Connections: ‘Three Reasons for Revenge’ by Dervla McTiernan
Fans of Irish-Australian crime writer Dervla McTiernan will welcome the arrival of her latest book, Three Reasons for Revenge. Her previous book (2025) continued the Cormac Reilly series, and she has also written stand-alone stories such as What Happened to Nina? (2024).
This is another stand-alone, pleasingly set in Australia, and featuring as protagonist Detective Sergeant Judith Lee, who could well become the centre figure of another series. She is an experienced and able police officer, but the case that opens up when she takes the complaint of young Alexis Turner, is unlike any other she has dealt with.
Alexis has alleged sexual improprietry on the part of a university clinic counsellor, a man who has been on Judith’s radar since a similar complaint years earlier. But no sooner has Judith opened the inquiry, than Alexis disappears. And then the case turns into a murder investigation.
She must work against the clock to connect three seemingly disparate individuals to the case and to each other. The only thing they appear to have in common is that they have been recipients of a beautifully wrapped parcel with an ambiguous object inside, along with a cryptic note.
This author excels at weaving intricate tales in which the obvious answers are the wrong ones and the unexpected is sure to happen. This one is no different. There are several twists and surprises, before the mystery is solved.
I enjoyed the characters, finely drawn and believable, and the pace keeps the pages turning quickly. Along the way, the novel explores themes of grief, childhood trauma, and psychological distress.
As often the case for me, I wasn’t completely convinced by the reveal towards the end; however that did not stop me finding this one a great holiday read. I hope to meet Detective Sergeant Judith Lee again, too.
Three Reasons for Murder was published in April 2026 by HarperCollins.
My thanks to the publishers and to NetGalley for an advance review copy.


‘Notorious strumpets & dangerous girls’: Convict women in Tasmania
Recently my husband and I spent a week visiting some of our favourite spots in Tasmania (hello Freycinet, Bicheno, Ross, Richmond, and the beautiful Huon Valley!)
While in Hobart, I took the opportunity to go to the Cascades Female Factory historic site. Around 7,000 women walked through the entry gate during its nearly thirty years of operation in the first half of the 1800s.
The term ‘female factory’ puzzled me when I first heard of it. Essentially, the factories were prisons or barracks to house convicts; but they were also places of work where women laboured at various tasks, depending on which institution they were in and their status in the highly regimented convict system.
For example, they might be set to weaving, unravelling tangled, tarry ships’ ropes for re-use, laundering clothes and sheets from the nearby town, or sewing garments. Hence the term ‘factory’. The women made things or did jobs others didn’t want to do.
In addition, these sites operated as marriage market (free settlers or emancipated men could apply to marry one of the ‘better behaved’ women), maternity hospital, and nursery of sorts (although the infant mortality rate was often horrendous).
I was most familiar with the older Female Factory at Parramatta in NSW, so I was keen to visit the Cascades to compare and contrast the experiences of women there.
I joined an hour-long tour entitled Notorious Strumpets and Difficult Girls. That quote, by the way, comes from the surgeon superintendent’s report on a transport ship about a youngster, Julia Mullins, in 1826.
This is the kind of language that men in authority felt free to use about the women in their ‘care’ if they were unfortunate enough to end up in the British justice system of the eighteenth and nineteenth centuries. As the guide on my tour remarked, the transportation system was ‘cruel, unfair and arbitrary.’ No one questioned why these women and girls ended up in a crowded, filthy gaol, in a court room, or on a transport ship. The thinking of the time held that there was a ‘convict class’, you were usually born into it, and nothing could change your life trajectory.
As it turned out, for some women, transportation did just that. If they survived the challenges of the system and served their sentence, some were able to make a real go of it in their new home. For most, the idea of returning home was laughable – who had the money for an expensive fare on a sailing ship? So they made the best of it, and some fortunate ones went on to have lives far superior to what they’d have endured had they remained in Britain. Among these were women I have researched and written about in the Travels with my Ancestors series on this blog.
