• Books and reading,  Children's & Young Adult Books

    Australian Women Writers’ Challenge 2021: my Aussie reading year

    This year I signed up to read at least 10 books by Australian women writers and review at least 6. On this score at least, I am an over-achiever! As at the beginning of September, I had read (and posted reviews for) 30 books by Aussie women. I think next year I’ll need to aim for the top level of AWW Challenge. It is not hard for me to read plenty of books by the wonderful and talented authors we have here in this country.

    My 2021 reading ranged across multiple genres, from historical fiction (always a favourite, especially Australian history and stories featuring women in WWII, which is a theme that has become very popular in recent years); memoir, history, quite a few children’s books, true crime and crime fiction.

    My standout reads by Aussie women so far for 2021?

    These four spoke to me the loudest (the links are to my reviews):

    People of the River by Grace Karskens (non-fiction, history) This one, by the way, recently won the Australian history prize as part of the NSW Premier’s History Awards.

    The Things We Cannot Say by Kelly Rimmer (historical fiction)

    Ten Thousand Aftershocks by Michelle Tom

    Of the children’s books, Night Ride into Danger by the marvellous Jackie French

    Thank you to the wonderful Australian Women Writers’ Challenge for another year of fabulous reading. If you haven’t checked out the AWW website, be sure to have a look. You will find so many recommendations for new authors and books to discover.

  • Books and reading

    Finding an ‘after’ trauma: ‘Here in the After’ by Marion Frith

    As I read this debut novel by Australian Marion Frith, TV, print and broadcast media were saturated with the shocking news of the Taliban taking over Kabul and huge swathes of territory in Afghanistan. A reminder, if I needed one, of how devastating, cruel and ultimately pointless that protracted war has been.

    The two protagonists of Here in the After are both connected to violence emanating from that part of the world and the roles played by Western nations there.

    Nat is an army veteran who served in Afghanistan. He has returned to his wife Gen a broken man, unable to take the steps needed to heal from his complex PTSD and the things he saw and did during his tour of duty.

    Anna is middle aged, a grandmother who has been grieving the death of her beloved husband. One day during her lunch break from work, she sees a brochure in the window of a travel agency and impulsively goes in to check it out, because she’d made a promise to her husband not to stop doing the things they enjoyed together, like travel. Wrong place, catastrophically wrong time for Anna.

    She ends up as the only survivor or a shocking terrorist attack in which eleven other people – including a child – are murdered in cold blood. Anna is rushed to hospital and faces a long physical recovery, all the while wondering if she will ever recover from the trauma. She is now in the ‘after’ – and it seems that she will never recover her life ‘before’ the shocking events that she somehow survived.

    Nat seeks out Anna because he suffers from crippling guilt for everything that happened in Afghanistan. He has realised that he and other soldiers were sold a lie, when they believed that they were fighting there to keep Australians at home safe. The attack on Anna and the others in the shop are proof that they failed in that mission.

    At first wary, Anna comes to see Nat as someone who understands her turmoil because he is experiencing something very similar. A friendship develops as the pair meet, talk, challenge and reassure each other.

    Told in alternating viewpoints, the novel plunges the reader into the horror of Nat and Anna’s experiences and the tormented emotional and mental loops that each are now suffering. Their confusion, rage, guilt and sorrow are well described.

    Despite the darkness of their experiences, each person offers something profound and important to the other; most especially the possibility of hope.

    It really did take one to know one as he’d joked on the beach about their battle scars that day. It was true. That was the core of their connection, but it was more complex than his having been a soldier and her a victim of the perverted ideology he had fought… Anna had said she thought he understood her, but he realised now it was she who understood him. Nat had never believed anyone would ever understand him again.

    Here in the After pp170-171

    Here in the After is a sensitively written story of appalling trauma, the slow rocky path to recovery, and a different type of friendship. As we witness the tragedy in Afghanistan, the story is a timely reflection on the scars that violence leaves on its survivors – some visible, others less so.

    Here in the After is published by HarperCollins Publishers in September 2021.
    My thanks to the publishers for a review copy.

