OMG: what a woman! ‘Annette Kellerman: Australian Mermaid’ by Grantlee Kieza
Have you heard of Annette Kellerman? I knew a few things about her: that in the early 1900s she had broken swimming records, amazed and shocked with her one-piece swimsuits (very risque for the times), and wowed with her high-diving acts.
But this new biography by Grantlee Kieza introduced me to so much more about this truly astounding Australian woman.
For example:
- She began life as a sickly, weak child, with lower limbs deformed by rickets, the horrible disease that ravaged many children then. Swimming was her way out of a life of disability but to begin with, she was terrified of the water! From this dubious start she went on to outswim male record holders and compete with leading swimmers on attempts to cross the English Channel, among other gruelling marathon events.
- She grew up in a family where entertainment and performance were givens; her mother an accomplished musician of French background who demonstrated ‘chutzpah’ from an early age; her father also a talented musician.
- These entertainment genes led her into a career in vaudeville, where she showed off her ballet skills along with her diving prowess (diving from heights into glass tanks, for example), later adding juggling diablo, high wire walking and other accomplishments to her repertoire. For a time she was the biggest name on the New York vaudeville scene.
- As well as her incredible swimming career, she became a star of Hollywood, creating and appearing in sell-out and critically acclaimed silent movies. Through these efforts she became one of the highest paid movie stars in the world, mixing with some of the household names of Hollywood (Charlie Chaplin, Buster Keaton, Mae West, to name just a few).
- Alongside all of this activity she advocated strongly for women’s health and fitness, promoting excercise and healthy diet as the key to happiness and beauty. Keep in mind that this was at a time when women were discouraged from swimming and taking part in active sport of any kind, and the typical feminine outfit included whalebone corsets and multiple layers of petticoats.
‘Swimwear’ consisted of long bloomers, a full dress and other covers that impeded movement. So when Annette adopted what was essentially the same swimsuit as men were wearing (a one piece that covered from shoulders to knee but not much else) which then got shorter and more revealing over the years, you can imagine the amazement it generated! She was absolutely a trailblazer and never stopped in her public advocacy for woman’s participation in physical activity, especially swimming, which she regarded as the ‘perfect exercise’.
I have a few more OMG facts for you. I know some people who admire modern-day actors who do their own stunts on movie sets. Well, let me tell you – those actors have nothing – NOTHING – on this woman from Australia who, in the early years of movie making, not only did all her own stunts but – given the deplorable lack of safety standards on workplaces then – did so with no regard to her own safety.
She dived into a pool full of live Jamaican crocodiles. She survived a perilous cascade down a 60 foot waterfall with her hands tied behind her back. She leaped into the ocean from a high wire suspended from a 30 metre structure called the Tower of Kives and Swords over treacherous rocks . All done without a single double, dummy or safety net. Most, if not all, of these hair raising stunts were her own ideas.
Tom C et al, eat your collective hearts out.
Another way in which she beat today’s performers at their own game, decades before they’d even been born, is the way in which Annette kept her performances fresh – ‘reinventing’ herself, if you will. As she grew older and long-distance swimming lost its charm, she switched focus to her stage acts. In the 1920s she toured Great Britain and Europe giving lectures on health and fitness – in German, Swedish and Dutch. Later still, her lifelong love of dance and ballet training saw her perform the Dying Swan dance alongside world famous Anna Pavlova.
Was there nothing this woman couldn’t do?
I should point out that along with Annette’s own personal drive and quest to learn and achieve, her success was assisted by the unwavering support of her father Fred. Despite his own uncertain health, he accompanied his teenaged daughter to England in 1905 in a bid to launch her international swimming career, and he stayed with her, managing her affairs through thick and thin even as his health failed.
And her later manager and eventual husband, Jimmie Sullivan, was another stalwart supporter, though her impulsive ideas and fearlessness must have driven him to the edge of a nervous breakdown on many an occasion.
Annette was often promoted as the ‘Perfect Woman’ (by which was meant her bodily proportions, not her character) and the front and back cover photos of this book do capture the incredible combination of strength, grace and joy which she possessed.
