Did you know that Australia had its own version of the Bletchley Park signals and cipher intelligence unit? No? Neither did I, until I read this new historical fiction by Australian author Alli Sinclair. Set in Queensland during WWII, it tells the story of the women and men who worked in a top secret organisation called Central Bureau.
People were recruited from all walks of life. They needed level heads, problem solving skills, as well as an aptitude for mathematics, patterns, languages, commitment to the war effort and – of course – the ability to keep secrets. They all signed an official secrets act, which meant they could never talk about the work they did. Not to family, friends…anyone.
I’ve often wondered how people who work in these sorts of roles, or in intelligence services more generally, manage to keep their working lives separate from the rest of their personal lives. For most people, work is such a big part of life and to keep it secret… well, I think it would be almost impossible.
What I especially liked about The Codebreakers is that this aspect of their role is not avoided. In fact, the secrecy requirements and the difficulties this posed for women forms a key part of the story.
Added to this is the portrayal of the other factors at play. The women recruited to Central Bureau were young, they lived in barracks and worked together every day, in a garage at the back of a mansion in a Brisbane street (most of the men worked inside the house itself). The women were dubbed ‘The Garage Girls’, and they formed strong bonds as a result of their experiences.
Brisbane during WWII is portrayed brilliantly – the heady atmosphere of wartime; fear of imminent Japanese invasion; grief and heartache at the loss of loved ones killed in action; conflict between Australian and American servicemen; rationing; the quick courtships and impulsive marriages that sometimes happened; living with continual uncertainty and anxiety. It’s easy for us today, knowing what we know now, to forget that at the time, Australians did not know what the outcome would be. Reading this novel I found it easy to imagine how it would have felt, living with the possibility that Japanese soldiers might well arrive on the shores of northern Australia.
The other aspect of the novel that is very convincing is the portrayal of how it felt for Australians, once peace was declared. Of course there was elation, joy, relief. For some, there was also sadness and a sense of let-down. We can understand that for the women in Central Bureau, their employment ceased almost immediately. They were expected to return to hearth and home, making way for the men as they returned from the services. The aftermath of war is not always easy, and they had to exchange the exciting, demanding, important work they had been doing, for more mundane roles at home or in jobs seen as suitable for women.
Shadowed by the mansion at Nyrambla, this little garage had been the centre of her world for two and a half years. Its walls had witnessed the women handling some of the war’s most top-secret messages and ensuring they got into the right hands at Bletchley Park, Arlington Hall and countless outposts around the world. The messages they’d decrypted and encrypted had saved lives and helped the troops come back to their loved ones. All this happened under the roof of a regular-looking garage in suburban Brisbane and no one outside Central Bureau would ever be the wiser.The Codebreakers p324
If you enjoy finding out about lesser known aspects of Australian life during WWII – and particularly the more unusual roles performed by some women – you’ll love The Codebreakers. There is a light touch of romance in the story, though the main themes are to do with friendship, courage and the many ways in which lives are changed by war.
The Codebreakers is published by HarperCollins Australia in March 2021.
My thanks to the publishers for a review copy.
Amie Kaufman is a much-loved writer of fantasy and adventure for middle grade and young adult readers. She has teamed up with another best-selling author, Ryan Graudin, for a new middle grade series, of which The World Between Blinks is Book One.
First of all, this is such a cool title reflecting an equally cool premise: that there is another world that exists in parallel with our own, that some people (especially youngsters) can occasionally get a fleeting glimpse or sense of it – in between blinks.
The book lives up to its promise of terrific world-building by the authors, some adventure, a treasure map and lots of magic, and engaging characters, especially the two protagonists, cousins Jake and Marisol, who arrive in the world by accident and must find the one person who can help them return home.
Being a history nut, I especially enjoyed the way the story is peppered with figures and events from the past. The World between Blinks is the place where lost things are found, so the cousins come across many ‘lost’ people and things: aviatrix Amelia Earhart; former Australian Prime Minister Harold Holt; a thylacine (the extinct Tasmanian Tiger); brown M&M’s; London’s Crystal Palace; a Viking; the Ninth Roman Legion are just some examples.
My feeling is that this would be a great springboard for some ferreting in a library or the internet by youngsters keen to discover who and what and when and why. I confess to doing a bit of ‘Googling’ of some of the references with which I was less familiar.
The historical gems are dropped in with humour and a light touch and they add much to the story.
At a deeper level, The World between Blinks explores memories, what it means to leave friends and places behind, and what makes family special.
But what Marisol was really trying to hold on to was her family’s togetherness, and you couldn’t keep that in your hand any more than you could catch a puff of smoke…You couldn’t use a particular thing or a certain place to make your life just the way you wanted.The World Between Blinks p255
But you could hold onto love…
You could hold onto the things that made you you.
An added bonus is the way in which so many cross cultural references are included, including American, Australian, Bolivian. Marisol and her parents speak both Spanish and English so Spanish expressions are effortlessly woven into the dialogue without losing the meaning and flow of the narrative.
The World Between Blinks is a wonderful beginning to a new middle grade fantasy series. It will be enjoyed by readers who like adventure, magic, and a little history, all rolled into a satisfying package.
The World Between Blinks is published by HarperCollins Children’s Books in February 2021.
My thanks to the publishers for a review copy.
Readers of Tea Cooper’s fiction will know that she likes to write dual timeline stories set in Australia’s past. The Cartographer’s Secret is no exception.
