from other white people, after witnessing -according to her account – her husband’s death after being speared by a Butchulla man.
This story has been told and retold many times since then, including by Eliza herself after her rescue and return to England. There have been so many versions that it is difficult to know what parts are based on real events and what has been changed, embroidered or created.
The author’s focus, however, is how the stories that grew up around Eliza’s experiences, illustrate the themes and motivations of those telling them. There are elements needed for a story to work, both for those telling and hearing the story. Eliza had to be ‘good’ and the Aboriginal people ‘bad.’ She must conform to the Victorian-era stereotype of the virtuous, middle-class, loyal wife. It was commonly believed by Europeans at the time that the Australian ‘natives’ were savage, unpredictable, and prone to cannabalism – therefore, to be feared and seen as inferior.
So it is not surprising that Eliza and the Butchulla were represented accordingly in the tales that grew up around her experiences.
The Butchulla people had their own world view and beliefs. They were not just a silent backdrop to the adventures of a white woman, nor were they an undifferentiated source of threat. But in order to provide the tension necessary in Eliza’s story, they had to be portrayed in this way. The truth is that without their assistance and care, Eliza would have most likely perished on the island before she could be rescued.
…{Eliza’s} survival of the shipwreck is not the climax of this story; it is just the beginning. The heart of her story unfolds when she makes contact with the Aboriginal people who populate this land, and it is her alleged captivity by these ‘brutal’ and ‘cannabalistic savages’ and her eventual rescue that gives her tale its compelling drama.
Finding Eliza, ebook version, location 7%
The author takes this a starting point, to then explore a range of aspects of colonialism in Australia.
These include: the ‘Enlightenment’ ideals of the nineteenth century viewed alongside the dispossession and savagery of occupation and colonisation; black / white relations including sexual relations, sexual slavery and prostitution; the silence about the contribution of Aboriginal women to the colonial economy; the control over Aboriginal lives wielded by the colonists; why the trope of cannabilism held such power among whites; cultural appropriation, and how positive stereotypes can be as damaging as negative ones.
As Ms Behrendt concludes:
In… stories, we learn much more about the coloniser than we ever learn about the colonised, but by looking at them through different lenses and different perspectives we begin to appreciate the complexities and nuances of our own history.
FInding Eliza loc 89%
This is a book that made me think, review my own preconceptions about the past and the stories I grew up with. It is as relevant today as when it was first published by University of Qld Press, in 2016.
Celebrate the difference: ‘Hank and Bee’ by Kate Ryan
There is a growing number of publications for children, illuminating and celebrating difference. Hank and Bee, by Australian children’s author Kate Ryan, is one.
A sweet little picture book, it’s all about autism and ADHD, exploring how neurodivergent children can bring unexpected and welcome talents and abilities to many situations.
Rumbunctious pup Hank loves to chase and play all day with his tiny friend Bee, sometimes upsetting the flowers with his rolling and his tail-flicking. But when Bee loses his hive and needs to find his way home, it’s Hank’s amazing sense of smell that guides them on their way.
Together, the friends just can’t be beaten.
The simple, appealing text is nicely illustrated by Uliana B.
A lovely addition to the picture book world and one which will help very young children understand themselves and their friends a little better.Hank and Bee is published by Kare Ryan in 2024.
My thanks to the author for a review copy.Not just ‘The Birdman’ or even ‘the man’ ‘Mr & Mrs Gould’ by Grantlee Kieza
When I was in primary school I was a member of the ‘Gould League’, an organisation set up to promote interest in, and conservation of, Australia’s marvellous array of birdlife. When I think about it, it seems a little ironic that I joined this organisation, because as a child I’d developed a bird phobia (long story, but a psychotic nesting mapgie, persistent attacks from said magpie over many weeks, and my father’s rifle all played a part.) Odd, then, that I signed up to a group celebrating all things feathered.
To be honest, I think the attraction was getting club newsletters, pins and stickers in the mail.
But my memories of this time did make me keen to read Grantlee Kieza’s fat volume Mr & Mrs Gould, which tells the story of the Goulds and their family, and their own adventures with birds. Though, not just birds. John Gould developed his knowledge of many more of Australia’s unique fauna, particularly its remarkable marsupials.
So, not just The Birdman, although he was certainly known as such in his lifetime and beyond. He was acknowledged as one of the most important ornithologists of his time and one of the most important publishers of scientific works.