There is a very funny anecdote concerning an Ohio husband and wife brought before the courts soon after the release of one of Annette’s more famously provocative films involving sheer (invisible or perhaps non-existent) costumes. The husband made the mistake of seeing the film three times in three days and compounded his error by remarking to his wife each night what a ‘pretty form’ Annette Kellerman had.
The couple ended up in front of the magistrate, he sporting bandages on his head and she explaining why she had wielded a potato masher at her husband!After such an active life in the public eye, Annette and Jimmie retired to the Gold Coast in Queensland in the 1960s, then a sleepy coastal backwater. After Jimmie died she continued the fundraising work she had always done, though ‘many of those who attended the events knew her only as the nice little old lady from Labrador, rather than a woman who was once one of the most famous and daring entertainers in the world.’ (p295)
In a very fitting end to a life that revolved around water, Annette’s ashes were scattered by her beloved sister from a small plane over the waters of the Coral Sea.
As always with Grantlee Kieza’s books, Annette Kellerman: Australian Mermaid is a thoroughly researched and engagingly written biography about an Australian figure of note. I had so many ‘OMG’ moments reading this book, that by the end I had to admit that what I’d thought I knew about Annette Kellerman had been a drop in the proverbial ocean – or swimming pool.
Annette Kellerman: Australian Mermaid was published by HarperCollins in April 2025.
My thanks to the publishers for a review copy.- She began life as a sickly, weak child, with lower limbs deformed by rickets, the horrible disease that ravaged many children then. Swimming was her way out of a life of disability but to begin with, she was terrified of the water! From this dubious start she went on to outswim male record holders and compete with leading swimmers on attempts to cross the English Channel, among other gruelling marathon events.
Welcome back Cormac Reilly: ‘The Unquiet Grave’ by Dervla McTiernan
Have you heard of the Irish bog bodies? Gruesome topic, I know, but fascinating in its own way. The peat bogs occasionally reveal bodies of people who have died long ago, corpses preserved in the special environment in which they fell. Some of them thousands of years old, bearing signs of strange ritual torture or sacrificial customs from long ago.
This is the setting of the opening scene of Irish-Australian Dervla McTiernan’s new mystery novel. A body is discovered in a Galway bog. There are ritualistic mutilations on the body, just like those from ancient times. But on closer inspection it is not an historic corpse, but the body of the local teacher, a man who went missing two years earlier.
The investigation is led by Cormac Reilly, a welcome return to the pages after some stand-alone works by McTiernan set in the US (What Happened to Nina? and The Murder Rule) I’ve read those novels and they are good, but I do think her books set in Ireland are the stronger for the brilliant settings and the fully fleshed out characters who inhabit them, Cormac in particular.
He is a good detective with a strong moral compass which in earlier books has led him into difficulties with colleagues and ‘the system’ and in this novel he confronts new dilemmas. Not least of which is being asked by his ex-partner Emma to help her find her missing husband Finn, who has disappeared while on a work trip in Paris. It’s a distraction that Cormac really doesn’t need but he is a generous man and still genuinely cares about Emma and so he becomes involved, against his better judgement.
Complicating matters further are other new murder cases to solve, possibly connected to the first, possibly ‘copycat’ cases, possibly completely coincidental. It’s up to Cormac and his team to figure out if there are connections or – worst case scenario – a serial killer at large.
The cases are eventually solved but for Cormac and his partner Peter, the moral questions to do with the application of the law and justice are then front and centre. Does arresting the person who commits a crime really serve justice in this case?
As in the best crime and mystery fiction, this novel leaves you with much to think about even after the case is solved and the last page turned.
The Unquiet Grave is published by HarperCollins in April 2024.
My thanks to the publishers for a review copy.Love & magic for grownups: ‘Cherrywood’ by Jock Serong
If versatility is a sign of a writer’s skill, then Australian author Jock Serong’s latest offering proves he has bucket loads of the stuff.
From his earlier works of surprising, emotive crime fiction, to his trilogy of historical fiction beginning with Preservation, he has explored darker aspects of the human psyche and behaviour.
Cherrywood is different in that it is a playful work that evokes themes of deep magic, while setting the work firmly in the prosaic Melbourne suburb of Fitzroy across two timelines – early twentieth century and the 1990’s.
