A woman’s view: ‘Elizabeth Macarthur’ by Michelle Scott Tucker
If John Macarthur (1767-1834) is known as ‘Father of the Australian Wool Industry’, why is his wife Elizabeth (1766-1850) not known as its ‘Mother’? After all, she spent over a decade managing the family’s extensive farming concerns, while her husband was back in England dealing with both business and legal matters. During that time she dealt with convict workers, monitored the sheep breeding program the couple had instituted at Parramatta and Camden, plus kept the household affairs in order, including caring for their six children.
No small feat, you would think.
Yet until recent years, her husband’s story has been the one taught in schools and told in history books.So I read Michelle Scott Tucker’s biography of this remarkable woman with pleasure and interest. Elizabeth arrived in NSW at a time when the fledgling colony was foundering, on the brink of starvation and failure. She was from a genteel and educated background in Devon, and wrote letters home to friends and family, many of which have survived and give a fascinating insight – a woman’s view – of the beginnings of what became Australia.
This was rare, as were women in those early years of NSW. The colony was heavily male-dominated and those (white) women who were here, were mostly convicts; few wrote letters to give insight into poorer women’s experiences of NSW in those times. Of course, Elizabeth’s own preoccupations tended to center on her own experiences: her family, her faith, her home and beloved garden, the farming concerns, the small settler social circles in which she mixed.
Though she lived at the time and in places where violence between white settlers and Aboriginal people was erupting, she seemed not to spend a lot of time reflecting on the reasons and ramifications of the conflict; nor did she appear to examine the reasons why a penal colony was needed by Britain in the first place. In this, she was not unusual.
She suffered her share of tragedies and setbacks: the death of her firstborn, a baby daughter, on the voyage to Sydney; the loss of other children later; facing those long periods managing on her own so far from home and family; dramas and difficulties affecting her adult children; and especially, watching the decline of her husband’s mental health. His behaviour became more erratic and volatile as he descended into full-blown mania and paranoia, which must have been excrutiating for her to witness.
A point of great interest to me personally was that the Macarthurs began their voyage aboard the ship Neptune – the very same convict transport ship that not one, but two of my own ancestors arrived on. True to form, John fought so bitterly with the ship’s master that they were transferred to another of the Second Fleet ships for the bulk of the journey. I’m pretty sure that the Macarthurs would not have laid eyes on either of my ancestors, both of whom (against all odds) survived the voyage below-decks on the ‘hell-ship’, as the Neptune was later dubbed.
Still, it makes for a fascinating ‘what if?’ scenario: an encounter between the gentrifed couple and the ragged, suffering convict men.
Scott Tucker’s book paints a vivid picture of a full life lived with dignity and verve. It is also a fascinating account of the world the Macarthurs inhabited: a fragile but growing colony ‘at the edge of the world’, as the book’s subtitle suggests.
Elizabeth Macarthur: A Life at the Edge of the World was published in 2018 by Text Publishing Australia.
A kind of gothic: ‘The Diamonds of Tilly Devine’ by Jackie French
One thing I most appreciate about profilic and best-selling Australian author Jackie French is that she is unafraid to explore darker themes in her work. Her books will at times touch on issues and events that some authors might steer away from, especially in books for children.
Her latest historical fiction for adults delves into some very dark topics indeed: Sydney’s ‘razor gangs’ of the 1930s; the desperation of the poor in the city’s slums; drugs; prostitution and trafficking of young women; corruption of all kinds; sadistic personalities.
The protagonist of The Diamonds of Tilly Devine is Connie, who is reeling from the death of the mother she’d nursed for seven years. Now left with only an old kitchen chair to her name, she is considering suicide.
Happily it moves on from there and Connie’s life trajectory does move upwards, but not before some very dark and difficult, almost gothic, experiences which serve to strengthen this compassionate young woman to a diamond-grade toughness.
The Tilly Devine of the title was a real historical figure, one of two rival gangland queens in Sydney during the 1920s and 30s. Speaking of tough: it was well known in her world of sly-grog shops, brothels and gambling clubs, that Tilly would shoot anyone who crossed her – or who mistreated her ‘girls.’ Especially the Diamonds – not sex-workers as such, but women groomed for a particular role. One she offers to Connie.
