• Books and reading

    Different worlds: ‘The Sea Captain’s Wife’ by Jackie French

    Possibly one of Jackie French’s more unusual historical fiction creations, The Sea Captain’s Wife takes us into a vivid world of her own imagination, informed by folklore and research.

    The protagonist is Mair, a young woman who lives on a remote fictional island. It is 1870. Her tiny community is made up almost entirely of women, after a tsunami hit a nearby island, sweeping away many of the men who’d gone there to collect bird’s eggs. It’s a matriarchal society where women make the decisions. They wait for those men who’d survived The Wave to return from sailing ventures, or search the beaches in case a shipwreck washes a man onto their shore.

    ‘Wait’ and ‘search’ are perhaps misleading verbs here. These are not passive women, pining for a man, or immobilized by grief. They build gardens on the poor rocky soil of their volcanic island, birth babies and raise children, fish, prepare meals and create beautiful, functional garments. It’s essentially a subsistence life, where what they grow and produce is supplemented by occasional visits from a ship with goods to trade. They are busy and, largely, content.

    They wait for, or seek out husbands for companionship, support, procreation. Potential husbands must be approved by the council of women. The community has their own way of dealing with any man who poses a threat to their way of life or to the peace and safety of the island. There are strong expectations and rules; however the individuals who live here enjoy freedoms only dreamt about by most women in western society at the time.

    They named their island ‘Big Henry Island’ after the active volcano that rumbles beneath them, throwing out black boulders and sulphur-laden fumes. Islanders have lived with Big Henry for two centuries and know its moods. But they are mostly unaware of the danger it poses.

    Into this world arrives Michael, a ship’s captain washed onto the beach. Mair takes him to her cottage and nurses him back to health, during which time he learns a little of the customs and ways of living. He can barely comprehend the enormous differences between the world of colonial-era Sydney, and the seemingly free and easy lifestyle on Big Henry, especially for women. However he admires Mair’s intelligence, kindness and skills. Admiration turns to love and when the next ship arrives, Michael takes Mair back to live in Sydney.

    Here is where the different worlds of Michael and Mair collide. She is shocked and bewildered by the restrictions on women, in a society where wives are expected to be helpmeets to their husbands, and have little in the way of individual freedom or agency.

    Michael tries to understand, but he is preoccupied by the challenge to find a ship laden with gold that he discovered on the voyage which ended in him washed up on Big Henry Island. His upbringing leads him to believe that once Mair experiences his wealthy family’s life in Sydney, she will be happy there:

    But all across the world women left their childhood homes to follow their husbands. It might not be the island way, but it was the natural order of things, and surely Mair would find it so once she had the luxuries and comforts that awaited her in Australia, with three women to make her feel she had family and a home there. The most important criterion for a sea captain’s wife was a woman who was used to waiting in a household of women for her husband’s ship to sail to harbour.

    The Sea Captain’s Wife, p83

    There are several mysteries that wind through the narrative: the ‘ghost ship’ that haunts Michael’s dreams, and a series of accidents and deaths that take place within his family. Does the gold ship really exist? Were the accidents really mishaps or something more sinister? The conclusion brings these to a satisfying end.

    But the novel has deeper themes. It asks questions about humans’ lack of perception of danger – all too relevant in today’s world, threatened by climate change and conflict. And it asks readers to reflect on our own lives. What makes a worthy life? What responsibilities do we have for others?

    As always Jackie French has brought her setting to life, creating not one, but two very believable worlds.
    Readers who enjoy her historical fiction will not be disappointed in The Sea Captain’s Wife, which is published by HarperCollins in March 2024.

    My thanks to the publishers for a review copy.

  • Books and reading,  History

    As I sit down to write this review, it is leading up to ANZAC Day in Australia, an annual day of commemoration of those who served in military campaigns in Australia’s name. Up until recently, those who served as medical staff and nurses in wartime seem to have been ‘add-ons’ in our military histories.

    Take the story of Sister Vivian Bullwinkle. Her name should come easily to Australians thinking about their nation’s involvement in war, like Simpson and his donkey in the ANZAC story, or ‘Weary’ Dunlop in WWII.

