Historical richness: ‘Threadbare’ by Jane Loeb Rubin
I reviewed US author Jane Loeb Rubin’s debut novel In the Hands of Women last year. Her second novel has been released recently and is actually a prequel to the first, as it tells the story of the experiences of refugees and immigrants in New York in the late 1800’s.
Once again there is a treasure trove of historical riches in this book. The main character is Tillie, a girl whose aspirations to attend high school are cut short by the tragic death of her mother from breast cancer. Tillie is left in charge of helping her father run their farm in Harlem, on what was then the northern outskirts of the city. She also keeps house and looks after her younger siblings, including Hannah, who is the main character featured in In the Hands of Women. In this new novel we get a fuller understanding of the tough circumstances in which Hannah’s life began, and the sacrifices made by her older sister.
Tillie marries at sixteen and fortunately – for it’s a match arranged in part by the local Rabbi – it is a mostly happy one. However her new husband brings her to live in the tenements of New York’s lower east side, notorious for their terrible squalor and poverty. The plan is to stay here only temporarily until they can save enough to move to a better area.
Tillie’s refuge is the local Jewish centre with its lending library, where she begins teaching English to the many people from Europe crowding into the city.
She helps her husband with his business selling buttons to the burgeoning clothing trade in the city, and becomes fascinated by fashions and the beautiful clothing she sees, but can never afford. During this time the family experience the trauma of the infectious diseases that run rampant through the poorly ventilated apartment buildings, and the death of an infant.
As an aside, I looked on Google maps to get an idea of the areas being described in the book. I was pleased to note that in the district where Tillie and Abe first live, there is now a museum dedicated to telling the stories of the many immigrant communities who lived here from the nineteenth century. The link to the Tenement Museum is here, if you are interested. If I ever get to New York City, it will be on my ‘to do’ list for sure.
As Abe’s business grows they move to a newer apartment and things begin to look up for the family. With her best friend Sadie, Tillie starts a business, making kits for poorer women to be able to sew their own clothes, using patterns rather like the ones my own mother used to buy, to sew for herself and her family.
I always love learning the ‘back story’ of a place, a company or industry, and Threadbare provides so much of the history of ‘Gilded Age’ New York – which was anything but gilded for its poorer citizens, especially women. Contraceptive devices and abortions were illegal then and made life so much harder for poor women and their families – something that Tillie herself experiences. There is also the scourge of diseases such as tuberculosis and women’s cancers, at a time when germ theory was a relatively new idea and surgical and other medical treatments still far from those we would recognise today.
Especially vivid in Threadbare is the way in which women in business were ignored, patronised, or ridiculed. Tillie’s husband must accompany her to meetings with potential business partners even though the ideas being pitched were hers and Sadie’s.
As in the best historical fiction, Threadbare offers opportunities to learn about the past while enjoying an engrossing story about believable and sympathetic characters. The ups and downs of Tillie’s life had me cheering her on, metaphorically speaking, and hoping that the many obstacles lined up against her could disappear. They don’t, of course, but in the process of her dealing with them we see what determination and courage look like.
As always with such stories, I drew particular pleasure from the fact that Tillie is inspired by the author’s real-life great-grandmother, Mathilde, who had arrived with her family from Germany in the 1860s. I can’t think of a better way to honour an ancestor than by writing a book inspired by their life!
Threadbare is published in 2024 by Level Best Books.

Familiar places through the lens of the past: ‘The Cartographer’s Secret’ by Tea Cooper

Readers of Tea Cooper’s fiction will know that she likes to write dual timeline stories set in Australia’s past. The Cartographer’s Secret is no exception.
The protagonists are two young women: Evie in 1880, and her niece Lettie in 1911. The story connects the two: Lettie drives from Sydney to visit her Great Aunt Olivia on the family property in the Hunter Valley, to inform her that Lettie’s brother (and the heir to the property) has died. She soon gets caught up in the secrets and puzzles held within her family’s history, particularly the mysterious disappearance of her Aunt Evie, thirty years earlier.
Evie had shared her father’s fascination with maps and exploration, and become similarly obsessed by the famous explorer Ludwig Leichhardt who had disappeared without trace in 1848. She sets out to track down evidence that she believes will prove her theory of what happened to Leichhardt and his party, but she is never seen again, leaving her Aunt Olivia heartbroken.