The Notorious Strumpets tour told the story of seven women, all of whom had some experience of the Cascades Factory. Mostly their stories were pretty grim, with a couple who defied the odds and lived reasonable lives afterwards. Many factory women had left family behind when they boarded the transportation ships; lost babies or toddlers on the voyage or in the unhealthy ‘lying-in hospital’ or nursery; all of them experienced trauma of some sort from the time of their arrest and trial.
The strumpets were likely to be those women and girls who were not compliant, who did not keep their mouths shut and their eyes downcast. They spoke out, acted up, made trouble, got drunk, had sex with partners (male or female) not approved of by authorities. For these things they were punished, over and over again. The tour brought them to life in a respectful way, not overly dramatising things (because honestly, their lives were already pretty dramatic) and not glossing over their often troubling behaviours.
Among the saddest stories for me were the women who lived long lives of crime coupled with frequent homelessness. They lived surrounded by violence, both real and threatened. The odds were so stacked against them, yet they continued to defy, choose their own paths, exercise an agency of sorts. But they lived on the edge, among the most vulnerable in a harsh and unfair world. We were shown photos of some women, usually ‘mug shots’ taken when they entered other prisons after the Factory. The harshness of their world was etched in the lines on weathered faces, the rage or defeat in their eyes.
If you are in Hobart I highly recommend a visit to the Cascades Female Factory. While only a small proportion of the built environment of the factory still stands, the interpretive centre, displays and tours are excellent. It is a place to learn, to reflect, to pay respects to the women who lived, worked, suffered and survived.
One husband and wife in my family tree arrived in Tasmania not as convicts, but as employees in the Launceston Female Factory in the north of the island. They were free settlers and got work at the factory – he as Gatekeeper and his wife as Assistant Matron. These were positions of some responsibility; they were gained (as was so often the case in this era) not through previous work experience or particular skills, but rather by presenting as ‘respectable’ people who would be willing to operate in a regimented and punishing system.
An engrossing book, prepared by the excellent Female Convicts Research Centre and published by Convict Women’s Press in Hobart in 2013, tells the history of this establishment, through the stories of the many women who entered its grounds as prisoners. Edited by Lucy Frost & Alice Meredith Hodgson, Convict Lives: The Launceston Female Factory is divided into a number of themes such as ‘Out of Ireland’, ‘The mixed blessings of motherhood’, ‘Resisting reform’, ‘Family sagas’, ‘Difficult ends’.
Once again, the determination of some women to defy, subvert or game the system is a thread that runs through many of the stories. There is tragedy too – how could there not be? – and a sense of the toughness of these people that British society preferred not to think about.
It’s a slim volume but a terrific read. I felt the coldness within the Factory walls, the longing for home of those inside, the quest for companionship and love, the squalor and overcrowding, the hungry bellies and the aching bones of the prisoners. I celebrated those who survived, who went on to marry, have healthy children, run businesses, find comfort and security in their lives after the Factory.
This book is a valuable little resource for my family history research and writing. It’s also a testament to the lives of the women who came here most unwillingly to take part in the absurd, harsh and quixotic experiment that was the convict transportation system.
Imposter sydnrome: ‘The Writers Retreat’ by Victoria Brownlee
I admit to being a little puzzled by this novel. Described by the publishers as a ‘twisty and atmospheric thriller’, I was well into the second half wondering when the tension would begin. It’s definitely atmospheric – one of the best things about the book is its setting (a beautiful old home in the south of France, where the owners offer writing workshops and retreats for published and aspiring authors.)
The story centers around Kat, an Australian author who has a best-selling romance novel under her belt, but is catastrophically stuck on her second manuscript, with a crippling case of imposter sydrome. Perhaps she really can’t write, after all? Perhaps the success of her first book was a fluke?
On a whim she books a last-minute spot for a two week retreat in France, hoping that this will kick start her creativity and prompt her writing.
What she gets is so much more, because she begins to suspect that Helen, the retreat leader, is hiding something, which may have to do with the success of Helen’s own first novel.
Kat begins to pry and snoop, while keeping a daily journal as required by the workshop facilitators. This is where I began to lose patience, as the journal seemed to me to be repetitive and a bit whingy. It reads as journals often do – introspective, self-doubting, constantly questioning her decisions and impulses. Yet she does act impulsively, often unwisely, eventually leading herself into danger.