Connie makes mistakes, some with disastrous consequences, but she survives, eventually finding the home and family she’d longed for, along with an understanding of the things that really matter in this world. There’s a murder mystery and a gripping courtroom drama along the way, things I always enjoy in a novel.
This novel is chock-full of wonderful characters, richly drawn settings, and delicious food of the era (excepting the crumbed brains and roast mutton, neither of which appealed to this vegetarian.) But the scones, cakes, puddings and biscuits read like they’ve just come from the author’s kitchen, which they may well have done!
While this one is perhaps a little too gothic for my taste, Jackie French’s skill as a story-teller had me up reading at night, reluctant to put the book down before I’d finished the next chapter, then the next…
The Diamonds of Tilly Devine is published by HarperCollins in June 2026.
My thanks to the publishers and to NetGalley for an advance review copy.The sweetness of love (and oranges): ‘One Volcano and the Many Oranges’ by Khuanta Mahasay
The blurb for this lovely book, a debut by Australian author Khuanta Mahasay, includes this description:
An illustrated chapter book to share aloud with children ages 6 to 9, and with anyone who needs it, including grown-ups.This beautifully captures the theme and feel of the story.
The main character is Omar, who lives with his mum and grandma at the base of a spectacular volcano called Mount Tangy. Omar loves living here and helping his family grow oranges in their orchard. But he feels sad a lot of the time because his dad has died.
A special place Omar loves to visit is the spot on the mountain’s slopes where the family had scattered Dad’s ashes. Sometimes he cries a little bit when he sists there, but he feels lighter, too, gazing over the valley and his home, far below.
When the mayor announces a competition to see who among the local farmers can grow the sweetest oranges, everyone is very excited. Then, when Omar’s tears drop onto the orange tree he had planted with Dad years before, something very special and magical happens.
The day to choose the competition winner arrives and the whole town is there; excitement grows amid a festival atmosphere as the community comes together for the event. But Mount Tangy has other ideas and threatens to erupt. What can they do?
More magic – and some quick-thinking from Omar – help to save the town. In the process, Omar learns that it’s OK to feel sad, that we can keep those we love close to us with our memories, and that magic can take all shapes – and when it comes to oranges, all sizes, too.
It’s a sweet book, redolent with the scent of sticky oranges and the sourdough bread baked by Grandma. Warmth and love work their own magic to help Omar heal from his loss.
Short chapters and the gorgeous illustrations by Estelle Corke make this a perfect book for early readers who are ready for more text-rich books, or for reading aloud together.
One Volcano and the Many Oranges is published by the author in 2026.
It can be purchased on Amazon in both paperback and ebook formats here.
Disclosure: The author is a family member.
Readers of my blog will know that I champion children’s literature whenever I have the opportunity; this book is the first of what I’m sure will be many more books for kids that Ms Mahasay will produce.The tragedy of war: ‘When Sleeping Women Wake’ by Emma Pei Yin
‘When sleeping women wake, mountains move.‘
This is the kind of historical fiction that has me turning immediately to the Author’s Note, and then searching for more information on the events and places depicted, as I read.
I knew next to nothing about the fate of Hong Kong Chinese under the brutal occupation by the Japanese Imperial Army in WWII, and this novel (the first by Australian-Hong Kong Chinese author Emma Pei Yin) certainly whet my appetitie to learn more.
It follows three women through the war; their stories and eventual fates connected but separated for a time after the invasion of their home.
Mingzhu is married to a wealthy businessman, leading a luxurious but unsatisfying life. As First Wife, she adores her daughter Qiang but must endure the taunts of her husband’s concubine with whom he has a son. Mingzhu is intelligent and strong-willed and to ensure her daughter has opportunities that were denied to her, she chooses a compassionate and well educated English man to tutor Qiang as the girl grows into young adulthood.
Biyu is her companion and maid, who came into Mingzhu’s family when Mingzhu herself was born. Loving and loyal, Biyu has devoted her life to her mistress and will do anything to protect her and young Qiang.
Qiang dreams of more: an education, a profession…and when the war hits, she dreams of fighting to protect her home and family.
But when the Japanese Army descends on Hong Kong, the three women are separated. Each endure hardship and witness unspeakable acts of cruelty, alongside courage and kindness, sometimes from unexpected sources.