Poring over the map of the Hunter region that Evie left behind, Lettie begins to put the pieces of the puzzle together. She wants to solve the mystery of Evie to give Olivia, and the whole family, some peace (or closure, as we would call it today.) But things don’t go smoothly and Lettie uncovers more than she’d expected.
Tea Cooper’s heroines are likeable and relateable: young women with gumption and interests unusual for women at the time (Evie with her maps, Lettie with her Model T motor car.)
I found some of the details of the plot a little complicated and often needed to refer to the copy of Evie’s hand drawn map. While there is no happy conclusion for all the characters, there is a satisfying and believable resolution.
For me the strength of Tea Cooper’s novels lie in the central role played by their settings. She takes me on a journey through time of and in doing so, shows me an earlier version of often familiar places, through the lens of history. I believe this is what historical fiction can do best: immerse readers in another time so that we can see the present in a different way.
I also enjoy how aspects of the everyday inform that picture of the past. In The Cartographer’s Secret, this includes the beginning of rail and motor travel, the genesis of the famous Bulletin magazine, rural economies, the exploits of early European explorers, and the lives of women in both city and country.
The Cartographer’s Secret is a satisfying addition to Tea Cooper’s historical fiction and fans of her novels won’t be disappointed.
It is published by HarperCollins Publishers on 29 October 2020.
My thanks to the publishers for a copy to read and review.#AWW2020
#AussieAuthor20A microcosm of a world in turmoil: ‘The Pull of the Stars’ by Emma Donoghue
What a marvel of a novel this is. Emma Donoghue has written a story that explores profound human issues – hope, survival, struggle – within the minutiae of three days in a tiny hospital ward, allowing glimpses of the social, religious, political and health influences swirling around the small cast of characters. I can absolutely see this story brought to life as a stage play or movie.
The timing of The Pull of the Stars is uncanny. Published in mid 2020 during a world pandemic, it is set during another pandemic, the global influenza outbreak a century ago. Reading it now, as we struggle with Covid-19, I was struck by so many similarities between then and now.
The story takes place over three days, in a short-staffed Dublin hospital. Julia is a nurse, working long days in the maternity/fever ward, where there are three patients about to give birth who are also suffering from influenza.
The author pays tribute to the struggles of people from all levels of Irish society at the time. The poverty, religious conservatism and bigotry of early nineteenth century Ireland imposed added burdens for many, but middle class women were not immune to influenza or its effects on pregnant women, which could have dire consequences for mothers and babies.
If you are squeamish about the icky parts of the body’s functioning during childbirth or illness, you might find some scenes in this book challenging. Personally, I loved the way the author honoured the crucial role of nurses during what are profound and dramatic moments: the work and risk of bringing new life into the world, and the struggle against an illness that could strike from nowhere and kill in a matter of days, even hours. The research that went into the book was evidently deep but sits lightly in the narrative.
The characters – nurse Julia; young, poor Bridie, a volunteer helper in Julia’s ward; and the three sick, labouring women they care for – form the nucleus of the story, though the other characters are well drawn and entirely believable. We meet Dr Kathleen Lynn, rumoured to be a Rebel on the run from police, but whose calm and compassionate approach prompts Julia to question her own assumptions and beliefs. Dr Lynn is based on a real figure, a Sinn Féin rebel who later established a hospital for impoverished mothers and babies.
The intense work of the hospital is set against the background of an Ireland at war: internally in the aftermath of the 1916 Rebellion, and externally as the Great War is still being waged throughout Europe. As Julia realises:
It occurred to me that in the case of this flu, there could be no signing a pact with it. What we waged in hospitals was a war of attrition, a battle over each and every body.
The Pull of the Stars.One aspect of the novel that I particularly enjoyed was that the business of childbirth – those giving birth and those helping labouring women – was front and centre, much as in another book I have reviewed this year, The German Midwife. Perhaps it is no coincidence that both novels juxtapose the battles of women in the process of giving life, against the battles of war, which are all about taking it.
There is so much to love about The Pull of the Stars. I listened to the Audible audiobook version, where the narration by Emma Lowe added another layer of enjoyment. It’s a wonderful book with timeless themes and compelling characters.
The Pull of the Stars was published by Allen & Unwin Australia in July 2020.