  • Books and reading

    Fractured lives: ‘Ten Thousand Aftershocks’ by Michelle Tom

    This memoir by New Zealand born- now Melbourne resident – Michelle Tom is already one of my standout reads of 2021. It cleverly, poetically, blends her story of family violence, love, and bitterness with the devastation of the earthquake that hit Christchurch in 2011. She uses geology and seismology as metaphors to drill down into the strata of her family; its patterns of behaviour and unrest over generations.

    I had some initial confusion in the opening chapters, with their leaps across multiple timeframes, before I realised this is also a metaphor: for memory, and the way past events and feelings come to us in a mélange of seemingly unconnected scraps and layers.

    The book is divided into five sections, each one reflecting the different stages of an earthquake, the final one being the aftershocks of the title. And for each of these stages, she identifies a corresponding period or event in her family’s life. It is such a powerful way of looking at family and individual trauma.

    As children, she and her siblings were burdened with adult secrets they should never have had to hear. Regarding her sister Meredith, she says, in a passage reminiscent of the Victorian idea of dying from a broken heart:

    Some days the weight of daylight was too much, as she hid away in her darkened flat. She fought to carry the secret of her beginning from each day into the next, and several years before she died I realised that she was not really living. Her spirit was fractured, and she possessed no energy for anything other than mere existence.

    Ten Thousand Aftershocks pp56-57

    The legacy left for successive generations by parents and grandparents who are emotionally immature, manipulative and volatile is laid clear.

    The descriptions of the earthquake itself and its aftermath are visceral and horrifying. My husband and I visited Christchurch in 2012 and saw evidence of the destruction it had caused, including mounds of strange mud that were left after the liquefaction that can happen during a major earthquake. Even this becomes part of the family metaphor:

    What becomes of liquefaction after it has issued forth from the darkness beneath, into the light of the world? Like shame, it cannot survive being seen. In the heat of the sun it dries to a grey powder as fine as talc and disperses on whatever current of air may find it, gentle zephyrs and howling gales alike, leaving only a scar in the earth where it emerged.

    Ten Thousand Aftershocks p278

    Ten Thousand Aftershocks is a profound and beautiful memoir, one I cannot recommend highly enough.

    Ten Thousand Aftershocks is published by Fourth Estate in September 2021.
    My thanks to the publishers for a review copy.

  • Books and reading,  History

    ‘The Things We Cannot Say’ by Kelly Rimmer

    This best-selling novel by Australian author Kelly Rimmer is a beautiful exploration of love, loss and the sacrifices that people can make for those they love most. It’s also an interesting juxtaposition of the challenges of modern lives with those faced by people in wartime.

    If you have read a few of my posts and reviews, you will know that I love stories inspired by real events and people, and especially those drawn from the author’s family history. This is what Kelly Rimmer has done; by telling a story set in her grandmother’s hometown in Poland during the horrors of WWII.

    I found Alina and Tomasz’s story to be engrossing, tragic, and hopeful. The details of the impoverished farm which was young Alina’s world, the terrors of the Nazi occupation, and the profound losses experienced by the Polish people, are enriched by the author’s research and visits to the places she writes about.

    The story is centred firmly in this environment, but woven through it is the story of Alice, a modern day mother of two, and the challenges she faces bringing up a ten-year-old gifted daughter and a seven-year-old son who has autism.

    When Alice’s grandmother begs her (from her hospital bed) to go to Poland to find something or someone she is unable to name, it seems like an impossible task. How can Alice leave her two kids, whose routines and care she tightly manages, with her busy husband, who doesn’t really have a relationship with Eddie?

    She does, though, and that’s where the elements of Alina and Alice’s lives begin to intersect, as Alice discovers more about her grandmother’s experiences during the war. In the process, Alice discovers a lot about herself, her son and daughter, and her marriage.

    The book does a wonderful job of bringing these seemingly disparate stories together, and portrays each woman’s challenges in a compelling way.

    There are long-held secrets that Alice needs to uncover before she can truly understand her family’s past, and to allow the grandmother she adores to be, finally, at peace. In Alina’s words:

    We embraced there on the deck – witness to a vow to hold on to a secret that we thought we could simply reveal one day. We had no idea of the gravity of that lie. We didn’t realize that time has a way of racing past you – that the long hard days sometimes make for very short years.

    The Things We Cannot Say p394

    The Things We Cannot Say is beautifully realised story and readers who love historical fiction firmly rooted in real history, will enjoy it.