    There is now a statue of Sister Vivian in the grounds of the Australian National War Memorial. But when it was unveiled in 2023 – last year! – it was the first statue of a woman at the memorial.

    I’ll move on from my bewilderment at why it took such a long time to recognise this woman, and onto Grantlee Kieza’s story of her life. What a tale it is.

    Vivian Bullwinkle completed her nursing and midwifery training at Broken Hill Hospital in the 1930s. Then came the announcement in September 1939 that Australia was at war with Germany. From the Melbourne hospital where she was working, Viv enlisted as an army nurse. By 1941 she was on her way to Singapore, where she would face the new enemy of the war, Japan.

    The book includes vivid descriptions of the rapid and vicious attacks on Malaya and Singapore by Japanese troops. On reading these pages I had a sense of the fear that must have been in every heart, knowing that the Japanese were moving south at a rapid rate, killing anyone who stood in their way. I also felt anger at the apparent lack of preparation on the part of Allied authorities; the complacent belief of Western superiority which was then prevalent, certainly worked in favour of the Japanese. Rumours began spreading about the merciless nature of the Japanese soldiers.

    On a personal note, an uncle of mine was involved in that first encounter with the Japanese on Singapore Island; he was reported missing, presumed dead; a fate confirmed by the Australian Army at the war’s end. His mother and siblings never got over the loss of smiling, kind, lovable Ernest Harvey Newton, known as ‘Snow’ to his family. Learning about the cruelty inflicted on those who survived encounters with the Japanese, perhaps Snow’s fate was preferable. Who can say? All I know is that the whole thing was an shocking savagery that should never have happened.

    Eventually the nurses were evacuated from Singapore; it is telling that they apparently felt great reluctance and shame to be leaving the sick and wounded soldiers they’d been caring for. The author paints an appalling picture of the chaos and desperation of a defeated Singapore. The nauseating smell of death and raw sewage, oil fires and explosions, terrified civilians climbing over each other in their panic.

    Worse was to come for Sister Vivian and her comrades. Put aboard the Vyner Brooke, formerly a royal yacht of Sarawak, over two hundred people endured a terrifying voyage from Singapore heading for the relative safety of the Indonesian islands not yet occupied by Japanese. The stories of those on board are poignant: sixty-five Australian nursing sisters, including one who was seven months’ pregnant; a family of Polish Jews who had fled to the assumed safety of Singapore only to find themselves refugees once again; and many women and children.

    The ship was bombed by Japanese aircraft and went down off the coast of Bangka Island near Sumatra. Viv and her nursing colleagues tried to assist the wounded and terrified civilians, before the inevitable order to abandon ship as it broke up underneath them.

    But Viv had never learnt to swim.

    Somehow, she survived, with the aid of a life jacket and an upturned lifeboat, despite continued bombing from above and the threat of sharks below. She stumbled onto a beach where she recovered enough to find other survivors washed up on the island by the strong currents. At least twelve nurses had died in the water that night. With no food, shelter, and with many needing urgent medical care, the survivors agreed that they had to surrender to the Japanese and hope that the rumours they’d heard about the Japanese taking no prisoners were not true.

    What follows is a story of unbelievable cruelty, even sadism, by some of the Japanese they encounter. Men and women alike were coldly gunned down or bayoneted on Radji Beach, left to bleed out in the shallow water or drift off on the tide. Twenty-one of Viv’s nursing companions were murdered that day.

    Amazingly, after being hit through her middle by a machine gun and left in the water, Viv did not die. Some instinct told her not to show that she was alive, and even though she couldn’t swim, she allowed herself to float until the men with guns were satisfied that they had killed everyone. Eventually she was taken to a prison camp where she was reunited with others of her nursing sister colleagues.

    Moved from camp to camp, starved, with no medical care, minimal fresh water, no way to preserve their hygiene and health, beaten and abused…this was the experience of nurses and civilian refugees on Bangka Island and Sumatra for three and a half years. They survived by caring for each other, pooling any resources they could scrounge, making efforts to raise the spirits of their companions, burying the dead as one by one, women began to succumb to the ravages of malnutrition, tropical diseases and mistreatment by their captors.

