Books and reading

  • Books and reading

    Time is a river…’There are Rivers in the Sky’ by Elif Shafak

    This is a hard book to pin down. It’s part historical novel, part call to action for the survival of Earth’s rivers and waterways. It’s definitely a saga, incorporating several timelines and character arcs. There’s a little bit of magical realism, a dollop of science, plus social commentary, poetry and philosophy. It took me a few chapters to fully engage with it, but once I did I was hooked.

    It begins in ancient Mesopotamia in the fabled city of Nenevah, with an educated and cultured, but ruthlessly cruel ruler, who is entranced by the legendary poem The Epic of Gilgamesh. As a single raindrop from an approaching storm falls into his hair, he commands that his former mentor and teacher be put to an agonising death for supposed treason against him. The raindrop ascends into the sky where it will bide its time, ‘waiting to return to this troubled earth again…and again. Water remembers. It is humans who forget.’ (p18)

    These are the themes that are woven into the book’s several storylines; they dance around each other before coming together in its final pages: the essential nature of water to Earth and those who live here; the power of story, of poetry and language; the choices that humans make in our time on the planet.

    There is Arthur, a boy born into poverty and mud on the banks of the Thames in 1840, who goes on to encounter the ancient clay tablets of Mesopotamia held in the British Museum and learns to decipher their strange cuneiform writing, stumbling across segments of the Gilgamesh poem as he does so.

    There is Narin, a child of the Yazidi sect living alongside the ancient Tigris River in 2014, who travels with her Grandmother to visit their spiritual homeland, only to be plunged into persecution and war.

    And there is Zaleekhah, a young woman who moves into a houseboat on the Thames in London in 2018, nursing a broken heart from a failed marriage, along with old hurts from a childhood tragedy. She is a hydrologist, studying the health and behaviour of rivers around the world.

    What these three disparate people have in common is the centrality of water to their fates. Rivers, and two in particular – the Tigris and the Thames – feature throughout the novel. The lifestyles, customs, religious beliefs, legends and languages of those who have lived alongside these rivers across thousands of years, are referenced, giving a fascinating insight into topics that I had not known much about previously. This is done through stories – the lives and actions of three in particular, along with a wide cast of secondary characters.

    There is some gorgeous writing throughout and so many notable passages that I had a great deal of trouble choosing just one to quote. Here is a beautiful metaphor that, I think, draws together some of the themes of this novel:

    Time is a river that meanders, branching out into tributaries and rivulets, depositing sediments of stories along its shores in the hope that someday, someone, somewhere, will find them…
    We carve our dreams into objects, large or small. The emotions we hold but fail to honour, we try to express through the things we create, trusting that they will outlive us when we are gone, trusting that they will carry something of us through the layers of time, like water seeping through rocks. It is our way of saying to the next generations, those we will never get to meet, ‘Remember us.’

    There are Rivers in the Sky p456

    There are Rivers in the Sky was written by British Turkish novelist Elif Shafak and published in 2024 by Viking, an imprint of Penguin Random House UK.

  • Books and reading

    The human cost: ‘The Mushroom Tapes’ by Helen Garner, Chloe Hooper & Sarah Krasnostein

    The subtitle of this book sums up the authors’ intent: Conversations on a Triple-Murder Trial.

    It’s not a blow-by-blow of the whole trial, nor of the crime itself. That sort of true-crime writing is not really my cup of tea, nor is it the kind of approach that the three authors are, rightly, famous for.

    Rather, it’s a collaborative exploration of their personal responses to what they see, hear and think during this very famous trial in Victoria’s Gippsland region in 2025.

    Especially, it is an examination of the very significant toll on those involved: the human side of the headlines, the speculation, the theories. The crime is only the first part of a process that affects every individual who is somehow connected to a trial like this.

    I probably would not have been inclined to read this book, except that the three women who wrote it are authors whose previous works I have admired. They tackle their subjects with respect, humility and a very honest vulnerability. These qualities are reflected in this, a collection of conversations they had together while driving and from to the small town where the trial was held, and in between hearing days.

    The result is not a forensic examination of the evidence, or the legal arguments, so much as how all of this made them feel – about the accused, about the victims, about the residents of a little country town that will be forever changed. The legal teams, the journalists covering the trial. The families of the dead.