    The Things We Cannot Say was published by Hachette in 2019.

  • Children's & Young Adult Books

    Welcome to the world: ‘Hello World’ by Lisa Shanahan & Leila Rudge

    At a time when it is hard to feel positive about much that’s happening in the world, it was good therapy to open this sweet new picture book from Lisa Shanahan with its lively pastel illustrations by Leila Rudge.

    The story takes us through a day in the life of a toddler, and allows readers (even adults who might be weighted down with worries like Covid or climate change) to see the world fresh, through the eyes of a small one exploring a great, big world for the first time.

    The text is in simple rhyming couplets about familiar, comforting routines and scenes, while the illustrations carry the subtext of a diverse Australian family, pets, toys, daily chores and fun.

    Hello milk
    Hello toast
    Hello boys
    I love the most.

    Hello shorts
    Hello hat.
    Hello twirly-curly cat.

    Hello World

    The comfort of the close domestic scenes reminded me a little of the classic Peepo! by Janet and Allan Ahlberg, one of my all-time favourite picture books for the very young. Hello World is very Australian and modern, but covers the same timeless themes of family life.

    It is a lovely counter to cynicism and bad news, and a terrific addition to Australian children’s bookshelves.

    Hello World was published July 2021 by HarperCollins Children’s Books.

    My thanks to the publishers for a review copy.

  • Children's & Young Adult Books

    Blend of mystery and historical fiction for younger readers: ‘The Fire Star: A Maven and Reeve Mystery’ by A.L.Tait

    A.L.Tait is an Australian author well known for her adventure stories for middle-grade readers, including the MapMaker Chronicles series. The Fire Star is the first of a new series featuring two very likeable characters, Maven and Reeve.

    Set in a kind of fictional mediaeval world, it is a mystery and adventure story involving the disappearance of a valuable gemstone (the Fire Star of the title). In the kingdom of Cartreff, Reeve has just arrived at Rennart Castle to begin his duties as newly made squire to Sir Garrick. He meets Maven, whose nondescript appearance as a humble maid to the Lady Cassandra belies her intelligent and quick mind – and hides her secret.

    The two young people are thrown together when the Fire Start disappears. In the uproar that follows, the hopes and plans of them both are thrown into jeopardy, unless they can solve the mystery of its disappearance – and do so quickly.

    There are knights, jousting, witches and a hiding place deep in the forest – all elements of a good fantasy or historical fiction.

    What shines in the novel are the two young characters, whose different skills complement each other perfectly. From reluctant beginnings and distrust, they must work together to avert disaster.

    There are some pithy comments throughout on the perils of being an outsider in any society:

    To them, we are outsiders, Reeve, and nobody is more vulnerable than a person who is other.’

    The Fire Star p120

    My favourite revelation in the story is the ‘Beech Circle’ , about which (in the interests of avoiding a spoiler), I won’t say more, other than to agree that every girl and woman needs their own Beech Circle.

    I’m looking forward to reading the next book in the Maven and Reeve series.

    The Fire Star: A Maven & Reeve Mystery was published by Penguin Random House in 2020.

  • Books and reading,  History

    Courage and conflict: ‘Sisters of the Resistance’ by Christine Wells

    I remember being in Paris, on a much-anticipated trip in 2015, falling in love with this amazing city (of course!) and imagining Nazi boots tramping the beautiful cobblestoned streets. I could almost hear the tanks rumbling through the city. I wondered: what would it have been like for Parisians, experiencing the fear and humiliation of German occupation?

    Sisters of the Resistance, by Aussie author Christine Wells, is a novel that plunges the reader into that experience, but also allows us to imagine how cities such as Paris were, straight after the war. How did Parisians survive the relentless assaults on their beautiful city and their lives? How much did rationing and fear impact on everyday experiences and for how long, after peace finally arrived?

    Paris was bleak in the winter with the plane trees leafless and grey. While the bombings had not touched the part of the city in which Yvette now hurried along, the place had the air of a beautiful, damaged creature still licking its wounds. Now that winter had come, all its scars were laid bare.

    Sisters of the Resistance p8

    The novel moves between 1947 and 1944, which was a time approaching the end of the war but still a dangerous one, as the Nazis grew ever more desperate and vicious.

