Lest we forget: ‘Secret Sparrow’ by Jackie French
The publishers had this to say about Australian author Jackie French’s latest offering for middle grade readers:
This is the story of women who fought during WWI, but not as nurses or ambulance drivers.
In 1917 sixteen-year-old Jean McLain is working as a post-office assistant in England. But when she wins a national Morse code competition, the British army makes a request Jean cannot refuse – to take a secret position as a signaller in France.
If Jean can keep the signals flowing between headquarters and the soldiers at the Front, Britain might possibly win the war.
From Secret Sparrow blurb, HarperCollins Australia
I sometimes think that if Jackie French was not an author, she would have made a wonderful archaeologist or even miner: she is forever digging out long-buried nuggets of wonder and creating compelling stories to bring to life little-known events or circumstances from the past.
Secret Sparrow tells the story of young Jean, whose character stands in for the women who were sent by the British to work as ‘signallers’ in WWI. Working at base camps but sometimes near or on the front lines, they operated the morse code machines, sending and receiving coded messages that were crucial in the days before mobile technology or even telephones were widely used in warfare.
Most of these women were employed by the postal service, although on temporary ‘secondment’ to the army. This meant that they were paid at the normal rate for their postal worker job, received no special conditions and – shockingly – were not paid pensions or medical expenses due to them after injury, or at the end of the war.
A shortage of recruits with signalling skills meant long shifts of twelve hours or more, with no toilet or meal breaks. Signallers needed to be fast and, importantly, accurate – a slip could literally be the difference between life and death for soldiers. It was crucial work.
To add insult to injury, in researching this history, the author learned that the majority of records relating to the women signallers’ service were destroyed after the war. Was this to evade responsibility for paying pensions to these women? Or embarrassment that the authorities had needed to recruit women for what were seen as men’s jobs, due to the danger and skill involved?
Jean’s story takes us to the heart of trench warfare in France in 1917 and the author does not try to tidy it up for younger readers. The mud, rats, lice, horrific injuries, chaos, death and fear are all there. But there is also comradeship, and kindness, and bravery.
There are moments of humour:
‘Toodle-pip, ma’am,’ Sergeant Peartree said to Mrs Reynolds with a half-salute, half-wave. Jean had a feeling that he thought a woman administrator was not worth a proper salute, or possibly he simply didn’t know which one was due to her – an ignorance shared by almost the entire army, the generals included. Those worthies had not decided whether the female administrators were officers, non-commissioned officers or ordinary troops. Apparently they were simply to be treated like unicorns: a species you didn’t have to acknowledge might exist.
Secret Sparrow p93
Jean’s wartime story is told by her to a young Arjun, a boy she helps when they are both caught out in a flash flood in rural NSW, Australia. It is 1978 and Jean is now an older lady, who has not lost her quick thinking and survival skills. She is able to look at her wartime experiences in a nuanced way which she shares with Arjun:
It was a stupid war, fought in stupid ways, and mostly run by stupid men… The stupidity of the battle I was in – multiply that by every battle in the war… So yes, we had to fight. But we shouldn’t have had to fight like that. England and Germany were ruled by elites, and those elites weren’t very good at ruling. They’d got the job because they were born into it, and so millions of people died.
Secret Sparrow p226
Lest we forget, indeed.
Secret Sparrow was published by Angus & Robertson, an imprint of HarperCollins Children’s Books, in November 2023.
My thanks to the publishers for a review copy.