The story traces the development of the East River Column, a group of resistance fighters. This part of the novel is based on a real group whose acts of sabotage, theft of weapons, rescue of downed Allied pilots and victims of the Japanese Army, all played a part to hinder the invaders in their goal of complete domination of Asia. It’s a thrilling story, underlaid with the real human tragedy of war, represented by Mingzhu, Biyu and Qiang and those they encounter.
These three women also represent some of the best attributes of the human instinct for survival, loyalty, love and courage. While the novel doesn’t have a stereotypical ‘happy ending’, it does offer hope and a profound respect for those caught up in suffering at the hands of others.
When Sleeping Women Wake was published in 2025 by Hachette Australia.
Connections: ‘Three Reasons for Revenge’ by Dervla McTiernan
Fans of Irish-Australian crime writer Dervla McTiernan will welcome the arrival of her latest book, Three Reasons for Revenge. Her previous book (2025) continued the Cormac Reilly series, and she has also written stand-alone stories such as What Happened to Nina? (2024).
This is another stand-alone, pleasingly set in Australia, and featuring as protagonist Detective Sergeant Judith Lee, who could well become the centre figure of another series. She is an experienced and able police officer, but the case that opens up when she takes the complaint of young Alexis Turner, is unlike any other she has dealt with.
Alexis has alleged sexual improprietry on the part of a university clinic counsellor, a man who has been on Judith’s radar since a similar complaint years earlier. But no sooner has Judith opened the inquiry, than Alexis disappears. And then the case turns into a murder investigation.
She must work against the clock to connect three seemingly disparate individuals to the case and to each other. The only thing they appear to have in common is that they have been recipients of a beautifully wrapped parcel with an ambiguous object inside, along with a cryptic note.
This author excels at weaving intricate tales in which the obvious answers are the wrong ones and the unexpected is sure to happen. This one is no different. There are several twists and surprises, before the mystery is solved.
I enjoyed the characters, finely drawn and believable, and the pace keeps the pages turning quickly. Along the way, the novel explores themes of grief, childhood trauma, and psychological distress.
As often the case for me, I wasn’t completely convinced by the reveal towards the end; however that did not stop me finding this one a great holiday read. I hope to meet Detective Sergeant Judith Lee again, too.
Three Reasons for Murder was published in April 2026 by HarperCollins.
My thanks to the publishers and to NetGalley for an advance review copy.


‘Notorious strumpets & dangerous girls’: Convict women in Tasmania
Recently my husband and I spent a week visiting some of our favourite spots in Tasmania (hello Freycinet, Bicheno, Ross, Richmond, and the beautiful Huon Valley!)
While in Hobart, I took the opportunity to go to the Cascades Female Factory historic site. Around 7,000 women walked through the entry gate during its nearly thirty years of operation in the first half of the 1800s.
The term ‘female factory’ puzzled me when I first heard of it. Essentially, the factories were prisons or barracks to house convicts; but they were also places of work where women laboured at various tasks, depending on which institution they were in and their status in the highly regimented convict system.
For example, they might be set to weaving, unravelling tangled, tarry ships’ ropes for re-use, laundering clothes and sheets from the nearby town, or sewing garments. Hence the term ‘factory’. The women made things or did jobs others didn’t want to do.
In addition, these sites operated as marriage market (free settlers or emancipated men could apply to marry one of the ‘better behaved’ women), maternity hospital, and nursery of sorts (although the infant mortality rate was often horrendous).
I was most familiar with the older Female Factory at Parramatta in NSW, so I was keen to visit the Cascades to compare and contrast the experiences of women there.
I joined an hour-long tour entitled Notorious Strumpets and Difficult Girls. That quote, by the way, comes from the surgeon superintendent’s report on a transport ship about a youngster, Julia Mullins, in 1826.
This is the kind of language that men in authority felt free to use about the women in their ‘care’ if they were unfortunate enough to end up in the British justice system of the eighteenth and nineteenth centuries. As the guide on my tour remarked, the transportation system was ‘cruel, unfair and arbitrary.’ No one questioned why these women and girls ended up in a crowded, filthy gaol, in a court room, or on a transport ship. The thinking of the time held that there was a ‘convict class’, you were usually born into it, and nothing could change your life trajectory.