So, I found the novel slow moving, repetitive at times, frustrating at others.
Aspects I enjoyed were (as mentioned) the setting and some of the characters, who were well drawn. And the food! Victoria Brownlee has been a food writer and previously published light romantic novels set in France and featuring food, and she does capture the allure of the French culture, countryside and food beautifully.
So yes, this novel puzzled me. I spent some time while reading it trying to work out if it was a light escapist novel or a more serious thriller, and in the end decided on the former.
The Writers Retreat is published by Affirm Press (an imprint of Simon & Schuster) in March 2026.
My thanks to the publishers and NetGalley for an advance copy to review.The beautiful & the broken: ‘The Chateau on Sunset’ by Natasha Lester
Epic Love. Tragic Loss. Beautiful Friendship. The entrancing story of an orphan who grows up surrounded by the beautiful and the broken in the world’s most infamous hotel.
Australian author Natasha Lester writes lush, epic novels, mostly in historical settings. I’ve enjoyed several of these, especially the ones featuring stories from WWII. Her novels are always focused on women from the past who face seemingly insurmountable obstacles, but who nevertheless triumph. The Paris Photographer is a good example of this, about the photographer Lee Miller whose wartime work in Europe was famous, for a while, but who faded into self-imposed obscurity after the war ended.
The Chateau on Sunset seems, at first glance, to be a different beast altogether. The first part of the book is set firmly in the USA in the late 1950s and early 1960s, and is about a teenage girl who is sent to live with her reclusive aunt when her parents are killed in an accident.
This takes her from her home in New York to Los Angeles – or more precisely, Hollywood. Her aunt is a ‘washed up’ star of the silver screen, and her new home is the Chateau Marmont, a famous (notorious?) hotel where the rich, famous and wanna-be stars gravitate around movie moguls and film icons.
Aria is young and naive and grieving terribly for her parents. She is helped to adjust to this very new environment by two aspiring actresses, Calliope and Flitter (their ‘stage names’, I was relieved to find out). The three become firm friends, sisters of a kind, despite the age difference between Aria and the other two.
But the world of Hollywood starlets and burned-out stars is not a safe place for a youngster and Aria has to quickly learn the rules of survival. She becomes a reluctant party to a secret that haunts her and makes her potential prey to at least one of the Hollywood sharks that swim in the murky waters of the hotel.
She realises that she must leave the hotel to find her own way in the world and live life on her own terms. How she eventually does so is the crux of this story.
The author references Charlotte Bronte’s Jane Eyre, a favourite childhood book, for the inspiration for this novel. In a way, it is a re-imagining of this classic story, but one in which Jane, not Rochester, is the character with agency and control over her destiny, despite her shaky start. There is a passionate romance with accompanying doubts and troubles, but by the end of the novel Aria is steering her own ship towards a future she has chosen.
The darker elements of this book concern the behaviours of characters we might think of as ‘Harvey Weinsteins.’ The author channels her rage at the predatory behaviour of that man and others like him, and the destructive Hollywood studio system, into a gripping novel that has us cheering for those who defy the unfairness of the place and time.
You get the future you give in to, or the one you fight for.
It’s time for me to be the star of my own goddamn life.
The Chateau on Sunset ebook loc 86%Hollywood’s famous Chateau Marmont is brought to life in the characteristic style of this author, with attention to the details, large and small, that made up this iconic building and those who lived there, in the mid-twentieth century.
The Chateau on Sunset is published by Hachette Australia in March 2026.
My thanks to the publishers and to NetGalley for an advanced review copy.Library treasures: ‘A Waltz for Matilda’ by Jackie French
I’ve had this one on my shelf for several years now, picked up at a street library, and finally had a chance to read it. So glad I did! First published in 2010, it is an imaginative re-telling of the origin story of arguably Australia’s most famous (and certainly beloved) folk song, Waltzing Matilda.