    The sisters of the title are Yvette and Gabby, young women of very different personalities and approaches to their wartime experiences. Gabby is the eldest; sensible and cautious, just wanting to survive the war as best she can. Yvette is more impulsive, driven by a need to do something to help her city and country in its struggle against Nazi oppression. I enjoyed the contrasting characters: one accidentally and reluctantly drawn into resistance work; the other eager, if naïve about the dangers involved.

    As with many good historical fiction novels, this one was inspired by the true story of Catherine Dior, the sister of the more famous French fashion icon Christian. She worked and fought for the Paris resistance before her arrest, torture and incarceration in a German concentration camp. I had been introduced to her story before, via another novel about WWII, The Paris Secret by Natasha Lester. Hers is a remarkable story and in this new novel, Christine Wells has woven a moving and exciting tale about other women who contributed in their own ways to the cause of French freedom.

    The murkiness of the world of the resistance is explored as the characters navigate their way through the difficult (sometimes impossible) choices they are faced with:

    “At what point does it become collaboration? At what point treason? Do we judge by someone’s actions or by their intentions?”

    Sisters of the Resistance p102

    There are hints and glimpses of intrigue, betrayals and danger that kept me turning the page, and prompted me to wonder what I would do, if faced with similar situations and dilemmas that called upon every atom of strength I possessed.

    Sisters of the Resistance is published by William Morrow, an imprint of HarperCollins, in July 2021.
    My thanks to the publishers for a review copy.

  • Books and reading,  History

    Rollicking re-telling: ‘The Good Wife of Bath’ by Karen Brooks

    In her re-telling of Geoffrey Chaucer’s well-known story within The Canterbury Tales, Australian author Karen Brooks has brought us the dry tone of a mediaeval English woman whose rags-to-riches-back-to-rags life is full of passion, love, misfortune and plain bad luck.

    The author’s extensive and meticulous research into the period makes for a warts-and-all glimpse of England in the fourteenth century, including the awfulness of life for so many women. There is the Wife’s first marriage at twelve years old to a man more than twice her age. There is poverty, plague, domestic violence and abuse. There is also humour, bawdiness and plain speaking, making for plenty of laugh-out-loud moments for the reader.

    The disrespect in which women were generally held at the time is not airbrushed out of Brook’s version, and her Good Wife demonstrates the struggle that women had to gain and retain any agency over their lives.

    Eleanor/Alyson lives out her eventful life against a backdrop of tumultuous times in England and Europe. Death of a king, battling popes, resurgences of the plague, changes in industry and the economy, are all woven skillfully into the fabric of the story, much as the Good Wife herself learns to spin and weave beautiful thread and fabric. Reflecting on her life and the family and community she has created around her, Eleanor/Alyson thinks:

    How did this happen? This marvellous workshop of colour and quality – of bonds tighter than the weave itself. I couldn’t take all the credit. It had been a combined effort… every household, every husband, had added its own ingredient – coin, wool, skills, but above all, people.

    The Good Wife of Bath p313

    Brooks explores the long-standing debate over Chaucer’s intent in writing a story that ostensibly mocked women who wish to be in control over their own lives, opting for the interpretation that it was meant as a satire. Whatever his motives, The Good Wife of Bath offers a modern-day take on his original story.

    It’s an engrossing and rollicking re-interpretation of a classical English story that will please lovers of historical fiction, especially those set in the mediaeval period.

    The Good Wife of Bath is published by HQ Fiction in July 2021.
    My thanks to the publishers for a copy to review.

  • Books and reading,  History

    Rebellious women: ‘The Forgotten Rebels of Eureka’ by Clare Wright

    One part of Australia that I especially love is the goldfields region of Victoria. Rich in history, with picturesque villages like Maldon and bustling towns like Ballarat, it has heritage and physical beauty aplenty. The legendary Eureka Stockade understandably has pride of place in the folklore of the region. So it was with interest that I began The Forgotten Rebels of Eureka, which won the 2014 Stella Prize and was short- and long-listed for a swag of others.

    Of course I expected it to be about the role that women played in the famous rebellion that occurred in December, 1854; to my pleasure it was about much more as well. The books paints a vivid picture of the phenomena that were the Victorian gold rushes of the mid nineteenth century, and what drew a diverse community from all over the world and all walks of life to try their luck in the chaos, hope and heartache of the goldfields.