    It’s a terrible story of unimaginable hardship and suffering. As I read, I often wondered ‘What would I do in this situation? Could I endure it? Would I have survived?’

    It’s also about stoicism, bravery, sacrifice and the comradeship that we often hear about amongst soldiers, but is less often applied to those who care for the sick and wounded.

    Of course the war did end, Japan surrendered, and the prisoners were eventually found and returned to Australia. We should remember that in the midst of their suffering, none of the nurses knew what would happen. They had no way of knowing what the eventual outcome of the war – and their fates – would be.

    After the war, Viv’s strength of spirit, her compassion and her pride in the nursing profession, did not abate. She devoted the rest of her working life to improving the standing and professionalism of nursing in Australia, as well as speaking at many memorials and events where she kept the memory of her dead sisters alive.

    And in 1975, aged nearly sixty, she played an instrumental role as one of twelve nursing volunteers in Operation Babylift, the mass evacuation of orphaned babies and children from South Vietnam, aboard a chartered Qantas jet from then Saigon to Sydney.

    I was so happy to learn that just a year or so later, she married and was able to enjoy more than twenty years with husband Frank Statham.

    Sister Viv is a gripping account of a woman who endured great suffering but went on to live a full and productive life in spite of her awful wartime experiences. Grantlee Kieza has written a biography worthy of this truly remarkable Australian.

    Sister Viv is published by HarperCollins in April 2024.
    My thanks to the publishers for a review copy.

  • Books and reading,  History

    Claiming independence: ‘All the Golden Light’ by Siobhan O’Brien

    All the Golden Light is the story of one Australian woman, Adelaide Roberts, towards the end of the First World War. In a way, it’s also the story of a whole generation of women, who came into adulthood amidst the turmoil of war, a newly Federated nation, and who had to battle for the right to direct their own lives.

    We might think that Adelaide’s hopes are modest. She simply wants the right to choose her own life, to marry whom she pleases, to live a life in keeping with her own desires. In other words, freedom.

    At the turn of the twentieth century, though, these simple ambitions were beyond the reach of many women.

    Like many others, she is manipulated by family and circumstance into marriage with a man she does not love. She has met a man who fascinates her, but her future is not her own to choose.

    As events overtake her, her options seem more limited than ever, leaving her in a situation that becomes more dangerous by the day.

    The novel is set in the south coast of New South Wales, Australia, and the beauty of the islands, coastline and bush of this region is brought vividly to life.

    The terrible toll wrought by the war on small communities and the men and women affected by the conflict is also very clear.

    There is plenty of drama and tension in this novel, and readers will understand the many barriers facing women who want to live an independent, free life at this time.

    I found it difficult to relate to Adelaide and some of the other characters, and I’m at a loss as to why. It may have been just me, or what was going on for me at the time I was reading this book. But despite this, Adelaide’s predicament and struggle felt very real.

    The irony of her awakening to the women’s suffrage movement and her strong desire to exercise her own rights, while simultaneously being pushed into situations not of her choosing, is also very real:

    An image of her teenaged self came to her. She was around sixteen and huddled under the back verandah with a copy of Vida Goldsteins’ Women Voter magazine…Everywhere, women were being tortured, force-fed, imprisoned and sexually assaulted…
    In that moment, under the house, fury about the oppression that these women had endured surged through Adelaide’s veins. The world she knew, or at least she thought she knew, shifted. She realised women didn’t need to blithely adhere to convention. There was another way forward.

    All the Golden Light p 104

    All the Golden Light was published by HarperCollins in January 2024.
    My thanks to the publishers for a review copy.

  • Books and reading

    When the past bites: ‘Tipping Point’ by Dinuka McKenzie

    I’m now a definite fan of Kate Miles, the central character in this third novel by Aussie author Dinuka McKenzie featuring this determined, but very human, police detective. You can read my thoughts about Taken, book 2 in the series.

    Once again Kate is on her home turf in the fictional town of Esserton, in the NSW Northern Rivers region. She is still juggling her very demanding job with two young children while trying to be more present for them and her husband Geoff. Not an easy task.

    In this story, her birth family and its complications feature heavily and place more demands on Kate. Her brother Luke, long estranged from their father, returns to Esserton for the funeral of one of his two closest friends during their school years. A few days later, the third in their old friendship trio is found dead.