Once a jolly swagman camped by a billabong
Under the shade of a coolabah tree,
And he sang as he watched and waited till his billy boiled
‘You’ll come a’waltzing Matilda with me.’In this story, Matilda is a girl living with her very sick mother in an inner-city slum, working long hours in a jam factory to try to make ends meet. When her mother dies, she is left alone to fend for herself in an unkind world.
She goes in search of her long-lost father, a man her mother described as a โgolden manโ, though the couple had separated years earlier. The quest takes her to a drought-stricken isolated sheep farm on the outskirts of a small town, neighbouring a large run established by a squatter, Mr Drinkwater.
Her father welcomes her into his life but because of the drought, is about to leave his farm and go โon the trackโ as a swagman, searching for work as he travels. He agrees that Matilda can accompany him, because where else is she to go?
Their journey together is cut short, though. Mr Drinkwater traps her father as they camped by a billabong, with troopers arriving to arrest him on a trumped-up charge of sheep stealing. He drowns (no spoiler here, the song says it all) and Matilda is once again on her own.
She decides to go back to her fatherโs farm and try to make a go of it, with the help of several others who come to help in honour of her fatherโs memory. He was a man much admired by the shearers and other workers in the district, because of his activism around shearerโs rights and the movement towards a national federated nation, able to pass laws to protect the rights of the more vulnerable in the community.
As always with a Jackie French novel, the story weaves in several important historical events and themes: the crippling1890s drought and subsequent economic depression; movements for better working conditions, womenโs suffrage and temperance; conflict between wealthy squatters and the indigenous people of the land they stole.
It also deals unblinkingly with the racism of the time, the way that the move towards a united nation of Australia was motivated by ideals but also by self -interest and racist attitides, especially towards Aboriginal people and the Chinese. I love how this author does not shy away from the more difficult parts of our nation’s history.
A Waltz for Matilda is a big story, and book one of the ‘Matilda’ series. It’s very readable, with moments of both humour and sadness, and characters you can care about. Matilda is an admirable figure and it is a delight to watch her growth from orphaned girl to capable young woman. Best of all, it’s a wonderful way to introduce some important history to young Australian readers. Perfect for middle grade to young adult readers, this (no longer young) reader recommends it highly!
A Waltz for Matilda was published by Angus & Robertson in 2010.
Chilling ‘What if?’: ‘Inheritance’ by Genevieve Gannon
If you could reduce or eliminate the chance that your unborn child might suffer or die from a genetic illness or rampant variants of a virus that has already swept through the world, would you do it? What if you could ensure that your future son or daughter was born with gifts such as enhanced lung capacity, stronger bones, or a beautiful singing voice?
These are questions at the heart of Australian author Genevieve Gannon’s novel Inheritance. It’s strapline: The perfect child is now possible, makes pretty clear the kind of future world its characters inhabit.
Though, it’s not that far into the future. The novel opens in 2027, which at the time of its publication was just three short years away.
Emily and her husband Dougal are deciding whether to use a new gene editing service alongside more traditional IVF to help conceive a child. Now legal, the service offers to help the couple avoid some of the health-related pitfalls in their own families. But how far should they go in designing a baby?
There is a second, interwoven narrative set decades later, in a world where gene modification is no longer regarded as benign or desirable.
Adelaide is a political staffer in the office of a Parliamentarian whom she admires and respects, someone who is against the discriminatory rules that have been introduced in recent years, that put ‘modified’ people into a second-class of citizens.
But Adelaide has a secret that she is determined not to expose, one that involves a plan she and her husband have put into action, but that results in the clock ticking…will the result be disaster or joy for the couple?
Inheritance reads a bit like a thriller, with a tight timeline, conflicting political and social divisions, and adventures that require all the courage that Emily and Adelaide can muster.
As I read this story, though, I was mindful of how applicable its themes are today: particularly technology that develops faster than any social and administrative systems and laws that should guide it. A glaring example the world faces right now is, of course, AI. How do humans manage this powerful tool to best serve everyone, not just the few who seek to gain money or power from its use?
It’s also a reflection on the demands and complications of modern life and relationships; if we forgive those who make mistakes and under what circumstances; if we forgive ourselves for our own mistakes.