    They debate long and hard about their reasons for wanting to attend and write about this particular trial. Are they, in the end, like those who see it as an opportunity to make a quick buck from a book, podcast or film? Are they just curious sticky-beaks wanting a vicarious glimpse into unimaginable trauma? They share their thoughts about those reasons; here is part of their answer:

    Helen: Basically what we’re doing is bearing witness…We’re bearing witness to a rent in the social fabric and how the law is going to deal with it.
    Sarah: You can do two things with [evidence in a trial]. You can digest it into content that people come to ogle out of shadenfreude, or you can say ‘Oh God, I know that feeling…I know what shame is, and I know what rage is,and I know what it is to be islolated and desperate.’
    ebook pp 23-24 of 249

    Of course mushrooms feature throughout, death cap mushrooms being the medium by which the killer delivered the poison to her victims. The authors muse on the ways in which mushrooms could be seen as metaphors: for indications of personality, relationships, intent. This book also had me thinking about fungi in general and its place in our environment.

    I love the way these women write, and I loved ‘hearing’ their voices throughout this book: unadorned, unedited, honest.
    The Mushroom Tapes is unlike any ‘true-crime’ book I’ve come across previously. In their exploration of this particular trial and the crime that brought it about, the authors have much to say about us all.

    The Mushroom Tapes was published by Text Publishing in 2025

  • Books and reading

    A kind of gothic: ‘The Diamonds of Tilly Devine’ by Jackie French

    One thing I most appreciate about profilic and best-selling Australian author Jackie French is that she is unafraid to explore darker themes in her work. Her books will at times touch on issues and events that some authors might steer away from, especially in books for children.

    Her latest historical fiction for adults delves into some very dark topics indeed: Sydney’s ‘razor gangs’ of the 1930s; the desperation of the poor in the city’s slums; drugs; prostitution and trafficking of young women; corruption of all kinds; sadistic personalities.

    The protagonist of The Diamonds of Tilly Devine is Connie, who is reeling from the death of the mother she’d nursed for seven years. Now left with only an old kitchen chair to her name, she is considering suicide.

    Happily it moves on from there and Connie’s life trajectory does move upwards, but not before some very dark and difficult, almost gothic, experiences which serve to strengthen this compassionate young woman to a diamond-grade toughness.

    The Tilly Devine of the title was a real historical figure, one of two rival gangland queens in Sydney during the 1920s and 30s. Speaking of tough: it was well known in her world of sly-grog shops, brothels and gambling clubs, that Tilly would shoot anyone who crossed her – or who mistreated her ‘girls.’ Especially the Diamonds – not sex-workers as such, but women groomed for a particular role. One she offers to Connie.

    Connie makes mistakes, some with disastrous consequences, but she survives, eventually finding the home and family she’d longed for, along with an understanding of the things that really matter in this world. There’s a murder mystery and a gripping courtroom drama along the way, things I always enjoy in a novel.

    This novel is chock-full of wonderful characters, richly drawn settings, and delicious food of the era (excepting the crumbed brains and roast mutton, neither of which appealed to this vegetarian.) But the scones, cakes, puddings and biscuits read like they’ve just come from the author’s kitchen, which they may well have done!

    While this one is perhaps a little too gothic for my taste, Jackie French’s skill as a story-teller had me up reading at night, reluctant to put the book down before I’d finished the next chapter, then the next…

    The Diamonds of Tilly Devine is published by HarperCollins in June 2026.
    My thanks to the publishers and to NetGalley for an advance review copy.

  • Children's & Young Adult Books

    The sweetness of love (and oranges): ‘One Volcano and the Many Oranges’ by Khuanta Mahasay

    The blurb for this lovely book, a debut by Australian author Khuanta Mahasay, includes this description:
    An illustrated chapter book to share aloud with children ages 6 to 9, and with anyone who needs it, including grown-ups.

    This beautifully captures the theme and feel of the story.

    The main character is Omar, who lives with his mum and grandma at the base of a spectacular volcano called Mount Tangy. Omar loves living here and helping his family grow oranges in their orchard. But he feels sad a lot of the time because his dad has died.

    A special place Omar loves to visit is the spot on the mountain’s slopes where the family had scattered Dad’s ashes. Sometimes he cries a little bit when he sists there, but he feels lighter, too, gazing over the valley and his home, far below.

    When the mayor announces a competition to see who among the local farmers can grow the sweetest oranges, everyone is very excited. Then, when Omar’s tears drop onto the orange tree he had planted with Dad years before, something very special and magical happens.

    The day to choose the competition winner arrives and the whole town is there; excitement grows amid a festival atmosphere as the community comes together for the event. But Mount Tangy has other ideas and threatens to erupt. What can they do?