As it turned out, for some women, transportation did just that. If they survived the challenges of the system and served their sentence, some were able to make a real go of it in their new home. For most, the idea of returning home was laughable – who had the money for an expensive fare on a sailing ship? So they made the best of it, and some fortunate ones went on to have lives far superior to what they’d have endured had they remained in Britain. Among these were women I have researched and written about in the Travels with my Ancestors series on this blog.
The Notorious Strumpets tour told the story of seven women, all of whom had some experience of the Cascades Factory. Mostly their stories were pretty grim, with a couple who defied the odds and lived reasonable lives afterwards. Many factory women had left family behind when they boarded the transportation ships; lost babies or toddlers on the voyage or in the unhealthy ‘lying-in hospital’ or nursery; all of them experienced trauma of some sort from the time of their arrest and trial.
The strumpets were likely to be those women and girls who were not compliant, who did not keep their mouths shut and their eyes downcast. They spoke out, acted up, made trouble, got drunk, had sex with partners (male or female) not approved of by authorities. For these things they were punished, over and over again. The tour brought them to life in a respectful way, not overly dramatising things (because honestly, their lives were already pretty dramatic) and not glossing over their often troubling behaviours.
Among the saddest stories for me were the women who lived long lives of crime coupled with frequent homelessness. They lived surrounded by violence, both real and threatened. The odds were so stacked against them, yet they continued to defy, choose their own paths, exercise an agency of sorts. But they lived on the edge, among the most vulnerable in a harsh and unfair world. We were shown photos of some women, usually ‘mug shots’ taken when they entered other prisons after the Factory. The harshness of their world was etched in the lines on weathered faces, the rage or defeat in their eyes.
If you are in Hobart I highly recommend a visit to the Cascades Female Factory. While only a small proportion of the built environment of the factory still stands, the interpretive centre, displays and tours are excellent. It is a place to learn, to reflect, to pay respects to the women who lived, worked, suffered and survived.
One husband and wife in my family tree arrived in Tasmania not as convicts, but as employees in the Launceston Female Factory in the north of the island. They were free settlers and got work at the factory – he as Gatekeeper and his wife as Assistant Matron. These were positions of some responsibility; they were gained (as was so often the case in this era) not through previous work experience or particular skills, but rather by presenting as ‘respectable’ people who would be willing to operate in a regimented and punishing system.
An engrossing book, prepared by the excellent Female Convicts Research Centre and published by Convict Women’s Press in Hobart in 2013, tells the history of this establishment, through the stories of the many women who entered its grounds as prisoners. Edited by Lucy Frost & Alice Meredith Hodgson, Convict Lives: The Launceston Female Factory is divided into a number of themes such as ‘Out of Ireland’, ‘The mixed blessings of motherhood’, ‘Resisting reform’, ‘Family sagas’, ‘Difficult ends’.
Once again, the determination of some women to defy, subvert or game the system is a thread that runs through many of the stories. There is tragedy too – how could there not be? – and a sense of the toughness of these people that British society preferred not to think about.
It’s a slim volume but a terrific read. I felt the coldness within the Factory walls, the longing for home of those inside, the quest for companionship and love, the squalor and overcrowding, the hungry bellies and the aching bones of the prisoners. I celebrated those who survived, who went on to marry, have healthy children, run businesses, find comfort and security in their lives after the Factory.
This book is a valuable little resource for my family history research and writing. It’s also a testament to the lives of the women who came here most unwillingly to take part in the absurd, harsh and quixotic experiment that was the convict transportation system.
Imposter sydnrome: ‘The Writers Retreat’ by Victoria Brownlee
I admit to being a little puzzled by this novel. Described by the publishers as a ‘twisty and atmospheric thriller’, I was well into the second half wondering when the tension would begin. It’s definitely atmospheric – one of the best things about the book is its setting (a beautiful old home in the south of France, where the owners offer writing workshops and retreats for published and aspiring authors.)
The story centers around Kat, an Australian author who has a best-selling romance novel under her belt, but is catastrophically stuck on her second manuscript, with a crippling case of imposter sydrome. Perhaps she really can’t write, after all? Perhaps the success of her first book was a fluke?
On a whim she books a last-minute spot for a two week retreat in France, hoping that this will kick start her creativity and prompt her writing.
What she gets is so much more, because she begins to suspect that Helen, the retreat leader, is hiding something, which may have to do with the success of Helen’s own first novel.
