This year I signed up to read at least 10 books by Australian women writers and review at least 6. On this score at least, I am an over-achiever! As at the beginning of September, I had read (and posted reviews for) 30 books by Aussie women. I think next year I’ll need to aim for the top level of AWW Challenge. It is not hard for me to read plenty of books by the wonderful and talented authors we have here in this country.
My 2021 reading ranged across multiple genres, from historical fiction (always a favourite, especially Australian history and stories featuring women in WWII, which is a theme that has become very popular in recent years); memoir, history, quite a few children’s books, true crime and crime fiction.
My standout reads by Aussie women so far for 2021?
These four spoke to me the loudest (the links are to my reviews):
Thank you to the wonderful Australian Women Writers’ Challenge for another year of fabulous reading. If you haven’t checked out the AWW website, be sure to have a look. You will find so many recommendations for new authors and books to discover.
As I read this debut novel by Australian Marion Frith, TV, print and broadcast media were saturated with the shocking news of the Taliban taking over Kabul and huge swathes of territory in Afghanistan. A reminder, if I needed one, of how devastating, cruel and ultimately pointless that protracted war has been.
The two protagonists of Here in the After are both connected to violence emanating from that part of the world and the roles played by Western nations there.
Nat is an army veteran who served in Afghanistan. He has returned to his wife Gen a broken man, unable to take the steps needed to heal from his complex PTSD and the things he saw and did during his tour of duty.
Anna is middle aged, a grandmother who has been grieving the death of her beloved husband. One day during her lunch break from work, she sees a brochure in the window of a travel agency and impulsively goes in to check it out, because she’d made a promise to her husband not to stop doing the things they enjoyed together, like travel. Wrong place, catastrophically wrong time for Anna.
She ends up as the only survivor or a shocking terrorist attack in which eleven other people – including a child – are murdered in cold blood. Anna is rushed to hospital and faces a long physical recovery, all the while wondering if she will ever recover from the trauma. She is now in the ‘after’ – and it seems that she will never recover her life ‘before’ the shocking events that she somehow survived.
Nat seeks out Anna because he suffers from crippling guilt for everything that happened in Afghanistan. He has realised that he and other soldiers were sold a lie, when they believed that they were fighting there to keep Australians at home safe. The attack on Anna and the others in the shop are proof that they failed in that mission.
At first wary, Anna comes to see Nat as someone who understands her turmoil because he is experiencing something very similar. A friendship develops as the pair meet, talk, challenge and reassure each other.
Told in alternating viewpoints, the novel plunges the reader into the horror of Nat and Anna’s experiences and the tormented emotional and mental loops that each are now suffering. Their confusion, rage, guilt and sorrow are well described.
Despite the darkness of their experiences, each person offers something profound and important to the other; most especially the possibility of hope.
It really did take one to know one as he’d joked on the beach about their battle scars that day. It was true. That was the core of their connection, but it was more complex than his having been a soldier and her a victim of the perverted ideology he had fought… Anna had said she thought he understood her, but he realised now it was she who understood him. Nat had never believed anyone would ever understand him again.Here in the After pp170-171
Here in the After is a sensitively written story of appalling trauma, the slow rocky path to recovery, and a different type of friendship. As we witness the tragedy in Afghanistan, the story is a timely reflection on the scars that violence leaves on its survivors – some visible, others less so.
Here in the After is published by HarperCollins Publishers in September 2021.
My thanks to the publishers for a review copy.
This book ticks many boxes for lots of children: pets (of all kinds), a school that is actually fun, making new friends, and two baddies who want to rule the world.
The main character, Rusty, is a very ordinary boy who suffers from low confidence and has not had much go right in his young life. He wins a competition that takes him and his best friend, his pet blue tongue lizard Bongo, to a secret island, where he hopes Bongo will learn to talk at the School for Talking Pets.
There are other youngsters who arrive with him, from Japan, Germany, England and the USA, all hopeful that their pets will also talk.
Things don’t go quite as smoothly as they might have wanted, though, because there are two secret spies sent to the island by people who plan to use the animals for their own nefarious purposes. By the end, Rusty and Bongo are the unlikely heroes.
I loved that the school is the brainwave of Miss Alice Einstein, the great-granddaughter of the famous scientist Albert. I also enjoyed the nod to the principles of effective education: Believe in learners. Listen to them. Lead by example. Make learning interesting. Give learners time and freedom to learn at their own pace.