Inheritance is a gripping read that, despite its near-future setting, grapples with perplexing and troubling issues that seem all-too-real in today’s world.
It was published in 2024 by Pantera Press.
Literary + Crime: The Name of the Sister’ by Gail Jones
This very Australian novel is best described as ‘literary crime’. Crime, in that there is a crime that is central to the story line: why things in the novel play out the way they do. Literary, in the sense of its beautiful prose and the strong focus on character and theme.
The plot concerns Angie, a disillusioned journalist who is trying to make a career from freelance work. Her husband Sam is a teacher, also somewhat jaded in his chosen career. The third main character is Angie’s childhood friend Beverley, now a senior detective in the NSW Police. The three individuals and their interactions form the core of the story, around their own concerns and preoccupations and the novel’s crime.
So, to the crime. A young woman is found on a deserted road one night, near the mining town of Broken Hill in outback NSW. She can’t speak, has no ID and no one knows who she is. She becomes Unknown Woman, then given the moniker Jane.
As you might expect, the media and online social platforms are full of rumours, speculation and theories about who ‘Jane’ really is and what happened to her.
Angie is herself drawn to the story and thanks to her connection with Bev, ends up fielding calls from among the many people who contact the Police information line, certain that ‘Jane’ is their missing daughter, friend, or sister. Despite her misgivings, Angie becomes a sounding board, a witness to the loss and grief that these people have carried for months or years. It starts to become a heavy burden but she feels unable to stop.
She bears her own burdens, including her inability to have a child, and the grief of her slow realisation that her marriage was failing, her previously uncomplicated relationship with Sam becoming distant and unsatisfying. She knows that Marriages of a decade were destroyed by less: this gloom of worn expectations, this failure wholly to connect. (p21) Worse still, she doesn’t know what to do about it.
Then a family arrive from Germany to identify the Unknown Woman as their daughter who’d gone missing a couple of years earlier on a holiday in Australia. ‘Jane’ is Hannah Bloch; the mystery of her identity solved but not what had happened to her.
As Bev goes to Broken Hill to work on the case, Angie decides to join her there in the hope of…what? Distraction from her own problems? That she might have something to contribute to the police investigation? She’s not really sure.
It’s in Broken Hill that the novel’s climax takes place, a resolution of the mystery at the heart of the novel, and a revelation of the (very clever) meaning of the title.
Jones’s writing is beautiful, deftly capturing the various landscapes of inner-suburban Sydney and outback Broken Hill, along with relationships in all their wonderful supportiveness and messiness:
When Bev and Angie next met it was at Bev’s apartment, for a pizza.
Girls’ night, Bev called it; both needed to talk. They were alike in wanting the other to confirm what Angie called constitutional seriousness, how they had seen in each other – perhaps from the beginning, and certainly before they had words for it – the ability to not look away, to search for deeper meanings, to take themselves seriously.
The Name of the Sister p50-51The Name of the Sister was published in 2025 by Text Publishing.
Sweet surprise: ‘The Dressmakers of Yarrandarrah Prison’ by Meredith Jaffe
I borrowed the audio version of this novel from my local library (shout-out to the wonderful folk at Blue Mountains Libraries and public libraries everywhere!)
I was not familiar with the author but looking for a light read to occupy my ears while doing those otherwise boring tasks around the house. An audiobook is perfect to help the chores get done and this one had such an intriguing title. I wasn’t sure what I’d find: romcom? cosy crime? (the setting is a prison, after all) or a tale of redemption?
The Dressmakers of Yarrandarrah Prison does have elements of all the above. Derek Brown is serving a prison term for embezzlement, and knows he has no chance of attending his daughter Debbie’s upcoming wedding. He’s not seen or spoken to Debbie in years and his ex-wife Lorraine is keen to keep it that way.
But Derek is part of the prison sewing group (called ‘BackTackers’), a program run by volunteer Jane, as a way to help inmates pass the hours in a productive way while making positive connections within the gaol. Someone hits on the idea of making a wedding dress for Derek to give his daughter, as a way of telling her how much he loves her.
