Searing: ‘Not Quite White in the Head’ by Melissa Lucashenko

Award-winning Aboriginal author Melissa Lucashenko has chosen a brilliant title for her latest book, which is a collection of her essays and journalism, collected over twenty years.
Full of her trademark wry humour, searing analysis and depictions of ordinary Australians of all kinds, there are many moments that made me stop. Sometimes that was to admire her incisive and lyrical prose. At others, I paused to absorb a point or idea that was new, or presented in a new way.
It’s a book that left me with much to think about.
There is a scathing analysis of nineteenth and twentieth century settler writings about Aboriginal people. It is absolutely horrifying to read of the attitudes and casual cruelties that persevered right up to the modern era and can still be found today. Pieces about police brutality, Aboriginal and Torres Strait Islander deaths in custody, prison conditions, child removals: these paint an all-too-vivid picture of how bigotry and cruelty continue.
In ‘Sinking Below Sight’, Lucashenko writes about poverty, and how the poor are quickly demoted to that faceless population which Australia…finds easy to sterotype, and convenient to demonise…(pp56-57)
There are some uplifting pieces about First Nations knowledge, cosmology, law and traditions, and how the Australian continent could be said to have developed the first democratic systems in the world – well before James Cook landed here.
I enjoyed learning about her reasons for, and process of creating her first historical novel, Edenglassie. She writes:
The basic idea was a novel that tried to undo some of the racist myths that had painted us mob as simpletons and nomads, wandering aimlessly from campsite to campsite enjoying a ‘natural’ life without philosphy, government or ethics, until the arrival of the British plunged us into chaos and then quickly near extinction…’Edenglassie’ had to do many things. It intended to portray the governance, stability and sophistication of sovereign Aboriginal nations…from quite early in the colonial era. It had to give humanity and beauty to Aboriginal characters…It had to show the cruelty of the British invasion without repelling readers or causing me to lose the will to live in the writing of it. And it had to be a love story, because we are human beings who love fiercely, and because blackfellas deserve joy and romance on the page, too.
‘The True Hero Stuff’ in Not Quite White in the Head, p154There is a thoughtful, and very thought-provoking piece, ‘Staying White’, which explores the complexities and controversies for people who have more recently discovered, or acknowledged, their Indigeneity. I wish that people who criticise or reject those who the author dubs ‘New Aborigines’, would read this one and learn about the many complications and the emotional journeys involved in this decision, which every individual must make for themselves.
For me the most hopeful of the pieces in this collection is ‘What Has Changed?’ in which Lucashenko reflects both on the work that must still be done, and on the ways in which the growing cohorts of First Nations film makers, authors, musicians, educators, activists, politicians, health professionals, lawyers and advocates, are doing the work of growing up the nation. (p239)
If non-indigenous Australians could just listen a bit more, open our hearts a bit more, and be ready to hear new ideas about our country, this would indeed help Australia to mature as a nation.
I thank Melissa Lucashenko for this collection of her work, which speaks to all Australians.
Not Quite White in the Head was published by UQP in 2025.


A different kind of odyssey: ‘Blood’ by Tony Birch

Tony Birch is a multi-award winning First Nations author, poet and artist. Blood was his debut novel, first published in 2011, and shortlisted for the 2012 Miles Franklin Literary Prize. I read the newer edition, re-published in 2023 as part of UQP’s First Nations Classic series. This volume has a thoughtful introduction by Larissa Behrendt, another Australian author whose work I admire.
Blood is part coming-of-age story, part ‘road trip’ novel, if a journey undertaken mostly on foot can be considered a road trip.
It’s told from the perspective of thirteen-year-old Jesse, who together with his eight-year-old sister Rachel, must endure the stresses that come with the haphazard parenting of their mother, a deeply flawed and damaged alcoholic who makes a series of disastrous relationship and life choices. The problem for the children is that Gwen is damaging as well as damaged.
Their lives together make for an almost complete train wreck of an existence, with some moments of respite provided by a couple of well-meaning characters: Jon (an ex-prisoner who, during his time with the family makes an effort to provide some care and attention for the kids) and Pop (their grandfather, who has fought his own demons but now seeks some redemption by being a better grandfather than he was a father).
