• Children's & Young Adult Books,  History

    Lest we forget: ‘Secret Sparrow’ by Jackie French

    The publishers had this to say about Australian author Jackie French’s latest offering for middle grade readers:

    This is the story of women who fought during WWI, but not as nurses or ambulance drivers.

    In 1917 sixteen-year-old Jean McLain is working as a post-office assistant in England. But when she wins a national Morse code competition, the British army makes a request Jean cannot refuse – to take a secret position as a signaller in France.

    If Jean can keep the signals flowing between headquarters and the soldiers at the Front, Britain might possibly win the war.

    From Secret Sparrow blurb, HarperCollins Australia

    I sometimes think that if Jackie French was not an author, she would have made a wonderful archaeologist or even miner: she is forever digging out long-buried nuggets of wonder and creating compelling stories to bring to life little-known events or circumstances from the past.

    Secret Sparrow tells the story of young Jean, whose character stands in for the women who were sent by the British to work as ‘signallers’ in WWI. Working at base camps but sometimes near or on the front lines, they operated the morse code machines, sending and receiving coded messages that were crucial in the days before mobile technology or even telephones were widely used in warfare.

    Most of these women were employed by the postal service, although on temporary ‘secondment’ to the army. This meant that they were paid at the normal rate for their postal worker job, received no special conditions and – shockingly – were not paid pensions or medical expenses due to them after injury, or at the end of the war.

    A shortage of recruits with signalling skills meant long shifts of twelve hours or more, with no toilet or meal breaks. Signallers needed to be fast and, importantly, accurate – a slip could literally be the difference between life and death for soldiers. It was crucial work.

    To add insult to injury, in researching this history, the author learned that the majority of records relating to the women signallers’ service were destroyed after the war. Was this to evade responsibility for paying pensions to these women? Or embarrassment that the authorities had needed to recruit women for what were seen as men’s jobs, due to the danger and skill involved?

    Jean’s story takes us to the heart of trench warfare in France in 1917 and the author does not try to tidy it up for younger readers. The mud, rats, lice, horrific injuries, chaos, death and fear are all there. But there is also comradeship, and kindness, and bravery.

    There are moments of humour:

    ‘Toodle-pip, ma’am,’ Sergeant Peartree said to Mrs Reynolds with a half-salute, half-wave. Jean had a feeling that he thought a woman administrator was not worth a proper salute, or possibly he simply didn’t know which one was due to her – an ignorance shared by almost the entire army, the generals included. Those worthies had not decided whether the female administrators were officers, non-commissioned officers or ordinary troops. Apparently they were simply to be treated like unicorns: a species you didn’t have to acknowledge might exist.

    Secret Sparrow p93

    Jean’s wartime story is told by her to a young Arjun, a boy she helps when they are both caught out in a flash flood in rural NSW, Australia. It is 1978 and Jean is now an older lady, who has not lost her quick thinking and survival skills. She is able to look at her wartime experiences in a nuanced way which she shares with Arjun:

    It was a stupid war, fought in stupid ways, and mostly run by stupid men… The stupidity of the battle I was in – multiply that by every battle in the war… So yes, we had to fight. But we shouldn’t have had to fight like that. England and Germany were ruled by elites, and those elites weren’t very good at ruling. They’d got the job because they were born into it, and so millions of people died.

    Secret Sparrow p226

    Lest we forget, indeed.

    Secret Sparrow was published by Angus & Robertson, an imprint of HarperCollins Children’s Books, in November 2023.
    My thanks to the publishers for a review copy.

  • Children's & Young Adult Books

    Picture book classic: “Edward the Emu” turns 35

    Sheena Knowles and Rod Clement’s Australian classic Edward the Emu turns 35 this year. It was first published in 1988 – the year my son was born (which, I admit, makes me feel a teensy bit old!)

    Luckily, books age much slower than their readers and this one is as fresh today as it was then.

    It tells the story of Edward, an emu who has become bored with his life at the zoo.
    He decides to join some of the other animals for a while, to sample what seems to be a much more exciting existence.

    The rhyming verses invite youngsters to join in or read aloud.

    Edward the Emu was sick of the zoo.
    There was nowhere to go, there was nothing to do.
    And compared to the seals that lived right next door,
    Well being an emu was frankly a bore.

    Edward the Emu

    Firstly he is in with the seals, then the lions, the snakes…until things turn around full-circle, and he realises that the emus are the best animals in the zoo after all.

    The little twist at the end is a laugh-out-loud moment, as are the comical expressions on Edward’s face.

    It’s a sweet story about falling for the ‘grass is greener’ phenomenon and about living and loving your own life.

    Angus & Robertson, an imprint of HarperCollins, re-releases this timeless picture book in 2023.
    My thanks to the publishers for a copy to review.

  • Books and reading,  History

    Colonial women: ‘No Hearts of Gold’ by Jackie French

    Some girls are born to be loved,
    Some are born to be useful,
    And some are born to be bad…

    No Hearts of Gold

    The strapline of Jackie French’s new historical fiction sums it up: not all colonial women in Australia were wives, mothers, convicts, or servants.

    No Hearts of Gold is about three very different women: one from aristocratic English society; one of a sturdy business-minded nature; and one from a self-made-gone-bust family. They are brought together on a voyage from England to the colony in the 1850’s; the beginning of a complex but staunch friendship against all odds.