He and his wife Elizabeth visited Australia and he named 328 of the 830 Australian bird species, and almost all newly identified Australian birds passed through his hands during his life. (Mr & Mrs Gould p366)
A couple of years ago I read Melissa Ashley’s fictional account of the life of Elizabeth Gould, The Birdman’s Wife, so I was keen to follow with this non-fiction book. This is where the ‘not just the man’ bit of my title comes in.
Because Elizabeth played a vital role in her husband’s success.
A talented artist and devoted wife, she drew and painted many of the extraordinarily beautiful illustrations in his scientific publications, until her untimely death from an infection after giving birth to her eighth baby in 1841. Her husband was a hard taskmaster and even being heavily pregnant, or recovering from childbirth, had never been a reason for downtime; her output was astonishing and brought to life the wondrous creatures her husband was collecting, classifying and naming.
She accompanied him on collecting trips while in Australia, when transport was difficult, the climate challenging and conditions even more so.
Kieza makes the point that John’s success in his chosen field was even more notable given his relative lack of formal education and his father’s lowly status as a gardener. He attributes much of this to the man’s personal drive and ambition, hard work and a streak of ruthlessness, but also includes Elizabeth’s unwavering support and sacrifice as a crucial factor.
Modern readers may well be horrified by the accounts of the jaw-dropping number of creatures that perished in the name of scientific research then. So many beautiful and even rare creatures died at the point of John’s double-barrelled shotgun, or those of his collectors. My feelings of revulsion were only slightly tempered by remembering that this was a time before photography, when specimens had to be killed and their skills preserved in order to be studied, classified and drawn. Taxidermy was hugely popular among natural scientists, but also collectors, hunters and the wealthy who followed the dictates of fashion and fads. John himself began his career as a taxidermist. I understand the context and limitations of the era, but still experienced a stomach-turning dismay at the many accounts of mass slaughter of creatures in the name of science.
Like many ambitious young men of his day, Gould spent as much time as he could hunting for wildlife to trap and kill, ironically in order to make them as lifelike as he could. If trapping didn’t work, he had his muzzle-loading shotgun.
Mr & Mrs Gould, p21
There is much in this book to enjoy for those interested in the history of this period, including Gould’s connections with many famous people from the era. Joseph Banks, Sir Stamford Raffles, Edward Lear, Tasmania’s Governor and Lady Franklin, the eccentric and doomed explorer Ludwig Leichhardt and Charles Darwin are all figures from history whose stories connected with the Goulds.
The narrative is engrossing, though rather detailed in parts; however it always returns to the very human story at its centre. Gorgeous glossy coloured plates demonstrate the talent of Elizabeth and the other artists who worked so hard to bring Gould’s newly identified creatures alive on the page.
Mr & Mrs Gould was published by HarperCollins in October 2024.
My thanks to the publishers for a review copy.Picture book treasures for Christmas
Christmas is peak book-buying time and picture books make perfect gifts and stocking fillers for littlies. The bright colours and enchantment of a good story and illustrations never fail to delight.
Three of the books shown above are being published by HarperCollins in early December, just in time for busy parents, grandparents, uncles, aunts, friends (and Santa) to buy for the big day.
The fourth, How to Make a Snowman, has been in bookshops since October this year. I have written previously about how much I love Nick Bland’s Bunny and Bird series. As always, in this new version of the friends’ adventures, Bunny is embroidering his fanciful tale whilst being completely oblivious to the action going on behind his back. While he talks of a magical hole from which emerges a bull, a tiger, a bear, sticks, stones and a wombat, Bird has been quietly building a snowman. When it starts to snow, Bunny decides they had better head home when – oh look! – the magic hole has turned into a snowman!
Small readers can again use their observational skills to enjoy the sly humour of this story that plays out in the pictures: an early lesson in subtext, if you will.
The Hullabaloo About Elephant Poo will definitely appeal to the scatalogical tastes of youngsters while teaching them something about the many uses for elephant dung: compost, paper, coffee (!!) gas to power stoves or lights, smoke to repel mosquitos… It is funny, colourful and educational. A nice little package. Dee White’s rhyming text works well with the bright illustrations by Christopher Nielsen.
Costa’s Garden: Flowers by ABC TV favourite Costa Georgiadis and Brenna Quinlan is all about – well, flowers. The motif of a garden gnome is a clever device to get up close and personal many types of flowers we might see in our gardens, and the parts of flowers and the special roles they each play. There is also reference made to the the role of watching and noticing by First Nations people:
Flowers tell stories. They are like a bush billboard. First Nations people read Country and have shared their science and stories of connection to land, sea and sky for generations. Flowers are a signal that other things are happening in nature.