Jesse has made a promise – a blood promise – to his sister, to always take care of her. While there are moments where he dreams of escaping on his own to make his own, better, life away from their mother, deep down he knows that the bond between him and Rachel cannot ever be broken.
When the pair end up facing real danger as a result of their mother’s terrible choices, their ‘road trip’ begins, as they set off on foot to find their grandfather again. There are many hazards along the way and the two kids have to rely on their wits, courage and fortitude to survive.
The characters are brilliantly drawn, the children especially so, but all of the people with whom they come in contact feel realistic, people we might encounter should we be in similar circumstances. Gwen is a difficult figure to relate to or feel warmly towards, as we witness the disruptive effects of her chaotic mind and emotions on her youngsters. Yet I’m sure many readers will have known someone like Gwen.
Larissa Behrendt points out in her introduction that one of the great strengths of Tony Birch’s writing is the way he manages to portray First Nations characters without any of the stereotypes so often seen in such stories. Jesse and Rachel have Aboriginal heritage but it is referred to briefly, almost downplayed – yet there is an undercurrent of strength that the children draw on unconsciously that is part of their shared heritage. The children’s development as the novel progresses is beautifully portrayed – Rachel, especially, turns up quite a surprise at the story’s end.
At its heart, Blood is about kinship and the bonds – both constructive and destructive – that exist even in the most difficult of family circumstances. It’s the kind of book that, were it a movie, you might watch through parted fingers, especially the harder bits, but I felt drawn to the story and its people and was propelled through the pages. I really cared what happened to those two kids on their odyssey through the Australian countryside and through life.
I was fortunate to attend a Sydney Writers Festival ‘Homegrown’ event at the State Library in Sydney recently, where Tony Birch was interviewed by podcasters Sophie Gee and Jonty Claypole from the podcast ‘The Secret Life of Books’. (If you love hearing about the context in which classic books and poems were written, the history of their creation and the writers’ lives, this is a wonderful podcast to subscribe to.) The discussion was engrossing and wide ranging and confirmed my impression that Blood should indeed be regarded as a modern Australian classic.
Blood, First Nations Classics Edition, was published by UQP in 2023.


Excavating a childhood: ‘The Framing’ by Fernanda Dahlstrom
For the first couple of chapters of this memoir, I felt like I was in the centre of an archaeological dig, surrounded by bits of rock and shards of broken pottery, none of which fitted together. The narrative jumps forwards and backwards in time, it is peopled by characters I found hard to sort out with odd nicknames or pseudonyms. None of it made sense.
I almost gave up. But I persevered and I am very glad I did.
I realised that, deliberately or not, the author has told the story of her remarkable, fraught childhood in a way that reflects its chaotic, mixed up nature. Through her writing, she has excavated her early life and especially the relationship with her mother, bit by bit, memory by memory, rather like an archaeological dig. What she found was often a jumbled mess…reaching clarity in adulthood as she worked through the memories, slowly dealing with the legacy of those early years.
By any measure, her trajectory was startling. Her mother Margaret was charged with multiple offences to do with fraud, theft, burglary and even stalking (of Judith Durham of The Seekers), but steadfastly maintained her innocence, insisting that she had been framed by police with a vendetta against her.
So Fernanda spent much of her childhood on the run, moving between states, cities, towns.
Super-bright, she was reading philosophers and literary novels in primary school. She began university study in her mid-teens. She spent chunks of time in boarding houses, living with foster families, even looking after herself in an isolated rural house her mother had built. She organised her own travel by plane, taxis and trains to see her mother during her periods of incarceration.
All this, while believing her mother was innocent and a victim of ‘the system.’
What struck me as especially sad was the chasm that opened up with family members – including grandparents – who could have stepped in to provide a loving, more stable environment for a child.
Her narrative did two things for me. I felt enormous admiration for young Fernanda, for her fierce loyalty to her mother and her resourceful approach to the many challenging situations she found herself in. She certainly presents an argument against the somewhat over-protected bubbles that children tend to live in nowdays, at least in wealthy Western countries.
I also felt enormous sadness for the little girl growing up without the guardrails and stability that we might assume are the birthright of every child.
This excavation of a childhood makes for a gripping narrative that raises many deep questions about who we trust and why; about how the systems set up to protect the vulnerable can harm as well as help; and about how each of us must decide for ourselves the value of our own experience and the things we are told about our past.