Derek usually likes to keep a low profile, take no risks, keep his head down…but to his own astonishment, he eventually agrees to the plan and so the project begins.
What follows is a series of twists and turns even more complicated than a dress pattern. Local politics gets involved when the treasured prison library is threatened. A prison riot threatens everyone’s safety. Corruption, both inside and outside the prison walls, plays its part.
There are some wonderful characters, especially among Derek’s fellow inmates, each of whom has their own story, their reason for being in prison and their thoughts and hopes about their futures. They are all very believable, no angels certainly, but much more nuanced than those we might see on a typical TV show or movie about prisons and those who live and work there.
The wedding dress symbolises so much about life, relationships, new beginnings. It almost becomes a character in its own right as each person invests this project with meaning far beyond the original purpose.
Of course there are many obstacles and problems along the way and Derek comes to wish he’d never agreed to the plan in the first place. There are some real laugh-out-loud moments as well; the author has nailed some aspects of behaviour and manners that are very funny indeed. At times I winced and chuckled at the same time.
It’s a sweet book without being sugary, yet also manages to be quite thought-provoking.
In all, a perfect book to be lost in while doing chores!
The Dressmakers of Yarrandarrah Prison was published by HarperCollins in 2021.
Love and Survival: ‘A Great Act of Love’ by Heather Rose
Heather Rose is an award-winning Tasmanian author with a range of published works across an astonishing array of genres: contemporary environmental thriller (Bruny), character-driven literary work set in a major art museum (The Museum of Modern Love), memoir (Nothing Bad Ever Happens Here), to name just three of her earlier books.
A Great Act of Love extends that range into historical fiction, as she tackles a story inspired by her own family history, returning again to the island that is her home.
Caroline Douglas comes to Tasmania (then known as Van Diemens Land) in 1839 in the guise of a young, wealthy widow with a young boy in her care as ward. She has left England after great tragedies, in which her entire world had been lost to her. She settles beside an abandoned vineyard on the outskirts of Hobart Town and tries to make sense of this upside-down world of convicts, their guards and administrators, other exiles like herself, and those who operate between the lines of order and chaos.
She has her own secrets, which are gradually revealed as the novel progresses. Secrets about her own family and about herself and her real reasons for choosing a tiny isolated speck on the map as her new home. Secrets about the reason she tries to revive the neglected vineyard on her property and dreams of establishing a champagne product to rival that of France.
Caroline quickly realises that almost everyone she meets has their own secrets and desires and she must navigate her way between truth and lies in order to survive and to progress her own goals. There are dark deeds afoot, here in this place of exile and enslavement and genocide.
Seeing white men enslaved brought Cornelius no balm. Cruelty was a boundless cycle of suffering that deserved no allegiance.
A Great Act of Love, ebook version p192 of 433There are different stories told from various perspectives: Caroline’s own, her father, her aunt, a Commandant of another penal settlement at Norfolk Island, an escaped slave from the Americas, and others. Readers get insights into what is driving Caroline and others, through these carefully meted out nuggets of information. We test and re-test theories as the novel progresses; this keeps us engaged and committed to uncovering the truth.
The setting is beautifully conveyed: an island colonised by a people who think little of killing, imprisoning, punishing other humans. But also a place of great, wild beauty.
The theme of love underlies the entire novel, but also of strength and survival and vision:
As he watches her walk back across the field in her new boots of kangaroo skin he wonders if she is yet accustomed to the sensation of the world having flung her adrift. Mostly what he’d seen of people was a yearning to take away the dread of uncertainty. To be content in the smallness. But some people seem to harbour greater thoughts. Mrs Douglas, he thinks, is doing all she can to manage this unfamiliar life and to make something of it.
A Great Act of Love, ebook version p197 of 433A Great Act of Love was published by Allen & Unwin in September 2025.
In my happy place again : Blue Mountains Writers’ Festival
A week ago I basked in two days of words: novels, poetry, non-fiction; alongside the writers who put those words together in beautiful, funny or astonishing ways.
Plus, of course, fellow lovers of all things words and books.
I heard sessions with favourite authors such as Kate Grenville, Hannah Kent, Garry Disher.