Costa’s Garden : Flowers
There are also some lovely references to Costa’s early garden love, sparked by his grandparents; early memories of sweet peas, carnations and orchids grown by them.
I once lived next door to a four year old who was mad about plants and gardens. He’d be in his late 30s now, but I imagine that if this book had been available then, he’d have absolutely loved it.
Last but not least, Boss of Your Own Mind is the latest offering by the Teeny Tiny Stevies (Byll & Beth Stephen, with illustrations by Simon Howe.) This one is among a welcome and growing number of books addressing young people’s mental well-being. Boss of Your Own Mind talks about some of the situations in life where children can’t control their circumstances (and, being children, there are many.) From the trivial (changes of plans or routine, the weather) to the more profound (hurt feelings, unfair behaviour by others.) The one thing anyone, child or adult, can control, is their response. It’s actually quite a grown-up concept but presented in very child-friendly language and with examples and illustrations that all youngsters could identify with. And definitely finishes on a positive note:
And even though you’re the one deciding,
you might find some days YOU need reminding.
YOU’RE THE BOSS OF YOU’RE OWN MIND!All four books are published by HarperCollins Children’s Books and I thank the publishers for the copies to review.
Powerful family story: ‘Tears of Strangers’ by Stan Grant
The title of this extraordinary memoir is from a Russian proverb: The tears of strangers are nothing but water. These words echoed in my mind as I read this story of his family, that is also a powerful and sometimes challenging examination of the concept of race, of Australian history, and the author’s own position within the black and white worlds of modern Australia. It’s also a call for empathy: for Australians of all backgrounds to learn and understand the historical events that have shaped us all, and to feel more than indifference at the past and present suffering of others.
It is beautifully written, canvassing his own family’s roots in both black and white Australia and the complications and challenges that involves.
He is searingly honest, writing as he does about his relationships with family members, his search for truth, and his hopes for a better future for all First Nations people. The narrative does not skirt around issues such as violence, alcohol and drug use, poverty, incarceration. He describes the so-called ‘Bathurst Wars’ and other conflicts where whites and indigenous communities clashed over encroaching white settlements, and the sickening violence that occured there and in many other parts of the country.
He describes indigenous heroes of history and more recent years, tracing the steady thread of resistance since white settlement. Contrary to past assumptions by many, Aboriginal people did not meekly submit to colonisation. We should all know more about these figures from the past, who were at the time regarded by white settlers and authorities as troublesome, criminals and threats, but to their own people were freedom fighters.
As a way to learn about these and other aspects of Australia past and present, I can highly recommend Tears of Strangers. It’s focus on the micro, on positioning one person and his family within the context of wider events and the past, allows readers to read with empathy.
Part of this search means unlocking secrets, always painful and often tragic. I hesitate now as I stare at a blank page that I know I will soon reveal perhaps more than I would like to. But the truth demands courage. I hope only one thing: that one day Aborigines can be free of the all too painful choices our blackness has forced upon us.
Tears of Strangers (loc 8% ebook version)
Tears of Strangers was published by HarperCollins in 2002; the edition I read published 2016.
Scholar & mystic: ‘Rapture’ by Emily Maguire
Australian Emily Maguire’s new novel takes us straight to central Europe in the ninth century. I was interested in reading this once I heard that it was set in Mainz, in the Rhineland region of what (many hundreds of years later) became Germany.
Why? Because my German ancestor was born and lived near this city. Once a Roman fort, in medieaval times it was part of an area known as Francia, ruled by King Charles (Charlemagne) and his heirs.
Rapture’s protagonist is Agnes, only child of an English priest, brought up by her father to read, to know languages and to listen to the many theological and philosophical debates around his table with learned men of the city and its abbey.
As she approaches marriagable age, however, this begins to change. Agnes understands that a life of learning and scholarship is not for the likes of her. After witnessing the horrific death of a woman in childbirth, she begins to wonder how she can escape the bloody service required of girls. (p34)
She meets a visitor to her father’s house, a monk named Randulph, who speaks to her as if she, too, has a brain and likes to use it. He is to play an important role as circumstances change for Agnes when tragedy strikes, simultaneously opening a door to other life possibilities.
With his help, she dons the identity and clothing of a Benedictine monk, and as a literate scholar and scribe, finds a place amongst the men of Fulda Abbey.