Kat begins to pry and snoop, while keeping a daily journal as required by the workshop facilitators. This is where I began to lose patience, as the journal seemed to me to be repetitive and a bit whingy. It reads as journals often do – introspective, self-doubting, constantly questioning her decisions and impulses. Yet she does act impulsively, often unwisely, eventually leading herself into danger.
So, I found the novel slow moving, repetitive at times, frustrating at others.
Aspects I enjoyed were (as mentioned) the setting and some of the characters, who were well drawn. And the food! Victoria Brownlee has been a food writer and previously published light romantic novels set in France and featuring food, and she does capture the allure of the French culture, countryside and food beautifully.
So yes, this novel puzzled me. I spent some time while reading it trying to work out if it was a light escapist novel or a more serious thriller, and in the end decided on the former.
The Writers Retreat is published by Affirm Press (an imprint of Simon & Schuster) in March 2026.
My thanks to the publishers and NetGalley for an advance copy to review.The beautiful & the broken: ‘The Chateau on Sunset’ by Natasha Lester
Epic Love. Tragic Loss. Beautiful Friendship. The entrancing story of an orphan who grows up surrounded by the beautiful and the broken in the world’s most infamous hotel.
Australian author Natasha Lester writes lush, epic novels, mostly in historical settings. I’ve enjoyed several of these, especially the ones featuring stories from WWII. Her novels are always focused on women from the past who face seemingly insurmountable obstacles, but who nevertheless triumph. The Paris Photographer is a good example of this, about the photographer Lee Miller whose wartime work in Europe was famous, for a while, but who faded into self-imposed obscurity after the war ended.
The Chateau on Sunset seems, at first glance, to be a different beast altogether. The first part of the book is set firmly in the USA in the late 1950s and early 1960s, and is about a teenage girl who is sent to live with her reclusive aunt when her parents are killed in an accident.
This takes her from her home in New York to Los Angeles – or more precisely, Hollywood. Her aunt is a ‘washed up’ star of the silver screen, and her new home is the Chateau Marmont, a famous (notorious?) hotel where the rich, famous and wanna-be stars gravitate around movie moguls and film icons.
Aria is young and naive and grieving terribly for her parents. She is helped to adjust to this very new environment by two aspiring actresses, Calliope and Flitter (their ‘stage names’, I was relieved to find out). The three become firm friends, sisters of a kind, despite the age difference between Aria and the other two.
But the world of Hollywood starlets and burned-out stars is not a safe place for a youngster and Aria has to quickly learn the rules of survival. She becomes a reluctant party to a secret that haunts her and makes her potential prey to at least one of the Hollywood sharks that swim in the murky waters of the hotel.
She realises that she must leave the hotel to find her own way in the world and live life on her own terms. How she eventually does so is the crux of this story.
The author references Charlotte Bronte’s Jane Eyre, a favourite childhood book, for the inspiration for this novel. In a way, it is a re-imagining of this classic story, but one in which Jane, not Rochester, is the character with agency and control over her destiny, despite her shaky start. There is a passionate romance with accompanying doubts and troubles, but by the end of the novel Aria is steering her own ship towards a future she has chosen.
The darker elements of this book concern the behaviours of characters we might think of as ‘Harvey Weinsteins.’ The author channels her rage at the predatory behaviour of that man and others like him, and the destructive Hollywood studio system, into a gripping novel that has us cheering for those who defy the unfairness of the place and time.
You get the future you give in to, or the one you fight for.
It’s time for me to be the star of my own goddamn life.
The Chateau on Sunset ebook loc 86%Hollywood’s famous Chateau Marmont is brought to life in the characteristic style of this author, with attention to the details, large and small, that made up this iconic building and those who lived there, in the mid-twentieth century.
The Chateau on Sunset is published by Hachette Australia in March 2026.
My thanks to the publishers and to NetGalley for an advanced review copy.Library treasures: ‘A Waltz for Matilda’ by Jackie French
I’ve had this one on my shelf for several years now, picked up at a street library, and finally had a chance to read it. So glad I did! First published in 2010, it is an imaginative re-telling of the origin story of arguably Australia’s most famous (and certainly beloved) folk song, Waltzing Matilda.