There are two main characters. Thomas is heir to a Scottish industrialist family fortune who gambles it all on a fanciful scheme to build a paddlesteamer to ply its trade across the bay in Edwardian-era Melbourne. The boat is to be built entirely from a load of beautiful cherrywood, whose mysterious provenance in eastern Europe forms part of the novel’s backdrop of vague menance. He travels to Australia in search of his vision, followed later by his loving wife Lucy and their young daughter Annabelle. Fortune does not favour either the family or his plans.
In 1993, Martha is a lawyer working for a major law firm. She is a fish out of water, being clever but saddled with a conscience, in a company and surrounded by colleagues without one. One evening she stumbles across the Cherrywood, a pub she has not seen before in Fitzroy. She becomes obsessed with the place, as it seems to elude her efforts to find it again. Gradually her future, and the hotel’s, become intertwined…
The novel has many layers, all seemingly disparate, but its brilliance is the way they all interconnect by the end. There is so much here about love, and vision, and endurance, loss and grief, about the ordinary lives of people and the hurdles we must all overcome. The magic underlying the cherrywood motif is beautiful, subtle to begin with, intruiging enough to have this reader want to push on, to find the clues, to figure it all out along with Martha.
Readers familiar with Melbourne will enjoy the author’s descriptions of both the early years of the city and the version of thirty years ago. The Cherrywood of the title is very much at home in both.
Cherrywood is a novel that works as a modern fable, as historical fiction, as a love letter to Melbourne, as a romance. It’s a complex and beautiful novel.
It was published by HarperCollins in 2024.2024: My year in books (and what’s in store for 2025)
In 2024 I participated in three reading challenges again, always a fun way to keep variety in my reading diet. Sometimes the results at the end of a year can be surprising; this is one of those times.
In the Historical Fiction Reading Challenge I undertook to read 15 books of historical fiction – I came in right on target. It is easily my favourite genre of fiction.
For 2025, I will choose that same target in this challenge.
In the Cloak and Dagger Reading Challenge, I chose the ‘Amateur Sleuth’ target of 5-15 books, and hit 14 books, so that’s a giveaway that crime fiction is another favourite of my genres. I’ll go for around that many again this year.The surprise result for me this year was the Non-Fiction Reading Challenge, where I chose a conservative target of ‘nibbler’, aiming for 6 books. Instead I read a whopping 16 non-fiction books in 2024! I’m not sure what that means, but perhaps I should choose a higher target for 2025? Well, I’ll probably aim for ‘nibbler’ again and see how I go.
I have a private challenge of my own, to read more books by First Nations authors, in any genre. In 2024 my reading included 10 works by Aboriginal and/or Torres Strait Islander writers: encompassing fiction, non-fiction, and children’s books. In 2025 I hope to equal or better that number.
As always, I am indebted to publishers, especially HarperCollins, and to NetGalley, for sending advanced copies of books for review. I also thank authors who have approached me asking if I would read and review their work.
I know it can be a scary thing to put your writing out into the world and ask for feedback. I never approach the task of reviewing a book lightly. Someone has put months (usually years) of work into research, drafting, rewriting, redrafting, editing, rewriting, editing again, and again, and again…until the finished product is finally put into their hands. For this reason I treat each and every book with the respect it deserves. And I thank each author and publisher for allowing me the opportunity to read and review their work.
So, on to 2025. I wish all my fellow readers a wonderful bookish year ahead.
Austria in WWII: ‘The Secret Society of Salzburg’ by Renee Ryan
This historical fiction book opens with the arrest by the Gestapo of acclaimed and loved Austrian opera singer Elsa Mayer-Braun, on a stage in Salzburg in 1943. So, an early heads up of what one of the two main characters has to deal with.
From here the narrative weaves back and forth in time, and also across the English Channel, from the Continent to London, where we meet the other protagonist Hattie, who works in a dull civil service office, but longs to paint.
An unlikely pair of women to put together, but that is what the author does, as a chance meeting develops into a deep friendship between the two. Hattie travels to Austria with her sister to see Elsa perform and the sisters become stalwart fans of Elsa and her operas.