    More magic – and some quick-thinking from Omar – help to save the town. In the process, Omar learns that it’s OK to feel sad, that we can keep those we love close to us with our memories, and that magic can take all shapes – and when it comes to oranges, all sizes, too.

    It’s a sweet book, redolent with the scent of sticky oranges and the sourdough bread baked by Grandma. Warmth and love work their own magic to help Omar heal from his loss.
    Short chapters and the gorgeous illustrations by Estelle Corke make this a perfect book for early readers who are ready for more text-rich books, or for reading aloud together.

    One Volcano and the Many Oranges is published by the author in 2026.
    It can be purchased on Amazon in both paperback and ebook formats here.

    Disclosure: The author is a family member.
    Readers of my blog will know that I champion children’s literature whenever I have the opportunity; this book is the first of what I’m sure will be many more books for kids that Ms Mahasay will produce.

  • Books and reading,  History

    ‘Wings Over Valletta’ by Tracy Cook

    In my four visits to Malta, my husband’s homeland, I have not yet made it to the Lascaris War Rooms. After reading this historical novel set during the appalling bombardment of the Maltese islands during WWII, I will make sure to visit this site of global significance next time.

    Why global significance? Because tiny Malta is located in a spot in the Mediterranean Sea of such strategic importance that whoever controlled it, had a huge advantage during wartime. As a result, the people of Malta endured raids by both Italian and German planes, the islands becoming the most bombed places in the whole war.

    Under British control, the authorities set up a command centre deep beneath the capital Valletta, utilising tunnels dug centuries earlier by the order of Knights who then ruled the islands. This is where novelist Tracy Cook set much of the action in her story. She chose to tell of the heroic efforts of the ‘plotters’, Maltese and English women who took on the vital work of plotting air battles and missions.

    We have probably all seen footage of plotters in Britain, who showed the movements of enemy and Allied planes by pushing markers around huge maps, allowing those responsible for battle strategy to get a visual representation of what was happening. This was well before the age of digital screens and instant information transmission as we have today. In Malta, the women who did this work were not employed by the RAF. Rather, they were civilian women recruited from towns and villages across the islands.

    The Ops Room, Ladscaris War Rooms. Source: ‘Historia Magazine’ https://historiamag.com/women-siege-malta/

    They worked long hours in difficult physical conditions under immense pressure. At the end of a wearying shift, they faced even more stressful conditions when back above ground: the destruction of their homes, local services, constant air raid sirens requiring a fast exit to the nearest shelter. They worried about their families, friends, neighbours…Sworn to secrecy about their work, they were unable to share their worries with anyone outside.

    Wings Over Valletta portrays all this through the eyes of the protagonist Kitty Campbell, whose father is a senior figure in the British Navy in Malta. Kitty is at home in Malta, with local friends and a job, until the war interrupts her normal life. It is then she signs up for work as a plotter and descends into the War Room tunnels for her first shift.

    The enormous challenges faced by the Maltese people are skillfully portrayed: loss and heartache; hunger as the seige bit hard; anxiety over a possible German invasion. The internal political divisions are also shown: Malta had been a British colony for over 150 years and even in wartime, there were people agitating for independence, which was eventually achieved in 1964. Yet the country as a whole was awarded the George Cross for their bravery in 1942: the only nation to have ever been so collectively honoured.

    Kitty nurses her own private loss and heartache: a child she unwillingly gave up for adoption years before, and her determination to find this little girl. She also faces betrayal from people she trusts and the hurt of knowing she’d been lied to. Like all the women plotters in the War Rooms, she has to find a way to navigate her own problems while staying focused and strong in her mission to help the war effort.

    When she meets a British flying officer, romance blossoms, which adds to the story but doesn’t detract from the themes of danger, worry and commitment to duty .

    This book is an emotional testament and tribute to the courage and tenacity of the people of Malta. It’s also chock full of references to Maltese lifestyle, food, culture and language, resulting in a wonderful portrayal of a tiny country which played a very big role on the world stage.

    If you’d like to find out more about this amazing chapter of WWII history, you can read more about the Lascaris War Rooms here.


    Wings Over Valletta was published by Allison & Busby Publishers in 2026.
    My thanks to the publishers and to NetGalley for a review copy.

  • Books and reading

    A thriller series in small bites: Book One, ‘No Passengers’ by Elainie La Force

    The thriller genre is not my usual read, however I was intrigued by this bite-sized novella sent to me for review by author Elainie La Force.

