I am a lover of history in all it’s forms, though I have sometimes wondered how my interest in Australian history survived my school years in the 1960’s and 70’s, with the dry recitations that passed for history back then. I learnt about early European explorers and their ‘discoveries’, the names of people – usually men – of note, something about the Depression and the World Wars. But not enough – not nearly enough – of the humans who populated these past eras – their strivings, motivations and follies. Where, oh where, were the dramas, the absurdities, the outrageous injustices and outright comedies, the incredible feats of resilience and courage that peppered our past?
In more recent years there have been some wonderful works of fiction and non-fiction that have brought this human part of history into sharper focus. From the Edge: Australia’s Lost Histories by Mark McKenna springs to mind, as do excellent podcasts such as Forgotten Australia by Michael Adams or The History Listen from ABC’s Radio National. Fled by Meg Keneally is a novel based on the astounding escape from Sydney by convict Mary Bryant; Esther by Jessica North tells the story of the woman who arguably managed and controlled one of NSW’s first large agricultural estates. And there is now, thankfully, plenty of literature to tell us the stories from indigenous Australia – non-fiction such as Archie Roach’s Tell Me Why and Bruce Pascoe’s Dark Emu; and fiction, including this year’s Miles Franklin awarded The Yield by Tara June Winch.
Ten Rogues is subtitled The unlikely story of convict schemers, a stolen brig and an escape from Van Diemen’s Land to Chile. As the title promises, it is both a rollicking good tale, and a well-researched true- life adventure. The convict at the centre of the tale is Jimmy Porter, a man who must surely have possessed the proverbial ‘nine lives’ to have escaped the multiple death sentences he faced over his career as a criminal and teller of tall tales. The author acknowledges that Jimmy’s penchant for exaggeration and blurring the truth made the research more difficult (the book is based, in part, on judicious selection from Jimmy Porter’s own accounts of his actions, as well as other contemporary narratives, convict records and newspapers, and some additional delving in Chile.)
The book weaves all of these together with information on the history of convict transportation to Australia, the grim conditions in penal stations such as Tasmania’s Sarah Island, the historic links between the slave trade and transportation, and eighteenth and nineteenth century debates about crime, punishment and prison reform. It does so in a very readable way, because apart from anything else, the story of Jimmy Porter and his band of escapees is one of luck and misfortune, unwise choices, incredible feats of endurance and courage, and moments of humour and bravado, that might be seen as very unlikely, if they appeared in a work of fiction.
These are the stories from our past – the funny, the ugly, the tragic, the astounding – that for me, make history so irresistible. Read this book for a rollicking good tale and to learn more about Australia’s colonial and convict periods. It delivers both in an entirely absorbing package.
Ten Rogues was published by Allen & Unwin in 2020.
Peter Grose is the author of several other books about episodes in Australian history including A Very Rude Awakening (about the raid on Sydney harbour by Japanese mini-submarines during WWII) and An Awkward Truth (about the bombing of Darwin in 1942). These promise to be just as intriguing as Ten Rogues and are now on my Want To Read list.
What a rip-roaring tale this is! Based on the adventurous and tragic life of Mary Bryant, a convict in the First Fleet, this historical novel tells the story of Jenny Trelawney, a Cornish woman transported for ‘highway robbery’ on the First Fleet ship Charlotte.
Author Meg Keneally says in her author’s note that she chose to fictionalise her protagonist because it felt better to have a fictional character who could fully own her ‘thoughts, emotions and beliefs’. This speaks to how rare it is to find first person accounts by convict women. We have written records (journals, letters and so on) by privileged women, such as Governor Macquarie’s wife Elizabeth amongst others, but very few accounts by the less fortunate women who made the trip from England, Scotland, Wales or Ireland in the hold of a convict ship, rather than as free emigrants. I assume this is, in part, because many convict women could not read or write. Perhaps the expense of paper and ink was another barrier to recording their experiences. And I can also guess that the crowded, often damp convict quarters below decks would not have been kind to paper, had they been able to afford it.
Meg Keneally has done a sterling job of working with the historical records as they stand, and imagining the rest. She has changed some historical events and timelines to better fit her narrative.
We meet Jenny in her home town in Cornwall, coping with the death of her father and then of her baby brother, and her mother’s subsequent descent into depression, poverty and self neglect. Jenny begins thieving to support herself and provide food for her mother. And then she is caught, arrested, tried and sentenced. Off to the new colony of New South Wales, the great social and judicial experiment embarked on by England to rid itself of its ‘criminal class.’
Jenny is a not entirely sympathetic character, but we quickly begin to empathise with her and her situation. She falls pregnant to a man on the hulk she is imprisoned on before her transportation and so bears a daughter on the voyage to Australia, a girl named for the ship on which she is born. Jenny survives the horrors of the voyage and on arrival at Sydney Cove, almost immediately marries a convict. This was a choice made by many convict women – marriage offered some protection in an environment in which there was almost no duty of care shown by guards and officials towards the convicts.