The Framing was published in 2026 by Melbourne University Press.
My thanks to the author for a copy of the book to review.A kind of gothic: ‘The Diamonds of Tilly Devine’ by Jackie French
One thing I most appreciate about profilic and best-selling Australian author Jackie French is that she is unafraid to explore darker themes in her work. Her books will at times touch on issues and events that some authors might steer away from, especially in books for children.
Her latest historical fiction for adults delves into some very dark topics indeed: Sydney’s ‘razor gangs’ of the 1930s; the desperation of the poor in the city’s slums; drugs; prostitution and trafficking of young women; corruption of all kinds; sadistic personalities.
The protagonist of The Diamonds of Tilly Devine is Connie, who is reeling from the death of the mother she’d nursed for seven years. Now left with only an old kitchen chair to her name, she is considering suicide.
Happily it moves on from there and Connie’s life trajectory does move upwards, but not before some very dark and difficult, almost gothic, experiences which serve to strengthen this compassionate young woman to a diamond-grade toughness.
The Tilly Devine of the title was a real historical figure, one of two rival gangland queens in Sydney during the 1920s and 30s. Speaking of tough: it was well known in her world of sly-grog shops, brothels and gambling clubs, that Tilly would shoot anyone who crossed her – or who mistreated her ‘girls.’ Especially the Diamonds – not sex-workers as such, but women groomed for a particular role. One she offers to Connie.
Connie makes mistakes, some with disastrous consequences, but she survives, eventually finding the home and family she’d longed for, along with an understanding of the things that really matter in this world. There’s a murder mystery and a gripping courtroom drama along the way, things I always enjoy in a novel.
This novel is chock-full of wonderful characters, richly drawn settings, and delicious food of the era (excepting the crumbed brains and roast mutton, neither of which appealed to this vegetarian.) But the scones, cakes, puddings and biscuits read like they’ve just come from the author’s kitchen, which they may well have done!
While this one is perhaps a little too gothic for my taste, Jackie French’s skill as a story-teller had me up reading at night, reluctant to put the book down before I’d finished the next chapter, then the next…
The Diamonds of Tilly Devine is published by HarperCollins in June 2026.
My thanks to the publishers and to NetGalley for an advance review copy.The sweetness of love (and oranges): ‘One Volcano and the Many Oranges’ by Khuanta Mahasay
The blurb for this lovely book, a debut by Australian author Khuanta Mahasay, includes this description:
An illustrated chapter book to share aloud with children ages 6 to 9, and with anyone who needs it, including grown-ups.This beautifully captures the theme and feel of the story.
The main character is Omar, who lives with his mum and grandma at the base of a spectacular volcano called Mount Tangy. Omar loves living here and helping his family grow oranges in their orchard. But he feels sad a lot of the time because his dad has died.
A special place Omar loves to visit is the spot on the mountain’s slopes where the family had scattered Dad’s ashes. Sometimes he cries a little bit when he sists there, but he feels lighter, too, gazing over the valley and his home, far below.
When the mayor announces a competition to see who among the local farmers can grow the sweetest oranges, everyone is very excited. Then, when Omar’s tears drop onto the orange tree he had planted with Dad years before, something very special and magical happens.
The day to choose the competition winner arrives and the whole town is there; excitement grows amid a festival atmosphere as the community comes together for the event. But Mount Tangy has other ideas and threatens to erupt. What can they do?
More magic – and some quick-thinking from Omar – help to save the town. In the process, Omar learns that it’s OK to feel sad, that we can keep those we love close to us with our memories, and that magic can take all shapes – and when it comes to oranges, all sizes, too.
It’s a sweet book, redolent with the scent of sticky oranges and the sourdough bread baked by Grandma. Warmth and love work their own magic to help Omar heal from his loss.
Short chapters and the gorgeous illustrations by Estelle Corke make this a perfect book for early readers who are ready for more text-rich books, or for reading aloud together.
One Volcano and the Many Oranges is published by the author in 2026.
It can be purchased on Amazon in both paperback and ebook formats here.
Disclosure: The author is a family member.
Readers of my blog will know that I champion children’s literature whenever I have the opportunity; this book is the first of what I’m sure will be many more books for kids that Ms Mahasay will produce.The tragedy of war: ‘When Sleeping Women Wake’ by Emma Pei Yin
‘When sleeping women wake, mountains move.‘
This is the kind of historical fiction that has me turning immediately to the Author’s Note, and then searching for more information on the events and places depicted, as I read.