    Luke has many other issues he is trying (not very successfully) to deal with, and it’s not surprising when the shadow of suspicion falls on him.

    While Kate attempts to convince Luke to help himself, things begin to spiral out of control. Her impartiality and professionalism is brought into question as another death in the town rocks the community.

    Events from Luke and his dead friends’ pasts become inextricably linked with these tragedies, in ways the characters struggle to understand.

    The novel nicely meets the requirements of a page-turner, but as always for me it’s the characters who are the most important, especially Kate and her family. She is entirely believable and relatable and I found myself cheering for her the whole way through.

    She knew that Geoff would love her to give up the police force for a profession that placed less strain on their family life and removed his constant worries about her welfare and safety. But that would mean throwing away all the years of slog, the slow and patient climbing, dealing with all the bullshit and dick swinging and bureaucracy to prove her worth. It felt like so much of her life and identity were tied up in proving herself against those jeering voices that told her it was her skin colour, her gender and her father’s influence and not her ability that had got her there. To give it up now felt nigh-on impossible.

    The Tipping Point p99

    The Tipping Point was published by HarperCollins Books in January 2024.
    My thanks to the publishers for a review copy.

  • Books and reading

    Luminous: ‘Day’ by Michael Cunningham

    Recently my book group read and discussed Elizabeth Strout’s Lucy by the Sea as a good example of what we might call a ‘Covid novel’ – set during the worst of the 2020 pandemic and examining its effects. Michael Cunningham’s Day is another.

    Well, it is and it isn’t. Yes, it opens on April 5, 2019, and the two subsequent sections describe the same day in 2020 and 2021. So of course, Covid features: the effect of lockdown on a family in Brooklyn, a reminder of the near-paranoia of beliefs and worries because of the virus, the way the pandemic prompted existential musings from unlikely sources.

    But this novel is much more than that.

    It’s a beautiful, sometimes funny, always tender examination of a small group of people who make up one family. In the longest section, set in 2019, we meet Dan and Isabel who, with their two children (ten-year-old Nathan and Violet, five) live in a house which is quickly moving from ‘cosy’ to ‘crowded’.

    Violet’s younger brother Robbie occupies the attic, recovering from a recent breakup with his boyfriend. Violet and Dan have their own preoccupations and the walls of their marriage are starting to crumble. Nathan has the challenges of impending puberty to deal with and Violet escapes into her own world of imagination.

    All is not well for all this family’s members all of the time.

    Then 2020 arrives and they are in lockdown together – except for Robbie, who went to Iceland for a short holiday and is now stranded there in an isolated cabin, writing letters to his family which he cannot post because there is no post office nearby. Despite his absence, he remains a central figure in the family and the novel.

    In 2021 lockdown has lifted and the family has emerged from their cocoon to discover that everything has changed.

    It’s a gentle story with wry reflections on family life, on children, teens, and middle age. I especially enjoyed the dialogue, during which the characters come to vivid life, especially between Robbie and his sister Violet, and also between Robbie and Dan. We hear the inner thoughts of different characters in turn, understanding that the world can appear in many various ways to different people.

    How has Isabel learned to be this person, even if it’s only for the sake of the kids? How did Dan master that voice? They’ve always been improvising, all three of the adults, and as Nathan and Violet have grown older they seem to have willingly accepted the fact that they are neither more nor less than the youngest members of a haphazardly formed crew that goes by the name “family” for obscure legal reasons.

    Day p49

    The pandemic plays a big role but is always referred to obliquely, which is as it should be. This novel is about so much more. If you enjoy character-focused fiction and beautiful prose you will love Day.

    Day is published by 4th Estate, an imprint of HarperCollins, in November 2023.
    My thanks to the publishers for a review copy.

  • Children's & Young Adult Books

    African adventures: ‘Kip of the Mountain’ by Emma Gourlay

    I love that Melbourne author Emma Gourlay has chosen to set this middle-grade story in the land of her birth, South Africa. It’s pretty rare for Australian children to be exposed to stories of that country, so in itself that is a plus. Another is the occasional word in Afrikaans sprinkled throughout – especially buffel, which apparently means a ‘special, rare creature.’