    Unlike many other works examining this period, in this book, the women take centre stage – those who accompanied their menfolk, those who came independently, those who had children or bore babies in the mining camps, those who ran businesses, those who prospered and those who suffered.

    Also included is some of the story of the contact between gold seekers and the Wathaurung, the original inhabitants of the country around Ballarat, which was rapidly changed from ancestral homelands to pastoral land and then, almost overnight, to a frontier town.

    In this account we can clearly see the social, political, environmental, economic and emotional factors that contributed to the tinder-dry circumstances on the diggings, that needed only a spark to ignite the all-out conflict between the mining community and the colonial authorities.

    The addictive nature of gold mining, the disparity in results (creating both great wealth but also terrible poverty), the inequitable impositions of the government and police on the diggers, the brutality of life on the diggings, all built towards the sickening violence that occurred at dawn on that fateful day.

    And present and active through it all, were women. The author highlights a number who were to play key roles, but also emphasises the many other, nameless women who were there – ‘right beside {the men}, inside the Stockade, when the bullets started to fly.’

    It’s fascinating stuff, made poignant by an epilogue in which the eventual fates of the ‘main characters’ of the story are outlined – some who went on to live happy or successful lives, others dogged by tragedy or hardship.

    This book certainly made me think about the Eureka Stockade, one of Australia’s ‘foundation legends’, differently, and to see the connections between the experiences of women there and on the goldfields more generally, with later political and suffrage rights campaigns.

    {The} nuggets of evidence that women’s political citizenship was being advocated in Australia as early as 1856 are significant. They place the genesis of women’s rights activism in that gold rush community of adventurers, risk-takers, speculators and freedom fighters who struggled for the more famous civic liberties often said to be at the heart of Australia’s democratic tradition.

    The Forgotten Rebels of Eureka p453

    The Forgotten Rebels of Eureka was published by Text Publishing in 2013

  • Books and reading,  History

    Cycles of tragedy and hope: ‘Daughter of the River Country’ by Dianne O’Brien with Sue Williams

    Imagine being not quite sixteen, alone in the world and pregnant. Now imagine being faced with two intolerable alternatives: give up your baby for adoption or choose a life of violence, terror and misery.

    This is what happened to the author of this memoir – not a hundred years ago, but in the mid twentieth century. Brought up in a white Australian family in the 1950’s, Dianne experienced unwavering love from her mother, but abuse at the hands of her father. She did not know she was adopted until later and was confused about many things, including why she always felt different from others around her.

    Daughter of the River Country paints a vivid picture of suburban Australia in the latter half of the last century: the casual racism, bullying and violence meted out to those who least deserved it; the White Australia Policy that was still firmly in place; the neglect, jaw-dropping abuse and cruelty by those in charge of institutions meant to care for girls with no safe home to live in. For these reasons the memoir is hard to read at times but no less important for that. It tells of parts of our country’s history that many would prefer to forget, but which must be remembered so that we don’t keep repeating into the future. And as the author reminds us, some things haven’t changed as yet – the shameful gaps in life expectancy between indigenous and other Australians is one example, as is the shocking rate of incarceration and deaths in custody of indigenous people.

    Dianne discovered that she was one of the Stolen Generations, taken from her birth mother when a baby. Her people were Yorta Yorta, from the river country of Victoria. Her adoptive mother had very much wanted her and Dianne had a relatively happy childhood, though with edges of danger from her adoptive father that were fully expressed in cruelty after her mother died. From there, everything fell apart for the young girl: she experienced multiple violent relationships, incarceration in both a girls’ home and gaol; alcohol addiction and indifference or outright abuse from some who should have helped her.

    Discovering her birth family, her Aboriginal heritage and her people, brought about an incredible turn of events and her life took an upward turn, though not without tragedy along the way. It is the true measure of the woman that she was able to rise above the awfulness of her earlier life and work towards a better future for herself and her own children and grandchildren, and for her community.

    I have nothing but admiration for Dianne O’Brien and her memoir sheds further light on what has often been a hidden part of Australia’s past. It is one of the growing number of books that allow Australians to learn, reflect and hopefully understand more about the experiences of First Nations communities.

    Daughter of the River Country is published by Echo Publishing in July 2021.
    My thanks to Better Reading for an advance reading copy to review.