I knew next to nothing about the fate of Hong Kong Chinese under the brutal occupation by the Japanese Imperial Army in WWII, and this novel (the first by Australian-Hong Kong Chinese author Emma Pei Yin) certainly whet my appetitie to learn more.
It follows three women through the war; their stories and eventual fates connected but separated for a time after the invasion of their home.
Mingzhu is married to a wealthy businessman, leading a luxurious but unsatisfying life. As First Wife, she adores her daughter Qiang but must endure the taunts of her husband’s concubine with whom he has a son. Mingzhu is intelligent and strong-willed and to ensure her daughter has opportunities that were denied to her, she chooses a compassionate and well educated English man to tutor Qiang as the girl grows into young adulthood.
Biyu is her companion and maid, who came into Mingzhu’s family when Mingzhu herself was born. Loving and loyal, Biyu has devoted her life to her mistress and will do anything to protect her and young Qiang.
Qiang dreams of more: an education, a profession…and when the war hits, she dreams of fighting to protect her home and family.
But when the Japanese Army descends on Hong Kong, the three women are separated. Each endure hardship and witness unspeakable acts of cruelty, alongside courage and kindness, sometimes from unexpected sources.
The story traces the development of the East River Column, a group of resistance fighters. This part of the novel is based on a real group whose acts of sabotage, theft of weapons, rescue of downed Allied pilots and victims of the Japanese Army, all played a part to hinder the invaders in their goal of complete domination of Asia. It’s a thrilling story, underlaid with the real human tragedy of war, represented by Mingzhu, Biyu and Qiang and those they encounter.
These three women also represent some of the best attributes of the human instinct for survival, loyalty, love and courage. While the novel doesn’t have a stereotypical ‘happy ending’, it does offer hope and a profound respect for those caught up in suffering at the hands of others.
When Sleeping Women Wake was published in 2025 by Hachette Australia.
Connections: ‘Three Reasons for Revenge’ by Dervla McTiernan
Fans of Irish-Australian crime writer Dervla McTiernan will welcome the arrival of her latest book, Three Reasons for Revenge. Her previous book (2025) continued the Cormac Reilly series, and she has also written stand-alone stories such as What Happened to Nina? (2024).
This is another stand-alone, pleasingly set in Australia, and featuring as protagonist Detective Sergeant Judith Lee, who could well become the centre figure of another series. She is an experienced and able police officer, but the case that opens up when she takes the complaint of young Alexis Turner, is unlike any other she has dealt with.
Alexis has alleged sexual improprietry on the part of a university clinic counsellor, a man who has been on Judith’s radar since a similar complaint years earlier. But no sooner has Judith opened the inquiry, than Alexis disappears. And then the case turns into a murder investigation.
She must work against the clock to connect three seemingly disparate individuals to the case and to each other. The only thing they appear to have in common is that they have been recipients of a beautifully wrapped parcel with an ambiguous object inside, along with a cryptic note.
This author excels at weaving intricate tales in which the obvious answers are the wrong ones and the unexpected is sure to happen. This one is no different. There are several twists and surprises, before the mystery is solved.
I enjoyed the characters, finely drawn and believable, and the pace keeps the pages turning quickly. Along the way, the novel explores themes of grief, childhood trauma, and psychological distress.
As often the case for me, I wasn’t completely convinced by the reveal towards the end; however that did not stop me finding this one a great holiday read. I hope to meet Detective Sergeant Judith Lee again, too.
Three Reasons for Murder was published in April 2026 by HarperCollins.
My thanks to the publishers and to NetGalley for an advance review copy.


‘Notorious strumpets & dangerous girls’: Convict women in Tasmania
Recently my husband and I spent a week visiting some of our favourite spots in Tasmania (hello Freycinet, Bicheno, Ross, Richmond, and the beautiful Huon Valley!)
While in Hobart, I took the opportunity to go to the Cascades Female Factory historic site. Around 7,000 women walked through the entry gate during its nearly thirty years of operation in the first half of the 1800s.
The term ‘female factory’ puzzled me when I first heard of it. Essentially, the factories were prisons or barracks to house convicts; but they were also places of work where women laboured at various tasks, depending on which institution they were in and their status in the highly regimented convict system.