A small panel discussion on ‘How to read a poem’ invited audience participation in reading, absorbing and a little unpacking of one shared poem.
I listened to a passionate discussion about the complicity of institutions, mainstream media, governments, arms manufacturers and dealers in genocide, at Antony Loewenstein and Randa Abdel-Fattah’s session ‘After Zionism‘. They concluded that genocide needs to be made unprofitable, that we should all support independent media and journalism, and that Israel has become a ‘poster child’ of sorts for oppressive and fascist regimes of all religious and cultural backgrounds.
A moving and thought-provoking session about a recent collaborative book titled Blue Mountains Aboriginal Elders: Stories From Our Hearts generously invited us to reflect on their stories and experiences and treated listeners to two marvellous poems by Biripi poet Brian Bell, who has made his home in the Blue Mountains.
Audience anticipation builds before a sold-out festival session 


Left to right: Nicole Abadee interviewing Kate Grenville; Blue Mountains Aboriginal Elders discussing their collective book; Garry Disher & Candace Fox talking crime and writing in ‘Repeat Offenders’
Highlights?
A number one standout was the session by Jasmine McGaughey, Daniel Browning and Merinda Dutton discussing the UQP- published anthology Words to Sing the World Alive: Celebrating First Nations Languages (2024). Forty First Nations writers, journalists, thinkers, artists, and others were asked to contribute one word from their first or heritage language, with a short piece about the word’s meaning and its personal significance for them.
The result is an accessible collection of incredible lyricism and grace. I had a strict limit on the number of books I allowed myself to buy at this festival (two) and this one was my number one purchase. I will be writing more about this book in a later post.
Hannah Kent was big drawcard. A popular and award-winning author, she unfortunately couldn’t attend in person due to illness, but was able to Zoom into her session. The packed room was not disappointed as we heard lively stories about her road to becoming a published writer, some hilarious and moving anecdotes of her time as an exchange student in Iceland which led to her debut novel Burial Rites, some of which are retold in her recent memoir Always Home, Always Homesick. (My review of that one is here.) Hannah is an engaging and sympathetic speaker and her interview with Amy Sambrooke a definite shining star in a packed program.
As was Kate Grenville’s discussion of her own recent memoir Unsettled: A Journey Through Time and Place (Black Inc Books, 2025.) I reviewed this one recently. Kate suggested that while the Reconciliation movement has achieved some positives and comes from a good place, it now seems to her that a Reconciliation event like the Sorry Walk across Sydney Harbour bridge (in 2000, to express sorrow for the policies and actions that resulted in what are now called the Stolen Generations) was something of a metaphor, involving as it did a bridge across an expanse of deep water. Perhaps white Australia was too eager to do reconciliation without ‘getting their feet wet’. In other words, without doing the hard work of deep reflection, learning, knowing and understanding.
Food for thought there.
And for a lighter note, I found the duo of crime and thriller novelists Garry Disher and Candace Fox both engrossing and occasionally hilarious (especially the latter’s reflections on the lengths she has gone to in her research for books.)
As an example, she once sat with a serial killer in an American prison for five hours, trying to understand what made him ‘tick.’ Turns out, he was not smart, mysterious or magnetic – just a horrible narcissist. Candace’s comment on that: ‘I’ve dated horrible narcissists. He was nothing special.’
The prolific and best-selling authors had tips for the aspiring writers in the audience and some insights into their own writing processes. Garry writes all his first drafts in blue biro on the back of manuscript pages! (He is adamant that if he uses a black biro, ‘all the magic drains away.’) In between writing, Candace is a WIRES native wildlife rescue volunteer and along with her six-year-old daughter has effected over 600 rescues so far.
These are the kinds of lovely tidbits that readers can hear from their favourite authors at a literary festival.
Congratulations to Varuna, the National Writers’ House in Katoomba, for this year’s very successful festival. It’s a big event and a lot of hard work goes into making everyone feel comfortable and welcome, and keeping things running smoothly behind the scenes.
I’m now looking forward to once again being in my happy place at next year’s festival.