    In Kip of the Mountain, Buffel is the name Kip gives to a tiny creature that comes to her via a mysterious bottle in the forest, near the side of Table Mountain where she lives.

    She spends her twelfth birthday wondering what her Something Odd will be – a tradition in her hometown is that everyone receives a Something Odd on their twelfth birthday. When she finally realises that the strange little creature that cracked out of the egg in the bottle is, in fact, her Something Odd, she decides she will love him forever.

    First, though, she has to keep him hidden from her dad, who has a ‘no pets’ policy, but who is busy as always in his shed, trying to build a flying machine. Then she must avoid the mean kids and even meaner teacher at school, who tease her about her hair and her family background of black dad and white mum.

    Last but certainly not least is the threat to Buffel’s freedom when he is kidnapped. To rescue Buffel she must travel away from her beloved mountain to a strange island across the sea.

    Kip is a shy loner who learns that good friends can be made and that doing the right thing can be hard but is always the most rewarding.

    The story is set in the 1980’s when the hideous apartheid regime was still in force, and there are references to this which introduce the concept to young readers, but very much from a child’s perspective. It offers a way to open discussion about hard issues like institutionalised racism, bullying and discrimination to younger readers, while encompassing them in an adventure story full of magic and wonder. The black and white illustrations by Kate Moon brings scenes to life throughout.

    Kip of the Mountain will appeal to young readers who like their stories sprinkled liberally with zany characters and adventure.
    It is published by HarperCollins Children’s Books in October 2023.
    My thanks to the publishers for a review copy.

  • Books and reading,  History

    Connections: ‘The Remarkable Mrs Reibey’ by Grantlee Kieza

    I’d added Grantlee Kieza’s biography of the woman on the Australian $20 note to my ‘Must Read’ list from the moment I heard about it.

    The reason?

    Apart from the obvious (my abiding interest in Australian history and especially women’s history), I have three points of connection with the subject, Mary Reibey:
    1. She hailed originally from near Manchester in England, where my ancestor Elizabeth Lee was also born and raised,
    2. Like another of my ancestors, Mary’s crime which had her transported to Australia was the theft of a horse, and
    3. She was a contemporary of yet another ancestor, Jane Longhurst. Like Mary, Jane was an emancipated convict in early colonial Sydney who ‘made good’, managing business affairs and a large family within the male-dominated world of nineteenth century Sydney.

    Mary showed her redoubtable spirit from an early age, running away from a position as maid in a boarding school and in a flight of youthful fantasy, stealing a horse which she thought would be her ticket to a financially independent life.

    Of course she was discovered, arrested and tried for the crime; at first receiving the death sentence, later commuted to transportation to the penal colony of NSW. The startling thing about her time in gaol was that she’d been dressed as a boy – and she managed to keep her sex hidden from her male cellmates in a crowded prison! In my view that would take some chutzpah, not to mention ingenuity.

    She arrived in the colony full of trepidation as to what life in this frightening place might have in store for a youngster just fifteen years old.

    The author paints a fascinating and vivid picture of convict life in Sydney and Parramatta : housing, clothing, rations, and living and working conditions, along with the many larger-than-life characters that peopled the early days of the colonial period.

    The class system of Britain was transported here along with their unwanted criminals, and this is seen in attitudes by free settlers towards the convicts.

    Also, people in authority struggled to understand many behaviours of the convicts; why did they make such poor choices (such as getting drunk and fighting) which they must know would result in punishment? To middle class eyes this was inexplicable. Why would people jeopardise their futures in this way? To convicts, most of whom came from dire circumstances, having a good time while one could grab it was entirely sensible. Who knew when the next catastrophe could strike? You could die of a disease, accident or violence tomorrow. May as well enjoy tonight while you could.

    Mary, however, kept her head down and out of trouble. She married Tom Reibey, a free settler with an entrepreneurial bent, who was involved in trade and real estate. They had a large family together, but Tom nominated his wife to manage the business dealings during his long absences from the colony on trading voyages. She was wife, mother, and trusted co-manager of the family’s business affairs.

    After her husband’s death, Mary continued with the various business interests, shipping and trading, buying, selling and leasing real estate, amassing an even greater fortune.