    Book One in a series of three, it introduces Anastasia Pestova, a twenty-three year old teller at the Bank of Moscow, who gets into a situation that quickly spirals out of control when she is accused by her employers of fraud.

    A series of large transactions she authorised at work is questioned and she is under suspicion. Her father is appalled, even more so when he learns that an old friend might also be implicated. As the suspicious activity is investigated, it looks like money laundering and drug king-pins might also be involved.

    Far from having an opportunity to clear her name, there seems no option for Anna but to get out while she can.

    What follows is a high-stakes, fast-paced flight from Moscow, relying on help from strangers and her own intuition and resourcefulness, to get to safety.

    This little book is definitely a page-turner, with well drawn characters and settings. I enjoyed the snippets of Russian language and landscape, too. I read it on a train journey and it felt satisfying to follow Anastasia’s adventures to their conclusion in the time available. It’s a great opening for a series for fans of the thriller genre. The next two books in the series are Displaced and Foreign Muse.

    No Passengers was published by Rockhouse Press in 2026.
    My thanks to the author for a review copy.

  • Books and reading

    Searing honesty: ‘Mother Mary Comes to Me’ by Arundhati Roy

    Have you ever found yourself in the inexplicable situation where, despite your love of one book from an author, you realise that you have not read anything else by them?

    This happened to me recently. Booker Prize-winning author Arundhati Roy’s memoir, Mother Mary Comes to Me, is on the list of titles to be discussed this year by my book group. I was pleased to see it there, as her debut and award-winning novel The God of Small Things is on my list of all-time favourite books.
    Yet I realised that I had not read any of her subsequent works.

    Why not?
    I absolutely could not say.
    Perhaps just time, and the clamour for my reading attention by so many other titles.

    I also realised that I knew very little about this author, other than she was born and lives in India, that her debut was based, in part, on some of her childhood experiences, and that she has been an activist for many years.

    From the opening pages of Mother Mary (which was shortlisted for the 2026 Women’s Prize for Non-Fiction) I could see that this was going to be a searingly honest account of her life, from childhood, through formative experiences of young adulthood, taking in her writing career but also the adventures and escapades of her activism on environmental and human rights issues.

    A main theme is the troubled, eccentric relationship with her mother, Mary Roy, whose life trajectory was anything but settled and ordinary. Mary was a fiery warrior for women’s rights in an India divided by religion, caste, gender and political beliefs. A single mother of two young children, Mary established a small private school to make a living for her family, but also to put into practice her beliefs about how children should be educated.

    She also challenged unfair laws in the courts, battles which lasted decades.

    Mary was beloved and feared in equal measure by her children, her employees, colleagues and the children she taught. She was cantankerous, eccentric, unpredictable, and sometimes cruel.

    All this her daughter describes, including how her mother’s behaviour led to her decision to leave home forever at an early age, but also when Mary died, how she felt …wrecked, heart-smashed. I am puzzled and more than a little ashamed by the intensity of my response. (ebook loc 2 of 374)

    I had never known that beloved landscape, never imagined it, never evoked it, without her being part of it…She was woven through it all, taller in my mind than any billboard, more perilous than any river in spate, more relentless than the rain, more present than the sea itself. (ebook loc 1 of 374)

    We are then immersed in the various, often precarious, situations that Arundhati encountered after leaving home; the people who impacted on her teenage and adult life; the path that led, eventually, to her writing The God of Small Things; the reaction of the literary world and her fellow Indians to the Booker Prize win, and what she did after.

    As always, I was fascinated by the ‘back story’ of her first novel. It always intruiges me, how a spark of an idea, a memory or image, sound or smell, can be fanned by an artist into the flames that eventually become a finished novel, poem, song or painting.

    Once I had finished Mother Mary Comes to Me, I realised that this book is several stories in one. It is the story of the lives that, through accident of birth or choice, were a family. It’s also the story of a nation as it struggles with the journey from colonial possession to independence, from tradition to modernity and everything in between.

    Mother Mary Comes to Me was published by Penguin Books in 2025.

  • Books and reading,  History

    The tragedy of war: ‘When Sleeping Women Wake’ by Emma Pei Yin

    ‘When sleeping women wake, mountains move.‘

    This is the kind of historical fiction that has me turning immediately to the Author’s Note, and then searching for more information on the events and places depicted, as I read.

    I knew next to nothing about the fate of Hong Kong Chinese under the brutal occupation by the Japanese Imperial Army in WWII, and this novel (the first by Australian-Hong Kong Chinese author Emma Pei Yin) certainly whet my appetitie to learn more.