But of course war is coming and once their nations are at war, everything changes – except the women’s determination to carry out the secretive work of smuggling Jews out of Austria to England. Both Elsa and Hattie will not stop these life-saving rescue missions, despite the ever-increasing danger involved.
While Hattie’s artistic career takes off and Elsa travels Europe to perform – including singing for some high ranking Nazi officers – their secret missions ramp up.
As the tension mounts the reader is left guessing: is Elsa’s husband a threat or an ally? Who is the art dealer who supports Hattie’s artistic success and may just be falling in love with her? Will Elsa’s deep secrets be kept hidden or discovered by the Nazi heirarchy?
I loved that this story was inspired by real-life English sisters, civil servants who learned of the persecution of Jews through a freindship with an Austrian conductor and his wife. In my view, the best kind of historical fiction is that which touches on real people or events.
The Secret Society of Salzburg gives an insight into the experiences of Austrians in the lead-up and the early years of the war and Nazi occupation. It’s an engrossing story, well told.
The Secret Society of Salzburg was published in November 2023 by HarperCollins. My thanks to the publishers for a review copy.
Did you know that in Victorian times, the fear of grave-robbers disturbing the final resting place of a loved one led to a brisk sale in ‘mortsafes’, an iron frame anchored over graves to secure them? And that there was an equally brisk, and to modern eyes very disturbing, trade in the bones and other body parts of non-Europeans, smuggled about the globe and ending up in private collections, museums and scientific institutions?
These are some of the snippets I learned by reading Black Silk and Sympathy.
I love Deborah Challinor’s historical fiction for this reason. She weaves into her stories fascinating insights about the places and periods in which her novels are set – in this case, London and Sydney in the 1860’s. Specifically, it is the world of Victorian undertakers: not usually a topic for a novel, especially one with a female protagonist, but all the more reason to enjoy it.
Tatiana at seventeen has been recently orphaned and makes a decision to leave London – and England – and try her luck in the colony of New South Wales. She is offered work as an undertaker’s assistant by Titus Crowe. It’s an unusual offer, but Crowe is an astute businessman and recognises the attraction of a ‘woman’s touch’ to grieving clients. Echoes of today’s women-operated funeral businesses, I suppose, but truly ground breaking in Victorian-era Sydney.
When Titus dies, Tatty is determined to keep running the business on her own terms. Not unheard of, but unusual for the time, especially in the competitive world of the funeral industry.
Unfortunately for Tatty, the competition is even fiercer than she’d thought, and one rival in particular will stop at nothing to limit her success.
Being a businesswoman in this town, and particularly in your industry, will not be without its challenges. And you will be the only female undertaker in Sydney. To my knowledge there are seven other local undertaking firms apart from yours, all chasing the same profit to be made from funerals. Be prepared.
Black Silk and Sympathy p167She is a formidable adversary though, and through quick thinking and a willingness to take risks, Tatty and her business endure.
Previous books I’d read by this author include the Convict Girls series, and it took me a while to realise that several characters, who felt vaguely familiar, were from those novels, albeit several decades on. It’s always nice to meet old friends from earlier books again.
The author’s background as an historian and researcher show in her impeccable details of the period, including fascinating insights into Victorian mourning customs and funeral practices, and the restrictions on women owning anything of their own once they married. The laws of the time certainly stacked the odds against women having anything like independence; yet there were women like Tatty who did not let that stand in their way. Thankfully we can now read stories about such women and the circumstances in which they lived.
Tatty is a heroine to relate to and I hope to meet her again in the next book of the series.
Black Silk and Sympathy is published by HarperCollins Publishers in April 2024.
My thanks to the publishers for a review copy.Jake Jackson is a former London detective who has retired to live outside a small rural village. He is still troubled by unsolved cases from his past, and he is pulled into an informal investigation involving a supposed suicide, a snatched child, and a murdered man.
Before long the stakes are raised to a frightening level, threatening his new partner and her little girl, as well as several people who have helped Jake find answers.
This is Book 2 in a new series by London based author Stig Abell. The premise of an ex-detective being unable to leave his former job behind completely, is not a new one. However in this case it is given an extra fillip by the place Jake now inhabits and the lifestyle he has chosen.