Hmmm… wouldn’t it be great if all teaching could be like that?
The School for Talking Pets combines friendly animals, some madcap adventure, and a mystery to solve, in a package that will be sure to please middle-grade readers who love their pets.
The School for Talking Pets is published by HarperCollins Children’s Books in September 2021.
My thanks to the publishers for a review copy.
This memoir by New Zealand born- now Melbourne resident – Michelle Tom is already one of my standout reads of 2021. It cleverly, poetically, blends her story of family violence, love, and bitterness with the devastation of the earthquake that hit Christchurch in 2011. She uses geology and seismology as metaphors to drill down into the strata of her family; its patterns of behaviour and unrest over generations.
I had some initial confusion in the opening chapters, with their leaps across multiple timeframes, before I realised this is also a metaphor: for memory, and the way past events and feelings come to us in a mélange of seemingly unconnected scraps and layers.
The book is divided into five sections, each one reflecting the different stages of an earthquake, the final one being the aftershocks of the title. And for each of these stages, she identifies a corresponding period or event in her family’s life. It is such a powerful way of looking at family and individual trauma.
As children, she and her siblings were burdened with adult secrets they should never have had to hear. Regarding her sister Meredith, she says, in a passage reminiscent of the Victorian idea of dying from a broken heart:
Some days the weight of daylight was too much, as she hid away in her darkened flat. She fought to carry the secret of her beginning from each day into the next, and several years before she died I realised that she was not really living. Her spirit was fractured, and she possessed no energy for anything other than mere existence.Ten Thousand Aftershocks pp56-57
The legacy left for successive generations by parents and grandparents who are emotionally immature, manipulative and volatile is laid clear.
The descriptions of the earthquake itself and its aftermath are visceral and horrifying. My husband and I visited Christchurch in 2012 and saw evidence of the destruction it had caused, including mounds of strange mud that were left after the liquefaction that can happen during a major earthquake. Even this becomes part of the family metaphor:
What becomes of liquefaction after it has issued forth from the darkness beneath, into the light of the world? Like shame, it cannot survive being seen. In the heat of the sun it dries to a grey powder as fine as talc and disperses on whatever current of air may find it, gentle zephyrs and howling gales alike, leaving only a scar in the earth where it emerged.Ten Thousand Aftershocks p278
Ten Thousand Aftershocks is a profound and beautiful memoir, one I cannot recommend highly enough.
Ten Thousand Aftershocks is published by Fourth Estate in September 2021.
My thanks to the publishers for a review copy.
This best-selling novel by Australian author Kelly Rimmer is a beautiful exploration of love, loss and the sacrifices that people can make for those they love most. It’s also an interesting juxtaposition of the challenges of modern lives with those faced by people in wartime.
If you have read a few of my posts and reviews, you will know that I love stories inspired by real events and people, and especially those drawn from the author’s family history. This is what Kelly Rimmer has done; by telling a story set in her grandmother’s hometown in Poland during the horrors of WWII.
I found Alina and Tomasz’s story to be engrossing, tragic, and hopeful. The details of the impoverished farm which was young Alina’s world, the terrors of the Nazi occupation, and the profound losses experienced by the Polish people, are enriched by the author’s research and visits to the places she writes about.
The story is centred firmly in this environment, but woven through it is the story of Alice, a modern day mother of two, and the challenges she faces bringing up a ten-year-old gifted daughter and a seven-year-old son who has autism.
When Alice’s grandmother begs her (from her hospital bed) to go to Poland to find something or someone she is unable to name, it seems like an impossible task. How can Alice leave her two kids, whose routines and care she tightly manages, with her busy husband, who doesn’t really have a relationship with Eddie?
She does, though, and that’s where the elements of Alina and Alice’s lives begin to intersect, as Alice discovers more about her grandmother’s experiences during the war. In the process, Alice discovers a lot about herself, her son and daughter, and her marriage.
The book does a wonderful job of bringing these seemingly disparate stories together, and portrays each woman’s challenges in a compelling way.
There are long-held secrets that Alice needs to uncover before she can truly understand her family’s past, and to allow the grandmother she adores to be, finally, at peace. In Alina’s words:
We embraced there on the deck – witness to a vow to hold on to a secret that we thought we could simply reveal one day. We had no idea of the gravity of that lie. We didn’t realize that time has a way of racing past you – that the long hard days sometimes make for very short years.The Things We Cannot Say p394
The Things We Cannot Say is beautifully realised story and readers who love historical fiction firmly rooted in real history, will enjoy it.