Once a jolly swagman camped by a billabong
Under the shade of a coolabah tree,
And he sang as he watched and waited till his billy boiled
‘You’ll come a’waltzing Matilda with me.’In this story, Matilda is a girl living with her very sick mother in an inner-city slum, working long hours in a jam factory to try to make ends meet. When her mother dies, she is left alone to fend for herself in an unkind world.
She goes in search of her long-lost father, a man her mother described as a โgolden manโ, though the couple had separated years earlier. The quest takes her to a drought-stricken isolated sheep farm on the outskirts of a small town, neighbouring a large run established by a squatter, Mr Drinkwater.
Her father welcomes her into his life but because of the drought, is about to leave his farm and go โon the trackโ as a swagman, searching for work as he travels. He agrees that Matilda can accompany him, because where else is she to go?
Their journey together is cut short, though. Mr Drinkwater traps her father as they camped by a billabong, with troopers arriving to arrest him on a trumped-up charge of sheep stealing. He drowns (no spoiler here, the song says it all) and Matilda is once again on her own.
She decides to go back to her fatherโs farm and try to make a go of it, with the help of several others who come to help in honour of her fatherโs memory. He was a man much admired by the shearers and other workers in the district, because of his activism around shearerโs rights and the movement towards a national federated nation, able to pass laws to protect the rights of the more vulnerable in the community.
As always with a Jackie French novel, the story weaves in several important historical events and themes: the crippling1890s drought and subsequent economic depression; movements for better working conditions, womenโs suffrage and temperance; conflict between wealthy squatters and the indigenous people of the land they stole.
It also deals unblinkingly with the racism of the time, the way that the move towards a united nation of Australia was motivated by ideals but also by self -interest and racist attitides, especially towards Aboriginal people and the Chinese. I love how this author does not shy away from the more difficult parts of our nation’s history.
A Waltz for Matilda is a big story, and book one of the ‘Matilda’ series. It’s very readable, with moments of both humour and sadness, and characters you can care about. Matilda is an admirable figure and it is a delight to watch her growth from orphaned girl to capable young woman. Best of all, it’s a wonderful way to introduce some important history to young Australian readers. Perfect for middle grade to young adult readers, this (no longer young) reader recommends it highly!
A Waltz for Matilda was published by Angus & Robertson in 2010.
Chilling ‘What if?’: ‘Inheritance’ by Genevieve Gannon
If you could reduce or eliminate the chance that your unborn child might suffer or die from a genetic illness or rampant variants of a virus that has already swept through the world, would you do it? What if you could ensure that your future son or daughter was born with gifts such as enhanced lung capacity, stronger bones, or a beautiful singing voice?
These are questions at the heart of Australian author Genevieve Gannon’s novel Inheritance. It’s strapline: The perfect child is now possible, makes pretty clear the kind of future world its characters inhabit.
Though, it’s not that far into the future. The novel opens in 2027, which at the time of its publication was just three short years away.
Emily and her husband Dougal are deciding whether to use a new gene editing service alongside more traditional IVF to help conceive a child. Now legal, the service offers to help the couple avoid some of the health-related pitfalls in their own families. But how far should they go in designing a baby?
There is a second, interwoven narrative set decades later, in a world where gene modification is no longer regarded as benign or desirable.
Adelaide is a political staffer in the office of a Parliamentarian whom she admires and respects, someone who is against the discriminatory rules that have been introduced in recent years, that put ‘modified’ people into a second-class of citizens.
But Adelaide has a secret that she is determined not to expose, one that involves a plan she and her husband have put into action, but that results in the clock ticking…will the result be disaster or joy for the couple?
Inheritance reads a bit like a thriller, with a tight timeline, conflicting political and social divisions, and adventures that require all the courage that Emily and Adelaide can muster.
As I read this story, though, I was mindful of how applicable its themes are today: particularly technology that develops faster than any social and administrative systems and laws that should guide it. A glaring example the world faces right now is, of course, AI. How do humans manage this powerful tool to best serve everyone, not just the few who seek to gain money or power from its use?
It’s also a reflection on the demands and complications of modern life and relationships; if we forgive those who make mistakes and under what circumstances; if we forgive ourselves for our own mistakes.
Inheritance is a gripping read that, despite its near-future setting, grapples with perplexing and troubling issues that seem all-too-real in today’s world.
It was published in 2024 by Pantera Press.