For example, they might be set to weaving, unravelling tangled, tarry ships’ ropes for re-use, laundering clothes and sheets from the nearby town, or sewing garments. Hence the term ‘factory’. The women made things or did jobs others didn’t want to do.
In addition, these sites operated as marriage market (free settlers or emancipated men could apply to marry one of the ‘better behaved’ women), maternity hospital, and nursery of sorts (although the infant mortality rate was often horrendous).
I was most familiar with the older Female Factory at Parramatta in NSW, so I was keen to visit the Cascades to compare and contrast the experiences of women there.
I joined an hour-long tour entitled Notorious Strumpets and Difficult Girls. That quote, by the way, comes from the surgeon superintendent’s report on a transport ship about a youngster, Julia Mullins, in 1826.
This is the kind of language that men in authority felt free to use about the women in their ‘care’ if they were unfortunate enough to end up in the British justice system of the eighteenth and nineteenth centuries. As the guide on my tour remarked, the transportation system was ‘cruel, unfair and arbitrary.’ No one questioned why these women and girls ended up in a crowded, filthy gaol, in a court room, or on a transport ship. The thinking of the time held that there was a ‘convict class’, you were usually born into it, and nothing could change your life trajectory.
As it turned out, for some women, transportation did just that. If they survived the challenges of the system and served their sentence, some were able to make a real go of it in their new home. For most, the idea of returning home was laughable – who had the money for an expensive fare on a sailing ship? So they made the best of it, and some fortunate ones went on to have lives far superior to what they’d have endured had they remained in Britain. Among these were women I have researched and written about in the Travels with my Ancestors series on this blog.
The Notorious Strumpets tour told the story of seven women, all of whom had some experience of the Cascades Factory. Mostly their stories were pretty grim, with a couple who defied the odds and lived reasonable lives afterwards. Many factory women had left family behind when they boarded the transportation ships; lost babies or toddlers on the voyage or in the unhealthy ‘lying-in hospital’ or nursery; all of them experienced trauma of some sort from the time of their arrest and trial.
The strumpets were likely to be those women and girls who were not compliant, who did not keep their mouths shut and their eyes downcast. They spoke out, acted up, made trouble, got drunk, had sex with partners (male or female) not approved of by authorities. For these things they were punished, over and over again. The tour brought them to life in a respectful way, not overly dramatising things (because honestly, their lives were already pretty dramatic) and not glossing over their often troubling behaviours.
Among the saddest stories for me were the women who lived long lives of crime coupled with frequent homelessness. They lived surrounded by violence, both real and threatened. The odds were so stacked against them, yet they continued to defy, choose their own paths, exercise an agency of sorts. But they lived on the edge, among the most vulnerable in a harsh and unfair world. We were shown photos of some women, usually ‘mug shots’ taken when they entered other prisons after the Factory. The harshness of their world was etched in the lines on weathered faces, the rage or defeat in their eyes.
If you are in Hobart I highly recommend a visit to the Cascades Female Factory. While only a small proportion of the built environment of the factory still stands, the interpretive centre, displays and tours are excellent. It is a place to learn, to reflect, to pay respects to the women who lived, worked, suffered and survived.
One husband and wife in my family tree arrived in Tasmania not as convicts, but as employees in the Launceston Female Factory in the north of the island. They were free settlers and got work at the factory – he as Gatekeeper and his wife as Assistant Matron. These were positions of some responsibility; they were gained (as was so often the case in this era) not through previous work experience or particular skills, but rather by presenting as ‘respectable’ people who would be willing to operate in a regimented and punishing system.
An engrossing book, prepared by the excellent Female Convicts Research Centre and published by Convict Women’s Press in Hobart in 2013, tells the history of this establishment, through the stories of the many women who entered its grounds as prisoners. Edited by Lucy Frost & Alice Meredith Hodgson, Convict Lives: The Launceston Female Factory is divided into a number of themes such as ‘Out of Ireland’, ‘The mixed blessings of motherhood’, ‘Resisting reform’, ‘Family sagas’, ‘Difficult ends’.
Once again, the determination of some women to defy, subvert or game the system is a thread that runs through many of the stories. There is tragedy too – how could there not be? – and a sense of the toughness of these people that British society preferred not to think about.