The Things We Cannot Say was published by Hachette in 2019.
At a time when it is hard to feel positive about much that’s happening in the world, it was good therapy to open this sweet new picture book from Lisa Shanahan with its lively pastel illustrations by Leila Rudge.
The story takes us through a day in the life of a toddler, and allows readers (even adults who might be weighted down with worries like Covid or climate change) to see the world fresh, through the eyes of a small one exploring a great, big world for the first time.
The text is in simple rhyming couplets about familiar, comforting routines and scenes, while the illustrations carry the subtext of a diverse Australian family, pets, toys, daily chores and fun.
I love the most.
Hello shortsHello World
Hello twirly-curly cat.
The comfort of the close domestic scenes reminded me a little of the classic Peepo! by Janet and Allan Ahlberg, one of my all-time favourite picture books for the very young. Hello World is very Australian and modern, but covers the same timeless themes of family life.
It is a lovely counter to cynicism and bad news, and a terrific addition to Australian children’s bookshelves.
Hello World was published July 2021 by HarperCollins Children’s Books.
My thanks to the publishers for a review copy.
A.L.Tait is an Australian author well known for her adventure stories for middle-grade readers, including the MapMaker Chronicles series. The Fire Star is the first of a new series featuring two very likeable characters, Maven and Reeve.
Set in a kind of fictional mediaeval world, it is a mystery and adventure story involving the disappearance of a valuable gemstone (the Fire Star of the title). In the kingdom of Cartreff, Reeve has just arrived at Rennart Castle to begin his duties as newly made squire to Sir Garrick. He meets Maven, whose nondescript appearance as a humble maid to the Lady Cassandra belies her intelligent and quick mind – and hides her secret.
The two young people are thrown together when the Fire Start disappears. In the uproar that follows, the hopes and plans of them both are thrown into jeopardy, unless they can solve the mystery of its disappearance – and do so quickly.
There are knights, jousting, witches and a hiding place deep in the forest – all elements of a good fantasy or historical fiction.
What shines in the novel are the two young characters, whose different skills complement each other perfectly. From reluctant beginnings and distrust, they must work together to avert disaster.
There are some pithy comments throughout on the perils of being an outsider in any society:
To them, we are outsiders, Reeve, and nobody is more vulnerable than a person who is other.’The Fire Star p120
My favourite revelation in the story is the ‘Beech Circle’ , about which (in the interests of avoiding a spoiler), I won’t say more, other than to agree that every girl and woman needs their own Beech Circle.
I’m looking forward to reading the next book in the Maven and Reeve series.
The Fire Star: A Maven & Reeve Mystery was published by Penguin Random House in 2020.
I remember being in Paris, on a much-anticipated trip in 2015, falling in love with this amazing city (of course!) and imagining Nazi boots tramping the beautiful cobblestoned streets. I could almost hear the tanks rumbling through the city. I wondered: what would it have been like for Parisians, experiencing the fear and humiliation of German occupation?
Sisters of the Resistance, by Aussie author Christine Wells, is a novel that plunges the reader into that experience, but also allows us to imagine how cities such as Paris were, straight after the war. How did Parisians survive the relentless assaults on their beautiful city and their lives? How much did rationing and fear impact on everyday experiences and for how long, after peace finally arrived?
Paris was bleak in the winter with the plane trees leafless and grey. While the bombings had not touched the part of the city in which Yvette now hurried along, the place had the air of a beautiful, damaged creature still licking its wounds. Now that winter had come, all its scars were laid bare.Sisters of the Resistance p8
The novel moves between 1947 and 1944, which was a time approaching the end of the war but still a dangerous one, as the Nazis grew ever more desperate and vicious.
The sisters of the title are Yvette and Gabby, young women of very different personalities and approaches to their wartime experiences. Gabby is the eldest; sensible and cautious, just wanting to survive the war as best she can. Yvette is more impulsive, driven by a need to do something to help her city and country in its struggle against Nazi oppression. I enjoyed the contrasting characters: one accidentally and reluctantly drawn into resistance work; the other eager, if naïve about the dangers involved.
As with many good historical fiction novels, this one was inspired by the true story of Catherine Dior, the sister of the more famous French fashion icon Christian. She worked and fought for the Paris resistance before her arrest, torture and incarceration in a German concentration camp. I had been introduced to her story before, via another novel about WWII, The Paris Secret by Natasha Lester. Hers is a remarkable story and in this new novel, Christine Wells has woven a moving and exciting tale about other women who contributed in their own ways to the cause of French freedom.