    What they find in the booming, bustling, troubled colony defies their own expectations.

    The three women embark on lives very different from the ones they may have envisaged for themselves, back in England.

    Kat, daughter of a fond father whose fortune disappeared with the bust of railway shares that had created it in the first place, makes the quick marriage arranged for her by an aunt. While such a fast marriage seems improbable, they were surprisingly common at all levels of society then, especially in far-flung outposts like Sydney. Marriage offered protection, financial support and a chance to leave the past behind.

    Titania launches a business provisioning the ships leaving the wharves, profiting from her acumen and hard work, but dispensing kindness and help to others where she can.

    Wealthy, loving Viola lives with her guardian, Cousin Lionel, in the lavish house funded by her own inheritance.

    It’s difficult to say much more about the plot while avoiding spoilers. So I will instead focus on the issues and themes canvassed in the novel.

    The Gold Rushes play a major role in the plot line and set the scene for some of the drama. But the focus is also on the destructive nature of these crazy events: on families, on homes and businesses that overnight lost fathers, husbands, workers. And especially, on the fragile environment of this land.

    … the vegetable gardens, the fruit crop, the supplies in their storeroom were a treasure now – a treasure that could keep you alive, when specks of gold could not, and envied by men who had forgotten laws and rules, even if they had once obeyed them. There was no one they could ask for help…

    No Hearts of Gold p177

    Women’s lack of ownership over their wealth, possessions, future and even their children, and the control wielded by men, is another important current running through the novel. As is the ways in which many women, including our three protagonists, defied the systems and conventions that kept these inequities in place.

    An unexpected twist turns the story into a mystery involving a possible murder, a bushranger and a police detective.

    The novel packs in all this and more: but I think, at its heart is the precious nature of enduring friendships between women.

    Viola closed her eyes in sudden, deep pleasure. A friend one could say anything to. A friend who took you seriously, and not as a child, or one who must live up to the concept of ‘lady’.

    No Hearts of Gold p171

    No Hearts of Gold is another beauty of a Jackie French novel: a gripping mystery, a rollicking yarn, and an elegy to women’s strength and courage in a society that discouraged both.

    No Hearts of Gold is published by Angus & Robertson, an imprint of Harper Collins Punishers, in December 2021.
    My thanks to the publishers for a copy to read and review.

  • Children's & Young Adult Books

    Nerdy fun: ‘The Curse of the Vampire Robot’ by Graeme Base

    Who can go past a Graeme Base book, with their clever play-on-words humour and illustrations that you can simply fall into? This new one is especially fun and will bring a smile to parents and teachers, too, chock full as it is with references to all things tech.

    In the Scottish Highlands, a modern-day take on an old folk story plays out. There’s a vampire in a grim castle atop a hill, fearful valley-dwellers, a humble cleaner. Littered throughout are tech references: there is a ‘baby ware-wolf’, a corrupted hard drive, range anxiety, a packet of ‘juicy little USBs’… you get the idea. It’s a playful mash-up of vampire tropes and the world of computers.

    We think you had a virus’, said the ware-wolf.
    “Or a worm.
    We ware-wolves often get them –
    you can feel the malware squirm.’

    The Curse of the Vampire Robot

    It’s a lovely addition to kids’ bookshelves for fans of Graeme Base and those new to his work.

    The Curse of the Vampire Robot is published by Angus & Robertson, an imprint of HarperCollins, in September 2021.
    My thanks to the publishers for a review copy.

  • Books and reading,  Children's & Young Adult Books

    Teenagers’ dreams and parents’ worries: ‘Can’t Say it Went to Plan’ by Gabrielle Tozer

    At the risk of giving away my age, I can safely say that when I finished high school, the end-of-school phenomena known in Australia as ‘schoolies week’ did not exist. My cohorts and I celebrated the completion of our formal school years by outings to the local public pool and a restaurant dinner. Not with youth hostel (or five star) accommodation at a resort, youth oriented all night parties, dances and concerts, and all the other accoutrements that make up many a young Australian’s schoolies week.

    A cross between a let-your-hair-down relief from the pressures of final school studies and exams, and a first step into the adult world without parental supervision, schoolies week is something that many young people dream of (and their parents have nightmares about).

    Can’t Say it Went to Plan is a new young adult (YA) novel which follows the schoolies experience of three very different young people and their friends and family. Zoe, Samira and Dahlia have each planned the perfect schoolies week, but of course they also bring with them their individual concerns and preoccupations: anxiety and grief, parental expectations and sibling rivalry, boyfriend troubles, worries about their next steps in life. With alternating viewpoints, the author captures these perfectly along with the language and internal dialogue of this age group.

    I cringed a lot reading this novel in recognition of the all-consuming self centredness of many youngsters and also, winced at the inevitable mistakes made by each of the three protagonists as they navigate their way through the ups and downs of a week in which plans are turned upside down. Parents may well turn green reading some of what they get up to, but in the end, the mistakes are not too disastrous and each character learns from their experiences.

    Ultimately the novel is about what is really important: friendships and family, courage, perseverance and hope. By the novel’s end, the three girls’ trajectories meet, if only briefly, and they are able to reflect on what they’ve learned from their schoolies weeks.

    Can’t Say it Went to Plan is published in May 2021 by Angus & Robertson, an imprint of HarperCollins Publishers.
    My thanks to the publishers for a review copy.