    It follows three women through the war; their stories and eventual fates connected but separated for a time after the invasion of their home.

    Mingzhu is married to a wealthy businessman, leading a luxurious but unsatisfying life. As First Wife, she adores her daughter Qiang but must endure the taunts of her husband’s concubine with whom he has a son. Mingzhu is intelligent and strong-willed and to ensure her daughter has opportunities that were denied to her, she chooses a compassionate and well educated English man to tutor Qiang as the girl grows into young adulthood.

    Biyu is her companion and maid, who came into Mingzhu’s family when Mingzhu herself was born. Loving and loyal, Biyu has devoted her life to her mistress and will do anything to protect her and young Qiang.

    Qiang dreams of more: an education, a profession…and when the war hits, she dreams of fighting to protect her home and family.

    But when the Japanese Army descends on Hong Kong, the three women are separated. Each endure hardship and witness unspeakable acts of cruelty, alongside courage and kindness, sometimes from unexpected sources.

    The story traces the development of the East River Column, a group of resistance fighters. This part of the novel is based on a real group whose acts of sabotage, theft of weapons, rescue of downed Allied pilots and victims of the Japanese Army, all played a part to hinder the invaders in their goal of complete domination of Asia. It’s a thrilling story, underlaid with the real human tragedy of war, represented by Mingzhu, Biyu and Qiang and those they encounter.

    These three women also represent some of the best attributes of the human instinct for survival, loyalty, love and courage. While the novel doesn’t have a stereotypical ‘happy ending’, it does offer hope and a profound respect for those caught up in suffering at the hands of others.

    When Sleeping Women Wake was published in 2025 by Hachette Australia.

  • Books and reading

    Connections: ‘Three Reasons for Revenge’ by Dervla McTiernan

    Fans of Irish-Australian crime writer Dervla McTiernan will welcome the arrival of her latest book, Three Reasons for Revenge. Her previous book (2025) continued the Cormac Reilly series, and she has also written stand-alone stories such as What Happened to Nina? (2024).

    This is another stand-alone, pleasingly set in Australia, and featuring as protagonist Detective Sergeant Judith Lee, who could well become the centre figure of another series. She is an experienced and able police officer, but the case that opens up when she takes the complaint of young Alexis Turner, is unlike any other she has dealt with.

    Alexis has alleged sexual improprietry on the part of a university clinic counsellor, a man who has been on Judith’s radar since a similar complaint years earlier. But no sooner has Judith opened the inquiry, than Alexis disappears. And then the case turns into a murder investigation.

    She must work against the clock to connect three seemingly disparate individuals to the case and to each other. The only thing they appear to have in common is that they have been recipients of a beautifully wrapped parcel with an ambiguous object inside, along with a cryptic note.

    This author excels at weaving intricate tales in which the obvious answers are the wrong ones and the unexpected is sure to happen. This one is no different. There are several twists and surprises, before the mystery is solved.

    I enjoyed the characters, finely drawn and believable, and the pace keeps the pages turning quickly. Along the way, the novel explores themes of grief, childhood trauma, and psychological distress.

    As often the case for me, I wasn’t completely convinced by the reveal towards the end; however that did not stop me finding this one a great holiday read. I hope to meet Detective Sergeant Judith Lee again, too.

    Three Reasons for Murder was published in April 2026 by HarperCollins.
    My thanks to the publishers and to NetGalley for an advance review copy.

  • Books and reading,  History,  Travel

    ‘Notorious strumpets & dangerous girls’: Convict women in Tasmania

    Plaque at Cascades Female Factory historic site; photo by author, 2026

    Recently my husband and I spent a week visiting some of our favourite spots in Tasmania (hello Freycinet, Bicheno, Ross, Richmond, and the beautiful Huon Valley!)

    While in Hobart, I took the opportunity to go to the Cascades Female Factory historic site. Around 7,000 women walked through the entry gate during its nearly thirty years of operation in the first half of the 1800s.

    The term ‘female factory’ puzzled me when I first heard of it. Essentially, the factories were prisons or barracks to house convicts; but they were also places of work where women laboured at various tasks, depending on which institution they were in and their status in the highly regimented convict system.

    For example, they might be set to weaving, unravelling tangled, tarry ships’ ropes for re-use, laundering clothes and sheets from the nearby town, or sewing garments. Hence the term ‘factory’. The women made things or did jobs others didn’t want to do.

    In addition, these sites operated as marriage market (free settlers or emancipated men could apply to marry one of the ‘better behaved’ women), maternity hospital, and nursery of sorts (although the infant mortality rate was often horrendous).