His new home is called ‘Little Sky’ and its surroundings are an important part of the novel. The setting and even the weather have a presence, by turns calming and peaceful, foreboding, or threatening. There are immersive descriptions that take the reader right into Jake’s chosen home:
The storm abates, and he wraps up and goes outside, his feet damply bare in old wellies. The world in its aching iciness is still, as if all has been frozen and fixed into place. He can feel the expanse of the lake rather than see it, the silent night cloaking him softly like dark silk. The air is fresh in his lungs, the bitter cold somewhat cleansing.
Death in a Lonely Place p75Jake has left the crowds and hubbub of the city behind, re-entering it only with reluctance. His house is isolated, almost completely ‘off grid’ in terms of communication with others. His routines include exercise (runs followed by winter swims in his private lake), healthy food, idyllic nights by the fire, reading his beloved detective and thriller novels. He is content.
Yet when trouble comes calling he does not hesitate to respond, though he has long discussions about the wisdom of re-entering a criminal world both with himself and his partner, Livia, who is anxious about trouble imposing itself on them, especially as she is sole parent to a little girl.
Livia and daughter Diana are more than just the ‘love interest’ and child; they are drawn into the action to a certain extent, which puts some strain on the relationship, with Livia also needing to make decisions about the right thing to do.
Jake is an attractive character, too. He has his own preoccupations but no fatal flaw such as alcoholism, so often seen in the detective genre – probably with good reason, given the things that they see and the crimes they have to deal with. Instead, Jake’s ‘problem’ is a tendency to take responsibility, such as his feeling that he has let down the families of the victims of crimes he was unable to solve.
With the help of several others, he uncovers a criminal conspiracy that is happening right under his nose. The nature of this conspiracy is particularly distasteful and distressing, actually. I left the novel thinking -hoping – that it is just fiction, that such crimes would not actually take place or find willing participants in today’s world. Probably very naive of me, but I do prefer to leave some crimes in the world of make believe, and I can still enjoy a good detective novel even when they include such abhorrent behaviour.
And I did enjoy this novel. The plotting is tight, there is a good pace (without page after page dedicated to – yawn! – drawn out fight scenes), and the characters around Jake are, mostly, people I could warm to.
But most of all I loved the way the author brought Jake and his home to life for me: snowy fields, woolen jumpers, frozen streams, and hot coffee by the fire.
Now that I have met Jake I’ll no doubt look up Book 1; Death under a Little Sky, to read more about how he came to be in this beautiful part of the country.
Death in a Lonely Place is published by Hemlock Press, an imprint of HarperCollins, in April 2024.
My thanks to the publishers for a review copy.Art + History + Crime = ‘The Engraver’s Secret’ by Lisa Medved
This first novel by Australian author Lisa Medved shines with historical detail and the beauty of the artworks which are the main subject of the plotlines – two plotlines, as it is a dual timeline novel.
The modern-day story features art historian Charlotte, recently arrived in Antwerp in Belgium. Recovering from the death of her beloved mother, Charlotte has just landed her dream job at the university, and hopes to do more research on her artistic hero, Rubens, while in the city where he created so many of his famous works in the seventeenth century.
She is also nursing a secret: an unwelcome last minute disclosure by her mother about the identity of her father – a man she had been led to believe was ‘no good’ and long dead.
While at the university, she discovers a clue that could lead to a ground-breaking discovery about Ruben’s work, and his relationship with the eponymous engraver who worked in his studio for many years.
This is where the second timeline comes in. It’s the story of Antonia, a teenaged girl living in Antwerp in the 1620’s, the daughter of the engraver, Lucas Vosterman. Raised by her father to pursue academic and artistic interests, she later finds that the options available to a young woman are much more limited. And like Charlotte, Antonia is the recipient of an unwelcome admission by her father – a secret that she must carry to her grave.
As Charlotte sets off on a quest to find the centuries-old clues that could establish her career as an art historian, she experiences the serious consequences of the competition and professional jealousy amongst her colleagues at the university.