Here the author’s research and imagination allows readers to enter a world long gone: the hard physical labour, the monotony, cold and hunger of monastic life, the requirement of absolute obedience, the painstaking process of making parchment and inks on which she then transcribes works of classical and religious literature. It is a fascinating glimpse into the past.
Agnes spends years there; but when war, famine and pestilence transform the land – including the abbey- she needs to move on.
Next she reinvents herself as a mystic religious man, and travels to Athens, dealing with threats from bandits, wolves and the feared Northmen on the way. She becomes celebrated for her learning and her discourse and teaching; but celebration brings its own set of dangers. To counter the threat of discovery of her real identity, she retreats into a spartan life as a hermit, forcing her body and her mind to submit to deprivation and isolation.
Agnes does all these things, not simply to avoid the life of servitude and childbearing that she would otherwise face, but because she truly wishes to learn about and fully serve God. She has a deep and genuine faith and her actions stem from a belief that a religious life of scripture and study is what she is called to.
What she observes and discovers never challenge that belief, but she does question the interpretations of men, who hold the power in both religious and secular worlds.
This culminates in her final journey to Rome where she begins to teach, but ends up surrounded by the corruption of ninth-century Vatican politics and intruige. Here the author has drawn on the legend of Pope Joan; an almost certainly mythical figure, reputed to have been the first and only female pope.
The story does not have a ‘happy’ ending, but that is actually beside the point. Agnes’ life is one of struggle, searching for her own path through a troubled and turbulent world. Her joys and hardships are very human, as she strives for a life of scholarship and religious devotion.
I consumed this novel in two days. I was entranced by Agnes, her intellect and her faith and the risks she takes to be true to both. The medieaval worlds of central Europe and the Mediterranean are brought brilliantly to life in Rapture.
Rapture is published by Allen & Unwin in October 2024.
Memory lane: ‘Dropping the Mask’ by Noni Hazlehurst
My son spent a portion of mornings and afternoons in his early childhood, enjoying the company of Big and Little Ted, Jemima, Humpty, the square and round windows – and Noni Hazlehurst, among a cast of other beautiful and engaging presenters and characters. PlaySchool was a ground-breaking progam when it began on the Australian Broadcasting Commission in the 1960s and is still the longest-running children’s TV show in Australia.
The show’s guiding philosophy is about respect for children, kindness, familiarity along with new experiences, and a simple approach that ignites imagination rather than dictates what young viewers should think and feel.
Perhaps unsuprisingly, these qualities have been reflected in Noni’s own approach to life and to her many roles in TV, film and theatre.
Dropping the Mask is her story: from a sheltered childhood in suburban Melbourne, to attending the drama school at Flinders Univeristy in Adelaide in the heady times of the early 1970s, her first steps into the world of performance, a successful acting career, and the inevitable ups and downs of any life lived well.
The book follows a fairly straight chronology, with asides here and there where Noni reflects on experiences and draws out her themes, the main one of which is about living an authentic life rather than ‘pretending’ (kind of ironic if you think about how acting is perceived by most viewers). The motif of the mask appears often. Noni’s view of performance is that when inhabiting a dramatic role, she has always felt able to be her most authentic self, drawing on her own experiences and emotions to present the truth of a character, rather than simply performing the words of the script.
There is so much I loved about her story. I was born at the tail end of the ‘baby boom’ era, but with two older sisters I recognised so much of Noni’s experience as a youngster: the conservatism of Australian society and politics at that time; the emergence of teen culture and the more radical ideas coming from the UK and USA; the rampant growth of consumerism; the agonies of the teen years; memories of the 1969 moon landing; the beginnings of genuine multiculturalism. I know the feeling of suddenly becoming, in effect, an only child when older siblings leave home. I remember starting university and the realisation that there was a whole world of new thoughts and ideas to experience.
For fans of film and stage, Noni’s many reflections on the growth of Australia’s movie, TV and theatre industries are fascinating. There are some anecdotes from behind the scenes – some startling, some very funny.
She describes the joys and challenges of family life while trying to balance an acting career; her experiences living in the Blue Mountains of NSW and Tamborine Mountain in Queensland; the sad fact that the arts in general appear to be held in higher esteem in other parts of the world than in Australia.
Among the masks that Noni has observed in her life were those worn by her parents. Even as a child, she always had a sense that they were ‘acting happy’, that things were not quite right. Their world was tiny, protected, safe, with a small circle of friends from church. Her mother seemed anxious, her father very protective. It was not until after their deaths, when Noni appeared on an episode of the Australian version of the TV family history show Who Do You Think You Are? that she understood why.