    I was most familiar with the older Female Factory at Parramatta in NSW, so I was keen to visit the Cascades to compare and contrast the experiences of women there.

    I joined an hour-long tour entitled Notorious Strumpets and Difficult Girls. That quote, by the way, comes from the surgeon superintendent’s report on a transport ship about a youngster, Julia Mullins, in 1826.

    This is the kind of language that men in authority felt free to use about the women in their ‘care’ if they were unfortunate enough to end up in the British justice system of the eighteenth and nineteenth centuries. As the guide on my tour remarked, the transportation system was ‘cruel, unfair and arbitrary.’ No one questioned why these women and girls ended up in a crowded, filthy gaol, in a court room, or on a transport ship. The thinking of the time held that there was a ‘convict class’, you were usually born into it, and nothing could change your life trajectory.

    As it turned out, for some women, transportation did just that. If they survived the challenges of the system and served their sentence, some were able to make a real go of it in their new home. For most, the idea of returning home was laughable – who had the money for an expensive fare on a sailing ship? So they made the best of it, and some fortunate ones went on to have lives far superior to what they’d have endured had they remained in Britain. Among these were women I have researched and written about in the Travels with my Ancestors series on this blog.

    The Notorious Strumpets tour told the story of seven women, all of whom had some experience of the Cascades Factory. Mostly their stories were pretty grim, with a couple who defied the odds and lived reasonable lives afterwards. Many factory women had left family behind when they boarded the transportation ships; lost babies or toddlers on the voyage or in the unhealthy ‘lying-in hospital’ or nursery; all of them experienced trauma of some sort from the time of their arrest and trial.

    The strumpets were likely to be those women and girls who were not compliant, who did not keep their mouths shut and their eyes downcast. They spoke out, acted up, made trouble, got drunk, had sex with partners (male or female) not approved of by authorities. For these things they were punished, over and over again. The tour brought them to life in a respectful way, not overly dramatising things (because honestly, their lives were already pretty dramatic) and not glossing over their often troubling behaviours.

    Among the saddest stories for me were the women who lived long lives of crime coupled with frequent homelessness. They lived surrounded by violence, both real and threatened. The odds were so stacked against them, yet they continued to defy, choose their own paths, exercise an agency of sorts. But they lived on the edge, among the most vulnerable in a harsh and unfair world. We were shown photos of some women, usually ‘mug shots’ taken when they entered other prisons after the Factory. The harshness of their world was etched in the lines on weathered faces, the rage or defeat in their eyes.

    If you are in Hobart I highly recommend a visit to the Cascades Female Factory. While only a small proportion of the built environment of the factory still stands, the interpretive centre, displays and tours are excellent. It is a place to learn, to reflect, to pay respects to the women who lived, worked, suffered and survived.

    Statue honouring convict women at Cascades historic site; photo by author, 2026

    One husband and wife in my family tree arrived in Tasmania not as convicts, but as employees in the Launceston Female Factory in the north of the island. They were free settlers and got work at the factory – he as Gatekeeper and his wife as Assistant Matron. These were positions of some responsibility; they were gained (as was so often the case in this era) not through previous work experience or particular skills, but rather by presenting as ‘respectable’ people who would be willing to operate in a regimented and punishing system.

    An engrossing book, prepared by the excellent Female Convicts Research Centre and published by Convict Women’s Press in Hobart in 2013, tells the history of this establishment, through the stories of the many women who entered its grounds as prisoners. Edited by Lucy Frost & Alice Meredith Hodgson, Convict Lives: The Launceston Female Factory is divided into a number of themes such as ‘Out of Ireland’, ‘The mixed blessings of motherhood’, ‘Resisting reform’, ‘Family sagas’, ‘Difficult ends’.

    Once again, the determination of some women to defy, subvert or game the system is a thread that runs through many of the stories. There is tragedy too – how could there not be? – and a sense of the toughness of these people that British society preferred not to think about.

    It’s a slim volume but a terrific read. I felt the coldness within the Factory walls, the longing for home of those inside, the quest for companionship and love, the squalor and overcrowding, the hungry bellies and the aching bones of the prisoners. I celebrated those who survived, who went on to marry, have healthy children, run businesses, find comfort and security in their lives after the Factory.

    This book is a valuable little resource for my family history research and writing. It’s also a testament to the lives of the women who came here most unwillingly to take part in the absurd, harsh and quixotic experiment that was the convict transportation system.