    She is the ‘remarkable’ Mrs Reibey because all this activity was at a time when work options for women were severely curtailed and no women were expected to see the inside of a board room or business negotiation. Much to the surprise of her fellow settlers, ‘Mrs Reibey’ proved to be a shrewd negotiator, driving a hard bargain, with a nose for the next opportunity. This was how one survived – even thrived – in the cut throat world of the colony.

    I got a thrill from seeing my ancestor, Jane Roberts (nee Longhurst) mentioned along with Mary in the section describing the formation of the Bank Of New South Wales – the first bank in the colony. Jane and Mary were among a handful of women investors in that early bank, much to the surprise and confusion of their male counterparts, as the concept of women investors was a foreign one.

    There are moments that made me smile, such as Mary answering a charge by a debtor that she was ‘no lady’ by hitting him over the head with her parasol!

    There are also tender, heartwarming moments in the book, as when Mary fulfills a long-nursed ambition to make a return visit to her homeland, with emotional reunions with family members in the ‘old country.’ I found myself wondering how reunions between my convict and immigrant ancestors may have played out, should any of them had the wish and the resources to return to England.

    The Remarkable Mrs Reibey is a comprehensive and engrossing portrayal of a colonial women who surely deserves her spot on the $20 note. Her portrait, depicting a grandmotherly round-faced woman with spectacles and a lace cap, belies the adventurous and headstrong spirit of the younger Mary, with the endurance and smarts to not only survive, but thrive, in a colonial environment that was well and truly stacked against women.

    The Remarkable Mrs Reibey was published by HarperCollins Publishers in May 2023.



  • Books and reading

    Startling: ‘The Visitors’ by Jane Harrison

    Immediately this book opens, we know we are in for a startlingly different view of the British ships, sailing into Sydney harbour in 1788.

    The First Nations people of the lands surrounding Sydney are portrayed in a rich cultural context (informative and easy to absorb within the story), however they have European names and wear modern European dress. What does this mean? What is happening here? We are left to wonder.

    It is an effective device to ensure that readers approach this story with a different mindset than they might otherwise do. Especially if the readers have been raised in Australia, and grown up with the story of Captain Phillip planting the British flag in the sand of Sydney cove in the name of His Majesty King George.

    Instead, we see the ships from a vantage point above the cove, where seven respected Elders, representatives of their various nations, have come together for a day to collectively decide what their response to these ‘visitors’ should be.

    The cover blurb of the book reads:

    1788, Gadigal country.
    Eleven ships.
    Seven Elders.
    One day.

    They’ve got a big decision to make…

    The Visitors

    It’s a brilliant premise and the reader is plunged into the many considerations and issues that the seven men need to take into account as they ponder their response to this unprecedented situation.

    Some of the older men remember the time, eighteen years earlier, when similar ships had appeared and strange looking men disembarked. In their short time on land, those men had cut down trees, trampled precious clean water to mud, and took ridiculous amounts of seafood from the waters. But that time, those visitors left and did not return. Perhaps the same thing would happen again?

    Each of the seven men representing their mob have their own backstory: a set of family, cultural and tribal circumstances that affect their behaviour and how they approach the discussion and voting. This allows the reader to see them first of all as people – with their own preoccupations and motivations.

    I enjoyed the portrayal of the tensions, petty squabbles, and individual behaviours of the seven. It meant I could approach their story as I could that of any other people dealing with a sudden and unexpected arrival of uninvited visitors of their country.

    Within the narrative of a long day of arguments, counter arguments and vote-taking, the author has woven in a great deal of beautifully described customary lore and traditions. It includes one of the best and easiest-to-understand explanations of songlines:

    Songs, Joseph knows, are a living map of country – where the fresh water is, the good fishing spots, the whereabouts of steep crevices or marshy swamps and all of the other signposts, so you don’t get lost or travel the hard way. And all songs are three-dimensional, referring to the stars above and the earth and even below the seas. And the songs are always evolving and being shared. They are maps for all who need them to travel for food, for shelter or, like him, for business. And they are sung, because singing is the most effective way to memorise great swathes of data.