Even if you are not a regular fan of the show, this episode is definitely worth watching. Seeing Noni realise how her newlywed parents’ WWII experiences in England created enduring emotional legacies for their family, is very moving. And the show’s other revelations about the long family history of performance artistry are incredible.
Dropping the Mask was for me, rather like enjoying a long conversation with an old friend about family, life, the choices we make, and the things that are important to us. Highly recommended.
Dropping the Mask was published by HarperCollins in October 2024.
My thanks to the publishers for a review copy.The fight for the vote: ‘An Undeniable Voice’ by Tania Blanchard
I have always felt a certain pride that Australia was one of the first countries (after New Zealand) to allow (white) women to vote. And puzzled by the slowness of Britain to do the same. Was it because of centuries of entrenched attitudes in Old Europe – attitudes towards women and men, and their relative roles in social, economic and political spheres? After all, many of those attitudes were transplanted to the Antipodes, along with convicts, rabbits and a cornucopia of noxious weeds. So why did Britain lag so far behind us before bestowing on half its population the basic democratic right to vote for their representation in government?
An Undeniable Voice traces the long-drawn-out fight for women’s suffrage in Britain. It’s a follow-on from an earlier novel by Tania Blanchard, A Woman of Courage, which I have not read – and I found that it reads perfectly well as a stand-alone.
It is 1907, and we meet Hannah Rainforth, an active member of her small northern colliery community in England. She and her husband run the pub she inherited from her parents, which she has turned into a kind of community hub, a meeting place for people to come together for various groups and projects, and support when times are hard.
But when her husband dies suddenly, Hannah is left with three children to support, and comes face to face with the inequalities experienced by women in all spheres of life: in marital laws, property, finance and employment. She knows that nothing will change unless all citizens are entitled to vote for those who make the laws that affect them.
Hannah has to make some hard decisions when she loses the right to continue as publican: moving to London, she returns to her teaching career but must leave her two sons to do so. Working to regain her old life and reunite her family, she also throws herself into the suffrage movement.
The narrative gives a comprehensive and compelling account of the activities of those working for women’s suffrage: from polite petitions to smashing windows, from peaceful marches and deputations to imprionment and hunger strikes. The brutal treatment of women on the streets and in prisons at the hands of police, government spies and prison guards is hard to read at times. What were these men so afraid of? Obviously the thought of losing their tight grip on the reins of power drove their violent and at times, bizarre responses.
Some readers may be surprised at the historical facts highlighted in this novel: that even for men, ‘suffrage’ was not then universal. There were property qualifications that attended the right to vote. In other words, men had to own a certain value of property before could register to vote. How much harder was it for women, then, when there were barriers for women owning property or taking out a loan in their own right?
The struggle for women’s suffrage took much, much longer than it should have in Britain. It was not until the ravages of WWI so thoroughly shook the nation that it was impossible for things to return to the old ways, that true progress began to happen.
In those long years, Hannah and her compatriots risked and suffered a great deal.
We all owe these women, and the men who supported them, a great deal.
An Undeniable Voice is published by HarperCollins in October 2024.
My thanks to the publishers and NetGalley for a review copy.A failed experiement? ‘Republic’ by Alice Hunt
I grew up on tales from Australian and British history and like many history enthusiasts, was especially captivated by the medieaval and Tudor periods in Britain. The Civil War era of the seventeenth century was not of particualr interest – until I listened to the episodes of David Crowther’s excellent History of England podcast series recounting the events leading up to the Civil Wars and the Republican experiment. I realised that the events of this period are actually fascinating, due to the complexities of the political landscape and the radicalism of the debates.
So when I had the opportunity to review Alice Hunt’s new book about this time, I was all in.
Subtitled ‘Britain’s Revolutionary Decade 1649-1660, each chapter takes one year and examines in detail the events, characters, competing ideas of that twelve months. It begins with the execution of King Charles I, so no spoiler there. This event, in itself, was quite extraordinary: the sanctioned killing of an annointed king after a legal process found him guilty of betraying the sacred oaths taken at his coronation, and responsible for the bloody wars that divided the kingdom between ‘Royalists’ and ‘Parliamentarians’.
Then came the events that followed, all quite extraordinary in themselves: the sale of the royal family’s property and goods (a sort of vast garage sale that went on for years); the shocking violence in Ireland under Cromwell’s direction; the attempts at reconciliation between the opposing factions within the nation and within parliament; the various iterations of parliament itself; the moment when parliament offered Cromwell the chance to become king himself…just to name a few.