The murkiness of the world of the resistance is explored as the characters navigate their way through the difficult (sometimes impossible) choices they are faced with:
“At what point does it become collaboration? At what point treason? Do we judge by someone’s actions or by their intentions?”Sisters of the Resistance p102
There are hints and glimpses of intrigue, betrayals and danger that kept me turning the page, and prompted me to wonder what I would do, if faced with similar situations and dilemmas that called upon every atom of strength I possessed.
Sisters of the Resistance is published by William Morrow, an imprint of HarperCollins, in July 2021.
My thanks to the publishers for a review copy.
In her re-telling of Geoffrey Chaucer’s well-known story within The Canterbury Tales, Australian author Karen Brooks has brought us the dry tone of a mediaeval English woman whose rags-to-riches-back-to-rags life is full of passion, love, misfortune and plain bad luck.
The author’s extensive and meticulous research into the period makes for a warts-and-all glimpse of England in the fourteenth century, including the awfulness of life for so many women. There is the Wife’s first marriage at twelve years old to a man more than twice her age. There is poverty, plague, domestic violence and abuse. There is also humour, bawdiness and plain speaking, making for plenty of laugh-out-loud moments for the reader.
The disrespect in which women were generally held at the time is not airbrushed out of Brook’s version, and her Good Wife demonstrates the struggle that women had to gain and retain any agency over their lives.
Eleanor/Alyson lives out her eventful life against a backdrop of tumultuous times in England and Europe. Death of a king, battling popes, resurgences of the plague, changes in industry and the economy, are all woven skillfully into the fabric of the story, much as the Good Wife herself learns to spin and weave beautiful thread and fabric. Reflecting on her life and the family and community she has created around her, Eleanor/Alyson thinks:
How did this happen? This marvellous workshop of colour and quality – of bonds tighter than the weave itself. I couldn’t take all the credit. It had been a combined effort… every household, every husband, had added its own ingredient – coin, wool, skills, but above all, people.The Good Wife of Bath p313
Brooks explores the long-standing debate over Chaucer’s intent in writing a story that ostensibly mocked women who wish to be in control over their own lives, opting for the interpretation that it was meant as a satire. Whatever his motives, The Good Wife of Bath offers a modern-day take on his original story.
It’s an engrossing and rollicking re-interpretation of a classical English story that will please lovers of historical fiction, especially those set in the mediaeval period.
The Good Wife of Bath is published by HQ Fiction in July 2021.
My thanks to the publishers for a copy to review.
A new book for younger readers that illustrates the role books can play in our lives, this delightful offering by Australian author Katrina Nannestad (author of We Were Wolves) also includes magic and travel. Perfect to encourage dreaming, especially in this time of Covid when for many families, travel is just that – a dream.
Ten year old Mim lives with her dad and her little brother in a wooden caravan that is both their home and a bookshop. Flossy the horse pulls the caravan to where it is most needed – in this story, they arrive in The Netherlands where they meet a little Dutch girl called Willemina.
Mim’s dad has the task of figuring out what the perfect book is for each person who visits their magical bookshop. That is not always the book the person most wants. It is, however, always the book they most need.
At first, Mim tries to figure out the perfect book for Willemina, who is sad because of the bullying she receives at school from her classmate Gerta. With Dad’s help, she realises that perhaps it is not just Willemina who needs the perfect book this time…
As well as spending time in the bookshop, the family loves to explore each new place they come to, enjoying wild days of fun and fantasy. Sometimes, Dad gets confused between things they have done and things they have read in books.
‘Huh,’ says Dad. ‘Just like that cow we saw jumping over the moon.’The Travelling Bookshop p185
‘Dad,’ I moan. ‘That didn’t really happen. It was something we read in my nursery rhyme book.’
Dad narrows his eyes. ‘Are you sure about that, Mim?’
I think about it for a moment.
I look at Daisy.
No. I’m not sure. It’s hard to tell with books and real life. The line is not as clear as you think.’
The Travelling Bookshop is about family, friends, the magic of books and being kind. Illustrated by Cheryl Orsini, it’s a sweet story perfect for reading aloud or for younger children starting out on chapter books.
The Travelling Bookshop is published by HarperCollins Children’s Books in July 2021.
My thanks to the publishers for an advance reading copy to review.