The protagonists are two young women: Evie in 1880, and her niece Lettie in 1911. The story connects the two: Lettie drives from Sydney to visit her Great Aunt Olivia on the family property in the Hunter Valley, to inform her that Lettie’s brother (and the heir to the property) has died. She soon gets caught up in the secrets and puzzles held within her family’s history, particularly the mysterious disappearance of her Aunt Evie, thirty years earlier.
Evie had shared her father’s fascination with maps and exploration, and become similarly obsessed by the famous explorer Ludwig Leichhardt who had disappeared without trace in 1848. She sets out to track down evidence that she believes will prove her theory of what happened to Leichhardt and his party, but she is never seen again, leaving her Aunt Olivia heartbroken.
Poring over the map of the Hunter region that Evie left behind, Lettie begins to put the pieces of the puzzle together. She wants to solve the mystery of Evie to give Olivia, and the whole family, some peace (or closure, as we would call it today.) But things don’t go smoothly and Lettie uncovers more than she’d expected.
Tea Cooper’s heroines are likeable and relateable: young women with gumption and interests unusual for women at the time (Evie with her maps, Lettie with her Model T motor car.)
I found some of the details of the plot a little complicated and often needed to refer to the copy of Evie’s hand drawn map. While there is no happy conclusion for all the characters, there is a satisfying and believable resolution.
For me the strength of Tea Cooper’s novels lie in the central role played by their settings. She takes me on a journey through time of and in doing so, shows me an earlier version of often familiar places, through the lens of history. I believe this is what historical fiction can do best: immerse readers in another time so that we can see the present in a different way.
I also enjoy how aspects of the everyday inform that picture of the past. In The Cartographer’s Secret, this includes the beginning of rail and motor travel, the genesis of the famous Bulletin magazine, rural economies, the exploits of early European explorers, and the lives of women in both city and country.
The Cartographer’s Secret is a satisfying addition to Tea Cooper’s historical fiction and fans of her novels won’t be disappointed.
It is published by HarperCollins Publishers on 29 October 2020.
My thanks to the publishers for a copy to read and review.
Along with writing historical fiction, Mandy Robotham delivers babies. She is an experienced midwife – and it shows in this, her debut novel. The story opens in a Nazi labour camp during WWII, where Anke, the midwife of the book’s title, is imprisoned for helping pregnant women in the enforced Jewish ghetto of Berlin.
Immediately we are plunged into the darkness, despair and filth of the camp, where giving birth is another trial to be faced by exhausted women weakened by harsh conditions and malnutrition. Having endured labour and birthed a child, their babies are ripped from their arms to be murdered by the guards. This is not a war story where miracles happen and people live happily ever after.
Then Anke is transported from the camp and taken to a mansion high in the mountains, which we learn is the Berghof, Hitler’s luxury Bavarian complex. She is to be midwife to none other than Eva Braun, Hitler’s mistress. This is the what if? question at the heart of the novel: if Hitler had fathered a child, what might that have meant for the Reich, the progress of the war, and the victims of that war – including the midwife and her family, who are all at the mercy of the Nazis and their leader?
At a deeper, more personal and profound level, the question becomes: how should a person act in such circumstances? What is the right choice: to care for a woman and her innocent child, or to sacrifice either or both for the greater good?
The stakes are high for Anke as she navigates her way through this treacherous territory. There are flashbacks to her loving family before the war, her work in a Berlin hospital as the Nazis ramp up their cruelty and their control of the nation, and to Anke’s actions which lead to her arrest and imprisonment in the camp. There are examples of the various ways in which ordinary people coped and survived in a world that had become savage and unforgiving. Anke’s dilemma underlines everything from the moment she is chosen to be Eva Braun’s midwife:
I didn’t know whether to be grateful for my life chance, or angry at her naivety. A thought flashed, ‘a child within a child,’ and I forced a smile in response, while every sinew in me twirled and knotted.The German Midwife p62
One thing that makes this novel stand out from others set during WWII and the Nazi regime, is that childbirth, and the midwives who assist, are the central points around which the story spins. Against a backdrop of widespread death and destruction, the descriptions of birthing are a welcome shift of attention to the act of creation of new life. The midwifery expertise of the author lends great credibility to these scenes: they are believable; never once do they feel gratuitous. The birthing scenes are there for a reason and they anchor the protagonist to a reality other than the one presented by war. Anke reflects on this:
I soon realised my role – and that of the ten or so other qualified midwives in the camp – was to bring dignity where we couldn’t prolong life. We could create memories, perhaps of only hours or days, where kindness and humanity won out…The German Midwife p280
Each of us had our way of creating a small world impenetrable to the harsh reality of noise and stench around us. It was a tiny cosmos where we cried and laughed with them, where we held a space – perhaps only for a few minutes – so pure that only their child, their baby, existed for that time. Their history. The burning ache of a child’s parting was no less painful, but alongside the sadness sat memories of what they did for their babies – memories of being mothers.
The German Midwife has plenty of tension as the pregnancy of Eva Braun plays out, and plenty of drama. At its core, though, is an invitation to ask ourselves: What would I do, if this were me? What is the right choice in a world where every decision is fundamentally flawed?
It’s a gripping read with the experience of women at its heart.
The German Midwife is published by Harper Collins Australia in
My thanks to the publishers for a copy to read and review.