It’s a slim volume but a terrific read. I felt the coldness within the Factory walls, the longing for home of those inside, the quest for companionship and love, the squalor and overcrowding, the hungry bellies and the aching bones of the prisoners. I celebrated those who survived, who went on to marry, have healthy children, run businesses, find comfort and security in their lives after the Factory.
This book is a valuable little resource for my family history research and writing. It’s also a testament to the lives of the women who came here most unwillingly to take part in the absurd, harsh and quixotic experiment that was the convict transportation system.
A different lens: ‘The Shortest History of Australia’ by Mark McKenna
This latest volume of Black Inc’s Shortest History books offers an invigorating challenge to traditional southeast-focused and chronological narratives of Australian history.
In this book the national story is told via themes, such as ‘the founding lie’, ‘the Island dilemma’, ‘taking the land’, ‘fire and water’, or ‘the big picture.’ As the author remarks in chapter one: …history is not inherently linear; only historians make it that way. (p7)
The ‘usual’ big events and national turning points are all here: Captain Cook and the Endeavour; the penal colony, land and gold rushes, wars, legends like Ned Kelly and the ANZACS, migration, Federation, the legal sorcery of ‘terra nullius’ and the Mabo and Wik cases that overturned this doctrine, and so on.
However they are viewed through a series of different lenses: First Nations people and their stories and experiences; non-British migrants; the folk who occupied or visited the continent’s north over untold years; those who suffered under the endemic racism embedded in the British colonisation; asylum seekers in recent decades; droughts, floods and fires.
The story of pearl diving in the north is told alongside the stories of gold, wheat and wool in the southern states.
The centrality of Country to First Nations peoples’ worldview and the growing recognition of this among non-indigenous Australians is discussed, along with examples of the newly created Commonwealth’s wilful blindness to the humanity of Indigenous Australians at Federation (p230) and the heroic and persistent campaigners for Aboriginal rights over many, many years.
Mark McKenna has an informative and engaging narrative style; his book reads like a series of fascinating stories rather than a history text. Highly recommended for those who enjoy non-fiction that asks its readers to question and revisit what we think we know about our own national history.
The Shortest History of Australia was published by Black Inc in 2025.
Easter bilbies, mums, fun things: new picture books from Harper Collins




Easter is on the way; the shops full of soft toy bunnies, Easter buns and chocolate eggs. So an Easter-themed picture book is timely, especially as this one is all about bilbies, not bunnies.
Are you the Easter Bunny? by Janeen Brian and Lucinda Gifford features simple, rhyming text and bright, ochre-and-grey themed illustrations. Children can learn about the unique features of this endangered marsupial, and how its habits like digging tunnels for shelter actually contribute to the long-term health of the desert landscapes in which it lives. A lovely accompaniment to a chocolate Easter Bilby, perhaps?
Published in January 2026What do you call your Mum? continues one of my favourite Australian series for youngsters. Written by Ashleigh Barton and illustrated by Martina Heiduczek, it explores words for ‘mum’ used by children in a range of languages including Scottish Gaelic, Arabic, Cherokee, Gumbaynggirr, Malay and Somali (to name a few).
I love these books for their gorgeous richly detailed pictures and the way cultures and languages are celebrated along with different family roles.
Published February 2026Now for something different. Australian vet Dr Claire Stevens has written all about the weird, wacky and downright disgusting creatures of our planet. In Gross Things Animals Eat, she explains the food chain, how different foods help animals grow and stay healthy. The ‘gross things’ are just that: dirt, poop, wood, vomit, blood, rotting animals…kids will love squirming at these fun facts.
The humorous illustrations by Adele K Thomas give a chuckle along with the eeewwws.
Published in March 2026In contrast, Tiny Good Things by Gabrielle Tozer and Sophie Beer, is a picture book that encourages children and adults to look carefully, slow down, notice the little things in the world that can bring pleasure and happiness. I guess it’s aligned with the mindfulness/gratitude movement, which we certainly need more of in our world! The pastel illustrations tap into the child’s imagination as the text hints at adventures above the clouds or beneath the sea. This one celebrates tiny wonders from ordinary days.
Published March 2026These four Australian picture books all published by various imprints of HarperCollins Children’s Books.
My thanks to the publishers for copies to review.