Meanwhile, as Antonia deals with her own heartbreak and the barriers to leading a fulfilled life as an independent woman, she must struggle with the consequences of her father’s behaviour:
I owed him my gratitude and loyalty, yet something inside me – my ingrained stubbornness, whispers of doubt, a yearning for independence – stopped me from fully submitting to his will. How can I remain loyal to my family and stay true to myself?
The Engraver’s Secret p 371Underlying both stories is the relationship between the two protagonists and their fathers, and the constraints imposed by the times and places in which they live.
I loved the mysteries at the heart of the novel; the wonderful detail provided of seventeenth century life and culture in (what was then) the Spanish Hapsburg Empire; the descriptions of the beautiful artworks and their creators. The author has a background in both art and history and her knowledge and love of these subjects inform the book in a natural and accessible way. As always I enjoyed reading about places and historical periods that I know relatively little about; it always makes me want to know more.
But most of all I enjoyed the very human dilemmas of the two women and the relationships at the heart of their stories.
The author’s next book will be set in Vienna and feature the artist Gustav Klimt. I can’t wait to read that one!
You can find out more about Lisa Medved and her work here.
The Engraver’s Secret is published by HarperCollins Australia in April 2024.
My thanks to the publishers for a review copy.Deep questions: ‘What Happened to Nina?’ by Dervla McTiernan
Irish-born Australian author Dervla McTiernan writes gripping crime fiction with well drawn characters and vivid settings. What Happened to Nina? is set in a snowy Vermont winter, and centres around the main character, twenty year old Nina.
The prologue tells us much of what we need to know about the story. Nina lives with her mum, stepfather and younger sister Grace. She has a boyfriend, Simon Jordan, and they both love rock climbing.
One weekend they go away to stay at Simon’s family holiday cabin to climb and spend time together. Only one of the pair returns from that weekend away.
So, what did happen to Nina?
The narrative takes the reader into the aftermath of crime: the devastation wreaked on a victim and their family, as well as on the perpetrator’s. To a certain extent, the novel keeps us guessing, as both Nina and Simon’s families have different versions of the events that played out that weekend.
In essence, it is a story of the awful acts that people can commit, and the lies they can tell to avoid responsibility. As readers we are invited to step into the shoes of the main people involved: Nina’s parents and sister, and Simon, his mother and father. How do you move on from tragedy? How can justice be best served? What lengths would a parent go to, to protect their child?
It also touches on the power of social media to work both for and against victims of crime and their loved ones.
It’s the kind of crime fiction I enjoy, raising deep questions about human behaviour and asking the reader to reflect on those questions. I found it compelling, the characters believable and in some respects, the events all too familiar.
What Happened to Nina? is published by HarperCollins in March 2024.
My thanks to the publishers and NetGalley for an advance review copy.A modern Christmas story: ‘Juniper’s Christmas’ by Eoin Colfer
A fun modern take on the story of Santa Claus, Juniper’s Christmas for middle grade readers takes us to London, where we meet Juniper, an eleven-year-old who lives with her mum Jennifer on the edge of a London park.
Her dad has died and the pair are trying to continue his legacy of the annual Santa Vigil in the park, where local residents gather to celebrate Christmas and donate goods and gifts for those in need.
Then Jennifer goes missing and Juniper, desperate to find her mum, tries to track down the mysterious Niko, who she believes is Santa Claus – though Santa has not been performing his duties for ten years.
Juniper is off on an adventure involving a magical reindeer calf, a corrupt local official, an Irish crime queen, and a reluctant Santa.
It’s a rollicking story with a very modern twist: a team of elves who try to explain the scientific reasons for the magic of Christmas (flying reindeer, a time bubble on Christmas Eve, a Santa sack that can hold innumerable gifts…) a disgraced scientist and skeptical locals.
At the heart of the story is – well, heart – a belief that Christmas can be a time when people can come together in goodwill, and that gifts can be talismans, ‘parcels of human kindness tied up in a bow, a reminder that there were who cared and who would help.’
A perfect book for the more worldly readers of today, Juniper’s Christmas will delight with its adventure and humour.
Juniper’s Christmas is published by HarperCollins in November 2023.
My thanks to the publishers for a review copy.