The author concludes that:
The civil wars did not set out to kill the king and bring down monarchy but, by their end, a republic settlement was not only entertained but also, by some, desired.
Republic p30
There are stories of some of the interesting personalities of the time, some known to me (like Christopher Wren or John Milton) and others not so much (Katherine Jones, Robert Boyle).
Amongst the explosive political and legal events were others that, while not made up of ‘grand gestures’ nevertheless had important and long-standing effects. The readmission of Jewish people to Britain was one such. The beginnings of the Quaker movement another. The rising interest in natural sciences, philosphy, language, clocks, telescopes, horticulture, laying the foundation for modern science as we think of it today. It was during this decde that ideas of representative democracy, closer to the sense we think of it today than the ancient Greek version, were widely written and talked about.
This detailed but accessible book, paints vivid images of the turmoil and chaos of this period, of how the idea of a republic was being worked out on the run.
Understanding this goes some way to modifying the astonishment I might otherwise feel, knowing that at the end of this ‘revolutionary decade’, another Stuart (Charles II) was invited back to take up the British throne once more.
On finishing this book, I did wonder if the current monarch, another Charles, will read it and if so, what he might make of the goings-on of this decade from the past? Are there lessons from these years that speak to the current threats and opportunities for the British monarchy today? Or for those who hope that their country will once again, become a republic?
Republic: Britain’s Revolutionary Decade is published in 2024 by Faber & Faber.
My thanks to the publishers and NetGalley for a review copy.Monsters and angels: ‘All the Beautiful Things’ by Katrina Nannestad
Australian children’s author Katrina Nannestad has a gift: to convey real (and often distressing) past events to younger readers, in a way that illuminates rather than overwhelms.
As with her earlier middle-grade books set in WWII Europe, the focus is again on the experiences of children (here are my reviews for We Are Wolves, Rabbit, Soldier, Angel, Thief and Waiting for the Storks ).
All the Beautiful Things takes us to the heart of Nazi Germany, a village nestled under the mountain where Hitler’s Bavarian home, the Berghof, stands.
Anna and her friend Udo are eleven, coping with the restrictions and hardships of wartime life as best they can. Like all German children they are members of the Nazi organisations for youngsters, are taught to love and obey the Fuhrer, and give the Nazi salute when required.
They both have a secret: they and their families hate Hitler. And upstairs in the apartment where Anna lives with her mother, is another secret: little Eva, Anna’s sister, hidden away from the world because if she were discovered, her differences would likely mean her death.
This is the core historical fact of this story: the shocking program of involuntary euthenasia carried out by Nazi doctors on Hitler’s orders, in their distorted efforts to eliminate any ‘weaknesses’ from the pure Aryan race.
As the war drags on, Anna and Udo learn that there is a network of other people in their community who feel the way they do about the Nazis – sometimes the most surprising people. They also learn that people are not always simply ‘monsters’ or ‘angels’: that they can be both and it can be hard to tell one from the other.
‘So how do we tell the monsters and the angels apart?’ I ask.
‘Well, there’s the problem, Anna,’ says Dr Fischer. ‘It can be tricky because the two can look so very similar. But one day, I assure you, it will be plain for all to see. A monster’s deeds, no matter how prettily they’re packaged, will ultimately lead to death and destrucion – for everything and everyone they touch.’All the Beautiful Things p152
In the first chapter, readers are plunged into Anna’s world, trying to understand the different views and experiences of Germans during this terrible time. They see how brainwashing occurs, through programs such as Hitler Youth and in schools. Moral choices abound: is the safety of my family more important than yours? Is it wrong to disobey laws if they are bad laws that hurt others? They also witness Anna’s confusion as Germany’s defeat looks more and more likely. She longs for the end of Nazi rule but that means that she must also want the defeat of her own country.
Underlying all are the themes of love, of family and friendship, kindness and compassion. There is also the best description of the value of difference I have ever read, using the metaphor of a jigsaw puzzle:
‘The world is a jigsaw puzzle, every person a unique piece. There is a space for each one, but it must be a space made just for them. And if we leave one piece out, no matter how small, plain, insignificant or odd it may seem, the jigsaw puzzle remains incomplete. The picture looks ugly because there’s a gap.’
All the Beautiful Things p32
Martina Heiduczek’s lovely illustrations once again add another dimension to the unfolding story.
All the Beautiful Things is published by HarperCollins Children’s Books in October 2024.
My thanks to the publishers for a review copy.