Fiction to pose uncomfortable questions: ‘The Berlin Girl’ by Mandy Robotham
November 30, 2020
Like her previous novel, The German Midwife, The Berlin Girl is set in Germany and is about the effects of WWII. This time, the story opens in 1938, just before events cascade into war.
As in her previous book, Mandy Robotham has drawn on her own professional experience to enrich the drama and give a realistic portrayal of the characters’ work. In this case, it is journalism and the protagonist is Georgina (Georgie) Young, posted to Berlin as a fairly ‘green’ foreign correspondent.
Georgie had been to Berlin a few years earlier, but the city she finds this time is a much darker and murkier one than the Berlin presented to the world at the 1936 Olympic Games. The realities of Nazi control of Germany are being realised by ordinary Germans, especially of course Jews, people with disabilities, and anyone else considered unworthy by the Reich.
She must quickly find her feet, along with fellow London journalist Max Spender, who is employed by a rival English publication. They need to learn who are potential sources of information, who are allies and who not to trust.
Their frustration grows at the apparent unwillingness of Western governments to believe what is happening in Germany, frustration shared by their fellow ‘foreign press pack’ journalists, with whom they form a strong camaraderie and bond. They witness the horrors of Kristallnacht, the violent pogrom against Jewish businesses and families. The devastating effects of anti-Semitism are brought home through Georgie’s friendship with one Jewish family, Rubin and Sara Amsell and their children.
There is rising tension and mistrust as Nazi oppression tightens its grip on the country. There is also a reminder of the importance of a free press and access to information by a nation’s citizenry (especially relevant in this era of Trump, social media and ‘fake news’.) Georgie and her press colleagues attend a press briefing after Kristallnacht given by Joseph Goebbels (the Minister for Propaganda whom they privately nickname ‘Joey’):
Joey spouted it all with familiar conviction, but he couldn’t have failed to notice the murmurings of disbelief among his audience. To every reporter listening to his fairy-tale rhetoric, it was pure farce. Yet Goebbels remained unashamed, steadfast in his own propaganda.
The Berlin Girl, p194
Does that remind you of another (modern day) politician, steadfast and unashamed in their own fake news?
A theme that runs deeply through this novel is the question: How did Hitler and his cronies beguile an entire country into wholesale murder and war?
Why, when it seemed so transparent to everyone in the room, did the German people believe it? ‘Fear’, said the Daily Express correspondent swiftly. ‘Maybe your average German doesn’t believe it, but they wouldn’t dare express it. Not even to their neighbours. It masquerades nicely as belief when you’ve got no one telling you you’re wrong.’
The Berlin Girl p52
The Berlin Girl touches on other issues, including the trail-blazing role of early female foreign correspondents, the wilful disbelief on the part of the British and other governments to prevent Hitler embarking on his murderous path to world war, and the risks taken by the many brave people who did what they could to resist.
Though set during 1938 – 39, the questions this novel asks about a population’s willingness to blindly support a dictatorial or self-obsessed leader and believe their lies and promises, rang many bells for me. As we see what has played out in the USA and other parts of the world in recent years, can we honestly say that we have moved beyond that tendency to cede power to those who promise to ‘make us great again’? Because that rallying cry of Trump’s was exactly what Hitler had promised the German people.
Have we really changed that much?
The Berlin Girl will be published by HarperCollins Publishers on 2 December 2020. My thanks to the publishers for a review copy.