Affirm Press - Denise Newton Writes

Did you know that six thousand Jewish refugees were saved from murder at the hands of Nazis during WWII by escaping Europe via Japan? And that they were able to do so by the actions of a brave and committed Japanese diplomat, Chiune Sugihara, who in defiance of his government’s express orders, wrote transit visas for desperate people trying to flee from Lithuania.

He was helped in this by an official from the Netherlands, who supplied documents allowing refugees to travel through the Dutch colony of Curacao, and from there to Japan. From Japan, individuals and families found refuge in countries such as the USA and Australia.

I had never heard of either of these individuals, whose courageous and compassionate actions have been lost in the stories of that terrible war. And the connection between Japan, Poland, Lithuania and Australia seems unlikely, doesn’t it?

The Jews whose lives they saved included the author’s own family: her father and grandparents fled Poland to Lithuania, and were amongst those who owed their lives to Sugihara and the Dutch man Jan Zwartendijk. Rachael wrote this book, her first novel, to tell their story and that of the men who saved them.

In the novel, the main character Rachel is a young nurse who lives with her widowed father and has a close relationship with her Polish grandmother, Felka, whom she adores. It is Sydney in 1968. Rachel has been brought up as a Christian, attended a Catholic school, and is engaged to marry Yanni, a doctor at the hospital where she works.

When she tells Felka that she must convert to Yanni’s religion of Greek Orthodoxy on their marriage, her grandmother’s reaction is bewildering and confusing. Then Felka announces her plan to attend a reunion of friends in Japan, and asks Rachel to accompany her. She is puzzled. What is this ‘reunion’, and why Japan?

When she is told the truth of her family, she is incredulous. Her father and grandparents were among those able to get out of Europe because of Mr Sugihara. And they are Jewish. The trip to Japan is for survivors to meet with Mr Sugihara, to thank him for their lives.

Rachel’s shock and sense of betrayal at having been lied to her entire life are profound. Slowly, she begins to understand the reasons why her father and Felka did what they did: to protect her, so that she would never know the hatred and anti-Semitism that they had experienced.

She travels to Japan with Felka and there, hearing the stories of the other people saved by Sugihara, she grapples with the questions of who she is and what the revelation of being Jewish means: does it bring a heritage of suffering and loss, or of family, tradition and deep connection? Or all of those things?

And how has the trauma experienced by her surviving family members manifested in their personalities, their relationships and approaches to life?

These are all deep, deep questions she must face, and all at once. It is difficult and painful. Through travelling to Japan with Felka, listening to the people she meets there, and reappraising her own beliefs, Rachel finds some acceptance and a strong desire to learn more.

Initially, I thought Rachel’s ignorance of the events of WWII, the Nazi persecutions and concentration camps, the murders and unspeakable cruelties, was somewhat disingenuous. But I reminded myself that Rachel had come to adulthood barely twenty years after the war. She was taught the minimum details of the conflict at school, and not knowing of her personal connection to those events, did not seek to learn more. And many, many survivors, refugees and veterans, were reluctant to talk about their experiences, preferring to try to forget, to move on with life.

The Star on the Grave is a moving story of one family, fictionalised but inspired by her own, in a surprising and little-known chapter of that global conflict. I found it absorbing, and I hope to read future works by Ms Margolin Royal.

The Star on the Grave is published by Affirm Press in January 2024.
My thanks to the publishers and NetGalley for a review copy.

Do you know the feeling when you treat yourself to a new book purchase and, because you have several other books to read first, it sits on your bookshelf or bedside table for a while? Every time you pass it, you have a warm feeling inside. I will get to you soon, you promise. There is often great pleasure to be had in the anticipation of pleasure.

That was me with The Bookbinder of Jericho. I had (like so many others around the world) fallen in love with Pip William’s 2020 novel, The Dictionary of Lost Words, and so I was very pleased when I learned she was writing a second novel set in Oxford in the World War I era. Having at last been able to read it, I can say with certainty that it will be one of my standout reads for 2023.

Pip Williams writes the best kind of historical fiction: stories about real places and events, with characters to care deeply about. Fiction that tells us something about who we are today and how we got here. The past is the recipe for the present, whether we know it or not. These types of novels illuminate how and why.

The Bookbinder of Jericho stands on its own as a perfect story; there is no need to have read the earlier book. It is not a prequel or a sequel, but a companion novel. Having said that, I did have little thrills of recognition as characters or references from the first book made brief but profound appearances in this new story.

The narrative centers around the people in the ‘bindery’ of Oxford University Press: almost all women, they were the workers who gathered, folded and stitched the printed pages into books. This work is imbued with a grace and dignity; though never glamorised. In the early twentieth century, there was a steep price to be paid for being working class and a woman. Even as Britain moved towards women’s suffrage, this initially only applied for women who owned property or wealth.

Peggy is one of the ‘bindery girls’ but she longs to be able to have the words in her mind as well as the papers in her hands. She is told more times than she can remember, Your job is to bind the books, not read them. Her twin sister, Maud, is special: a ‘one of a kind’, loved by her family and neighbours, though Peggy has moments of wondering what life would be like without the responsibility of caring for her sister.

The sisters live on a narrowboat moored on the river, which sounds romantic but is also cold in winter, hot in summer, and very cramped.

Their tiny home is filled with bookshelves installed when their mother was alive, containing bound and loose leaf printings of books or parts of books, collected by Peggy and her mother when rejected as ‘waste’ at the printer or bindery. The girls’ mother introduced them to classics and works of antiquity, such as Homer’s Odysseus. Peggy dreams of entering the women’s college of Oxford university, just across the road from the bindery where she goes to work every day.

‘I’m from Jericho, Bastiaan, not Oxford. I left school at twelve, and Homer was not in the curriculum at St Barnabas – not in English and certainly not in Ancient Greek.’
‘But why not in English?’
‘There was no point. Our destinies were too ordinary to bother the gods, and our journeys would take us no further than the Press.’
‘The same Press that prints Homer in English and Ancient Greek?’
I raised my eyebrows and did my best impression of Mrs Hogg.
‘Your job, Miss Jones, is to bind the books, not read them.

The Bookbinder of Jericho p258

Then WWI breaks out and life changes for everyone.

This is the story of women’s work and their challenges; the prison that social class and gender expectations create for everyone; the way war both damages and destroys, yet can open new opportunities for some.

Especially it is the story of people and relationships: how they can hurt and heal; how friendship and love can embrace and nurture even in the darkest of circumstances; how some injuries cannot be healed.

For me, it is a perfect piece of historical fiction. I loved this book.

The Bookbinder of Jericho was published by Affirm Press in 2023.

Here is a little video showing the author folding, stitching, and binding her own printed book – just as the bindery girls did in the novel.