Jenny and her husband Dan have a son, but little Emanuel is born into a colony facing starvation. Watching her children become thinner and weaker by the day, Jenny makes a decision – she and her husband must take the two little ones and escape. As they are both from Cornwall, skilled at fishing and boats, the logical escape route seems to be by the sea itself.
And that’s what they do – steal the government cutter and some supplies, and in the dark of night they sail out of Sydney Heads and set their course north. And here their adventures begin…as if they had not already had enough adventures for one lifetime!
I won’t give away any more of the plot, although if you know the original Mary Bryant’s story you can guess at much of the rest, with a few differences. It’s a tale of heroism, determination, tragedy and love, with some stupidity and cruelty thrown in. Another reminder of the dramas of our history – crammed full as it is with ordinary people facing the sorts of dangers and hardships that most of today’s Australians could only try to imagine.
How can someone be raised in a district and know so little about the stories of the people and places in its past?
I was born and raised in the Hawkesbury, arguably one of the most historically rich regions in Australia in terms of European settlement and early contact with our nation’s First Peoples. I learnt the basics in school of course, about Governor Macquarie’s ‘Five Towns’, of which Richmond was one.
Margaret arrived on the Nile in 1801, transported for escaping from gaol, after being imprisoned for stealing a horse (while dressed as a boy). Remarkably, she was one of the relatively rare convicts who could read and write, and exchanged many letters and gifts with her old employer in Sussex – from whom she had stolen the horse! There must have been a warm relationship between these two women, for the ostensibly wronged one to continue to write to an ex-employee who had stolen from her family. Even more remarkably, she kept Margaret’s letters, so historians have had the opportunity to learn about convict life and experiences at this time.
On a recent tour organised by the Hawkesbury Historical Society, I had the opportunity to discover Margaret and walk around the spots where she lived and worked.
You can check out the Historical Society’s website here: https://www.hawkesbury.net.au/
Margaret worked for some of the most prominent English settlers around the Hawkesbury, for whom many roads and other features are named: the Dight, Pitt, Faithful, Skinner and Wood families. She delivered babies, cared for small children, cooked, nursed sick family members, and performed many other tasks for her assigned masters and mistresses. She apparently made several trips into Parramatta or Sydney from the Hawkesbury – on foot. No mean feat considering the distance, the dangers and the isolation at that time.
She also helped save several members of the Dight family, helping them to the roof of their cottage on the Richmond lowlands during the devastating flood of 1806.
She eventually received a pardon in 1814. She was 58 years old by then and sadly only lived another five years as a free woman. She is buried in the first cemetery established in Richmond, across from St Peters church. The mystery surrounding her actual burial site is another aspect of her story, one that continues to intrigue today.
I have a sneaking suspicion that Margaret (or someone very much like her) might become a character in my next fiction project, which will be set in the Hawkesbury district.
The ‘Monsarrat series’ comprises three books (at time of this post):
The Soldier’s Curse, The Unmourned, The Power Game
No surprise that I was drawn to this series – they are, to date, three novels of historical fiction, set in several different locations in convict era Australia. Another draw card was the fact that they were co-written. I’ve always been a little fascinated by how the co-authoring process works, and this is an intriguing father and daughter team: well loved Australian author Tom Keneally and his daughter Meg. If I had the chance, I’d love to sit down with the authors and find out more. Who writes which bits? Which of them comes up with the initial ideas? Do they meet physically to discuss, plan and plot their stories, or is it an online or Skype process?
The stories centre around Hugh Monsarrat, who we first meet at Port Macquarie penal colony in NSW, while he is serving out his sentence for fraud, in the early part of nineteenth century NSW. Hugh is an educated man whose intelligence and aspirations outstripped his means, tempting him to pass himself off as a lawyer in England. His deception is discovered and he is shipped off to NSW on a convict transport.
The books take the form of classic “whodunnits”, as for one reason or another, Hugh is tasked with solving murders that occur where he happens to be: Port Macquarie in book one, the Parramatta Female Factory in book two, and Maria Island (off Tasmania’s coast) in book three. There are plenty of opportunities for guesswork by the reader, with red herrings planted throughout, and various characters having their own reasons to commit a murder.
A truly delightful character who appears in each book is Mrs Mulroony, a forthright Irish woman who has already served her sentence and becomes Hugh’s offsider. Mrs Mulroony is a woman of many talents, including skillful tea making and shortbread baking, to which she adds a fierce intelligence and the ability to accurately read people and situations – usually much more astutely than Hugh himself.
The books have a droll humorous tone, with believable characters and intriguing story lines. What I also enjoyed is their examination of the social, economic and political forces at play in colonial times, and the way in which these impact on the various characters.
If you are looking for well written historical fiction set in early Australia, peopled by characters you can fall in love with, you won’t be disappointed in these stories.I read that the books have been optioned for a TV series and very much hope that will eventuate.