    The Visitors, p33

    The use of modern expressions by the men also helps to bring us into our own time, with an understanding that these men represent a spectrum of life experiences and attitudes – much like today’s representatives in our modern parliaments.

    There is a telling moment when the men are faced with the idea that perhaps, this time, the strangers won’t leave, and a great deal of irony as well-worn European-centrist ideas about ‘barbarism’, ‘a dying race’, ‘thieves’ ‘superior weapons’ and ‘capable of learning’ are turned on their head.

    This book invites us to ask those ‘what if?’ questions: what if the First Nations peoples of Sydney had attacked in a concerted effort to rid their lands of these foreigners? What if the British had been able to listen and learn from the original inhabitants of the continent? What if the diseases brought by those ships had not wreaked such a terrible toll? So many things we can never know, but in the asking of the questions, there is learning to be had.

    In a profound way, one of the men, Gary, sums up what was important for those Elders and still remains important today:

    Just because they break lore, doesn’t mean we should. Then they’ve won, in a way, before even one spear has been thrown. I think we need to be good ancestors.What are the stories a good ancestor needs to create, to leave behind? Do we want our descendants to look behind them and see that we have failed in our duty, that we succumbed to the lowest denominator? Or do we want them to be proud of us and the stance we took?…I’m voting to let them land and that we do what we always do: we follow protocol to the letter. That means when they step on country, we welcome them and wish them safe passage.

    The Visitors p222-223

    If only those ‘visitors’ could have been so generous and gracious in their response.

    The Visitors is published by Fourth Estate in August 2023.
    My thanks to the publishers for a review copy.

  • Books and reading

    Vivid and evocative: ‘Untethered’ by Ayesha Inoon

    A debut novel by Sri Lankan-Australian Ayesha Inoon, Untethered offers a vivid insight into the culture of a Muslim family in Colombo, Sri Lanka, and the experiences of two people who try life as immigrants to Australia.

    The title evokes the dual meaning of ‘untethered’, conjuring both the sense of isolation from being apart from one’s homeland, and the possibility and freedom that can come from breaking with old behaviours and expectations.

    Zia, a young adult woman at the outset of the story, has her marriage to Rashid arranged by their families with the help of a matchmaker. It is fascinating to learn about the customary ways in which engagement and marriage are celebrated by some Muslim members of the Sri Lankan community. I enjoyed how the author effortlessly wove Sri Lankan words, foods, clothing, and cultural references throughout the narrative.

    As she waits for the ceremony to begin on her wedding day, Zia ponders the contrast between her childhood dreams and the reality of a wedding:

    She had imagined that was how she would feel when it was her turn.
    She hadn’t known that there would be hope but also fear, that there would be love but also doubt. She hadn’t known that the tools with which she had to build their dreams would be so fragile.

    Untethered p50

    The story is told from both Zia’s and Rashid’s points of view, allowing the reader to experience their life together as a couple, and the process of emigration, with each character.

    Especially, once they arrive in Australia, their differing expectations and experiences are stark. Rashid feels deeply the ignominy of being unable to find work commensurate with his Sri Lankan work experience as an IT manager; Zia feels lonely and isolated, missing her close family and friends left behind.

    The couple must traverse rocky ground and tragedy before the slow tendrils of hope appear.

    Immigration, it seemed, was the great equaliser – no matter where you came from or who you were before, you had to let it all go and reinvent yourself.

    Untethered p129

    Zia is young and somewhat naive at the novel’s start, but her self confidence grows over time. She is a sympathetic character whose awareness of the world around her also develops, allowing her to see and empathise with others who are in more difficult circumstances than her own. Both Zia and Rashid learn about other Sri Lankans held in offshore detention for years, after trying to reach Australia as refugees from the terrible civil war in Sri Lanka.

    On a personal note, Australia’s capital city, Canberra, is where the couple settle when they get to Australia. Having spent ten years there myself, I very much enjoyed reading about familiar locations and landmarks there; a story set in Canberra is long overdue!

    Untethered is a highly recommended read; I think it is a wonderful debut from an author with a promising future.

    Untethered is published by HQ Fiction, an imprint of HarperCollins Australia, in June 2023.
    My thanks to the publishers for a review copy.