I very much enjoyed Tara Moss’ first historical crime novel Dead Man Switch, now published as The War Widow. In book two, it’s 1947 and Sydney-based private inquiry agent Billie Walker sets off for London and Paris, to investigate the disappearance of a client’s husband.
The Billie Walker novels flip the script of familiar 1940’s noir stories. For a start, Billie is a refreshingly forthright, courageous and skillful investigator who navigates her way adroitly through the sexism inherent in the era. She is also a woman of decidedly modern and progressive views, and readers become aware of the troubling laws and practices of the time, around race, the role of women, divorce and homosexuality.
In Europe, Billie is confronted with stark reminders of the effects of the devastating war that ended just two years earlier. She is also reminded of her short but passionate relationship with Jack, whom she married while both were on assignment as journalists covering the war, and Jack’s mysterious disappearance. While searching for her client’s husband, Billie also searches for clues about her own.
What began as a trip to solve her client’s mystery becomes a much more complex – and deadly – affair, during which Sam, her reliable and loyal assistant, proves his worth more than once.
I especially enjoyed the vivid historical details in the settings of post-war Sydney, London and Paris, and the glimpses of each city’s wartime experience and (slow) recovery. It’s also sobering to realise that, unlike today, the world did not yet know the full extent of Nazi atrocities throughout Europe, and the novel shows us how this information was revealed, for example, during the Nazi war crimes trials.
There are a few of Billie’s expressions that I found jarring, but overall I enjoyed the characters of Billie, Sam and Shyla in particular.
I hope there’ll be a third Billie Walker story before too long.
The Ghosts of Paris is published by HarperCollins Publishers in June 2022.
My thanks to the publishers for a review copy.
Tara Moss is a Australian-Canadian author of many bestselling books, including the non fiction titles Speaking Out and The Fictional Woman, and her crime fiction and paranormal series. She is also a journalist, former model, documentary maker and presenter. In 2015 she was a recipient of an Edna Ryan Award for her significant contribution to feminist debate, speaking out for women and children. Oh, and she is UNICEF national ambassador for child survival. Probably all this keeps her pretty busy.
Luckily for lovers of crime and historical fiction, she has found time to begin a new series that is a happy marriage of the two. Dead Man Switch (published 2019 by Harper Collins) is the first in the Billie Walker series and features a terrific new female protagonist. Billie is a ‘PI’ (Private Inquiry agent) who returns to Sydney at the end of WWII to re-open her deceased father’s agency. She is stylish and courageous and, I was happy to note, compassionate.
Her experiences as a journalist, following the events of the war in Europe, have left her with some difficult memories and current challenges, not least of which is her photographer husband, Jack, who disappeared on a mission towards the end of the war and has been missing since. Also, Billie needs to make a living, which she does by taking on cases for people needing evidence of spousal infidelity in order to get a divorce – hardly satisfying work. So when she is approached by a woman to find her missing 17 year old son, Billie jumps at the chance of getting her teeth into a challenging case.
And challenging it proves to be. The sinister tentacles of the murderous Nazis have found their way to Australia and Billie gets caught up in a much bigger and nastier plot than she could have expected.
The author weaves a whole lot of history into the fabric of her story. Social history (the return of women to the home after having done important jobs during the war, changing fashions, the lingering effects of wartime rationing), events of the war (the shocking cruelties of the Nazi concentration camps), the inhumane treatment of Aboriginal people during the period, and attitudes to women, are all encapsulated in a vivid portrayal of post war Australia and the world.
I was especially thrilled when the action moved to my own territory: the Blue Mountains including Katoomba, Mt Victoria, Colo, Bilpin (where I grew up) and Richmond. It’s not often I read about these places in contemporary fiction, so that was fun!
The plot has enough twists to keep a reader turning the page, and some interesting and likeable characters: Sam (Billie’s assistant), her mother Eva and Eva’s ‘ladies’ maid/companion’, women police officers (very unusual at that time), and a courageous young Aboriginal woman who I hope to see more of in future books in the series.
Dead Man Switch introduces a new player in the Australian historical crime genre. It’s a little noir, though Billie is certainly no Sam Spade – thank goodness. She’s very human and relatable even while up to her stylish hat in adventure. I’m looking forward to the next in the series.
You can find out more about Tara Moss and her books here: