He’s back: ‘We Solve Murders’ by Richard Osman
I’ve missed the gang from Richard Osman’s The Thursday Murder Club series so much: Elizabeth, Joyce, Ibrahim, and Ron, and their associated buddies. I wasn’t sure I would warm to Osman’s new series as much. I mean, how could any new characters be as wonderful as those four?
I needn’t have worried. While We Solve Murders features new characters, new crimes, and definitely a much more multinational setting, the charm and trademark humour is there, the quirkiness of many of the characters, the twisty plot guaranteeing a page-turning absorption.
As always for me, the crimes and plot are incidental. It’s the characters and their emotional arcs, and Osman’s dry humour, that grab me and keep me reading.
In this new series we meet three main protagonists. Steve is a retired cop, settled now in a small village in England’s New Forest. While he still grieves the death of his beloved wife Debbie, he’s become a part of this community: the pub quiz on Wednesday nights, the group of friends he meets there for lunches, his cat Trouble. He likes his routine and the predictable life he’s created here.
His daughter-in-law Amy, on the other hand, thrives on adrenaline and adventure as a private security officer who crisscrosses the world on the job. At the novel’s opening Amy is on a private island, tasked with keeping Rosie D’Antonia, famous author of thriller and crime novels, safe.
That’s where the novel starts but it doesn’t stay there long. Amy and Rosie begin a chase to find a killer before he or she can get to them, and Steve is – very reluctantly – dragged in to help.
It’s a complicated and at times madcap series of events from here that lead to the final showdown. In the process we get to know the threesome well and – speaking for myself at least – I was reluctant to part with them at the final page.
It is a measure of the author’s skill that he can leave the reader breathless on one page and then on the very next, have a scene between a father and son that is both incredibly moving and very funny, so that you don’t know if your tears are from sadness or from laughter.
I’m already looking forward to We Solve Murders #2
We Solve Murders was published by Penguin Random House in 2024.
2024: My year in books (and what’s in store for 2025)
In 2024 I participated in three reading challenges again, always a fun way to keep variety in my reading diet. Sometimes the results at the end of a year can be surprising; this is one of those times.
In the Historical Fiction Reading Challenge I undertook to read 15 books of historical fiction – I came in right on target. It is easily my favourite genre of fiction.
For 2025, I will choose that same target in this challenge.
In the Cloak and Dagger Reading Challenge, I chose the ‘Amateur Sleuth’ target of 5-15 books, and hit 14 books, so that’s a giveaway that crime fiction is another favourite of my genres. I’ll go for around that many again this year.The surprise result for me this year was the Non-Fiction Reading Challenge, where I chose a conservative target of ‘nibbler’, aiming for 6 books. Instead I read a whopping 16 non-fiction books in 2024! I’m not sure what that means, but perhaps I should choose a higher target for 2025? Well, I’ll probably aim for ‘nibbler’ again and see how I go.
I have a private challenge of my own, to read more books by First Nations authors, in any genre. In 2024 my reading included 10 works by Aboriginal and/or Torres Strait Islander writers: encompassing fiction, non-fiction, and children’s books. In 2025 I hope to equal or better that number.
As always, I am indebted to publishers, especially HarperCollins, and to NetGalley, for sending advanced copies of books for review. I also thank authors who have approached me asking if I would read and review their work.
I know it can be a scary thing to put your writing out into the world and ask for feedback. I never approach the task of reviewing a book lightly. Someone has put months (usually years) of work into research, drafting, rewriting, redrafting, editing, rewriting, editing again, and again, and again…until the finished product is finally put into their hands. For this reason I treat each and every book with the respect it deserves. And I thank each author and publisher for allowing me the opportunity to read and review their work.
So, on to 2025. I wish all my fellow readers a wonderful bookish year ahead.
A jolly Christmas…murder! ‘Everyone this Christmas has a secret’ by Benjamin Stevenson
I so thoroughly enjoyed Benjamin Stevenson’s first two mystery novels featuring Ernest Cunningham that I leapt at the chance to review this one, in time for Christmas.
In keeping with the catchy naming pattern of the first two books: Everyone in my Family has Killed Someone and Everyone on this Train is a Suspect, readers are advised straight up that everyone in this new story should likewise be regarded as a suspect.
Ernest is an amateur detective who writes ‘how to write detective’ books – which is sort of funny in itself when you think about it. Stevenson is a comedian as well as an author, so the comedy is a big part of these novels along with the mystery. Ernest’s schtick is that he writes rules for what he calls ‘fair play mysteries’: like those written in what is sometimes called the golden age of crime fiction.
I loved two things about this one, on top of the main character – Ern is endearing and doesn’t take himself too seriously, though he is very serious about solving the crimes that he inevitably stumbles upon in the novels.
Firstly, the Christmas theme. The motif of a Christmas advent calendar is used so cleverly throughout, each chapter giving a clue as a new window on the calendar opens. It’s done so well, blending the narrative of the crime and the various characters’ motives and movements, with the Christmas setting.
Secondly, the novel is set in Katoomba in the Blue Mountains, just up the road from where I live. The second crime novel set in the Blue Mountains I have read this year! While I would not want people to think that my little part of the world is more prone to murder than any other, it is a beautiful and evocative setting for a novel and I am pleased to see it getting its share of the limelight.
If you haven’t yet met Ernest and his family, I would heartily recommend beginning with the first two of Stevenson’s books and then reading this one. The audio versions are also excellent. They are light-hearted reads, while keeping you thinking as the complexities of the twisty plots are revealed. And give plenty of chuckles along the way.
Everyone this Christmas has a Secret is published by Penguin Books Australia in October 2024.
My thanks to the publishers and to NetGalley for a review copy.Twisty tale from home: ‘Girl Falling’ by Hayley Scrivenor
A new crime novel by an author I enjoy, set in my home region of the Blue Mountains of NSW. How could I resist?
Hayley Scrivenor’s debut novel, Dirt Town, received well-deserved accolades (my review is here.) I was looking forward to her next book and was delighted to learn that it was set amongst the sheer cliffs and amazing views of the Blue Mountains.
The thing I enjoy most about crime fiction are the characters and emotions, plus of course a well-drawn setting, and Girl Falling doesn’t disappoint.
The title is well chosen, as it can imply both the physical act of falling (in this case, from cliffs) but it can also be an emotional plunge for characters – in this case, pretty much all the characters.
The premise is intruiging: two high school girls bond over the shared trauma of losing a sister to suicide. Now young adults, they have grown inseparable – until one of them meets and falls in love with someone else.
There is a lot in here about youngsters trying to find their way in life, moving beyond childhood trauma, and also toxic relationships and coercion that can take many forms.
There is a twist that I truly did not see coming – and I’m still not entirely sure how I feel about it.
For all these reasons, Girl Falling is a crime novel that stayed with me well after I had read the final page.
Girl Falling was published by Pan Macmillan Australia in July 2024.
Familiar place, familiar crime: ‘Pheasant’s Nest’ by Louise Milligan
Louise Milligan will be known to many Australians as an award winning investigative journalist and author of non-fiction books; Pheasant’s Nest is her debut novel. It opens on a stretch of road very familiar to me, and I’m sure to others who have driven the Hume Highway from Sydney to Canberra, or further south to Melbourne.
In this opening scene, the protagonist Kate Delaney is tied up on the back seat of a man’s car heading north from Melbourne. The man has committed a violent sexual assault and kidnapping and is now on the run with his victim.
The rest of the novel plays out as the clock ticks down: will it end with Kate’s murder or with rescue?
The narrative zips between Kate’s thoughts as she lies helpless and afraid in the car, to the panic and fear of her devoted boyfriend Liam and her best friend Sylvia, and to the two detectives in charge of the investigation.
I appreciated this aspect of the novel very much. Hearing what is in Kate’s head allows readers to see her as a person with a career (journalism, unsuprisingly), friends, family and a full, largely happy life. Of course she is terrified, too, because having covered plenty of crime cases as a journalist, she knows there is limited time for police to track down her assailant. Her fear feels very real.
What we also hear are her less serious thoughts: her reflections on her past, her career and colleagues, her lover and her friends. Some of these are actually very funny – unexpectedly in a crime novel like this. I particularly enjoyed the quite pointed but hilarious descriptions of the evangelical church ‘JoyChurch’ located in Sydney’s northwest ‘aspirational affluence belt,’ and the completely fake and probably corrupt couple at its centre.
The PTSD suffered by the NSW detective who has seen too many crimes and too many acts of self destruction also ring very true. He has held onto his compassion despite it all, but at great personal cost. His character speaks to the hard job we give police officers and their need for greater resourcing and personal support.
The other characters are also quite special; Liam and Sylvia as they head north to NSW to be closer to Kate (even though no one is sure exactly where she is) are beautifully drawn, as are some of the minor characters.
It’s a well paced and unfortunately very believable novel. We see too many headlines about women being attacked either by an intimate partner, a casual date, or a random person, to think that the crime at the centre of this story is not all-too-familiar in real life.
The author describes the stretch of road through the Southern Highlands of NSW in all its creepy detail. Anyone who followed the Ivan Milat serial killing cases in the Belanglo Forest there, or is aware of how many suicides have occured at the eponymous Pheasant’s Nest Bridge, will recognise the sensation of vague threat that driving through here can evoke.
Pheasant’s Nest is crime fiction with something important to say. It will be enjoyed by readers who don’t like too much gruesome detail but who appreciate familiar and believable characters and places in their fiction. It is published by Allen & Unwin in 2024.
Taut: ’17 Years Later’ by J.P. Pomare
J.P.Pomare – Kiwi-born Australian author – writes taut, twisty crime thrillers. 17 Years Later is definitely that, imbued with a sense of darkness and with questions about the mystery at its heart: who really killed the Primrose family seventeen years ago?
Set in a small town on New Zealand’s North Island, the narrative is told from several different perspectives and voices.
There is Bill Kareama, the Primrose’s live-in private chef, delighted to be offered this amazing chance to kick-start his career and make good money while cooking for the wealthy family. When the shocking murders of Simon Primrose, his wife Gwen, daughter Elle and son Chester are discovered, Bill is the prime suspect – in large part due to the fact that the murder weapon is one of his chef’s knives. We hear Bill’s own account of the events leading up to his arrest, the trial and his imprisonment.
Into the town of Cambridge arrives Sloane Abbott, a successful journalist with a popular true-crime podcast. She is determined to investigate the crime because she has heard stories about how the original investigation failed to seriously consider any other suspects and overlooked evidence. Did Bill and the Primrose family receive justice? If not, seventeen years is a long time for the wrong man to be imprisoned. And troublingly, is it possible that here a killer still at large?
We hear from Fleur, the French au pair, who shares a cottage on the Primrose estate with Bill. What is her role in the family and why does she stay with them, given that the children no longer really need a nanny?
TK was Bill’s psychologist who devoted years of his life to finding the truth about what happened. He is dragged unwillingly back into the mystery by Sloane’s dogged persistence.
All of these characters are well drawn, as is the setting of a regional New Zealand town where many of the locals just want to forget the whole thing. There are plenty of twists and an action-packed ending; the story unravelling between the various players, keeping me guessing to the end.
I was engrossed by 17 Years Later and gobbled it up quickly. A very satisfying read.
17 Years Later is published by Hachette Australia in July 2024.
My thanks to the publishers and to NetGalley for a copy to read and review.
Casual crime? ‘Liars’ by James O’Loghlin
As an ABC Radio listener for many years, I was quite familiar with presenter James O’Loghlin’s voice and his wry humour. This is the first book of his I’ve read, and I will be returning for more. Liars is a great read.
Set on the NSW Central Coast, where several of my family members and friends live, the story plays out in what is somewhat familiar territory for me (though it was slightly unsettling to read about the local drug dealer in Woy Woy – perhaps based on similar real-life characters?)
One of the central characters is Barbara, a middle aged handywoman who is recovering from the shock of her husband walking out after many years of marriage. She finds herself drawn to two recent deaths – startling in a small quiet coastal town – which the Homicide team feel have been solved, but Barb is not so sure.
Also not sure is Sebastian, the local cop. Detectives have pointed to his old school friend, Joe, a recovering drug addict, as the perpetrator of one of the deaths. Then Joe himself is found dead and it’s ruled a suicide, the result of guilt. Seb just can’t see Joe, for all his faults, as a murderer.
Barb and Seb team up and begin their own, off the books, unauthorised investigation. Joe and Seb were part of a tight-knit group in high school and the years immediately following. One of those six friends was killed seven years ago, and although that (unsolved) murder was judged likely to have been one of several committed by a serial killer, it begins to look like Sally’s death, too, is somehow connected to these more recent ones. But how?
Each of the five remaining friends has something to hide, and as Barb and Seb dig deeper, there are more complications waiting to confound them. Liars is a very appropriate title for this story.
The first section of the novel is told almost completely through text messages, emails and other documents by and between the five friends. Later, we hear snippets of recordings of interviews done by Joe, canvassing people’s memories of the time leading up to Sally’s death. It’s a clever technique to illustrate the differences in what people remember, and the way recollections are often flawed, or even deliberately obfuscated.
The aspect of the story that I found most alarming was the almost casual way in which some killings were carried out. There are paid ‘hits’ of course, but also murders committed not because of a deep desire to kill, but simply as a means to an end, a way to solve a problem. The murderer does not see themself as a ‘psycho’, as someone who loves killing. They kill because they can’t see an alternative solution.
The novel is well paced, the characters and setting realistic, and the plot kept me guessing until the end. I enjoyed Liars very much; and I’m happy to add James O’Loghlin to my list of good Aussie crime writers.
Liars is published by Echo Publishing Australia in July 2024.
Thanks to the publishers and NetGalley for an advanced review copy.Art + History + Crime = ‘The Engraver’s Secret’ by Lisa Medved
This first novel by Australian author Lisa Medved shines with historical detail and the beauty of the artworks which are the main subject of the plotlines – two plotlines, as it is a dual timeline novel.
The modern-day story features art historian Charlotte, recently arrived in Antwerp in Belgium. Recovering from the death of her beloved mother, Charlotte has just landed her dream job at the university, and hopes to do more research on her artistic hero, Rubens, while in the city where he created so many of his famous works in the seventeenth century.
She is also nursing a secret: an unwelcome last minute disclosure by her mother about the identity of her father – a man she had been led to believe was ‘no good’ and long dead.
While at the university, she discovers a clue that could lead to a ground-breaking discovery about Ruben’s work, and his relationship with the eponymous engraver who worked in his studio for many years.
This is where the second timeline comes in. It’s the story of Antonia, a teenaged girl living in Antwerp in the 1620’s, the daughter of the engraver, Lucas Vosterman. Raised by her father to pursue academic and artistic interests, she later finds that the options available to a young woman are much more limited. And like Charlotte, Antonia is the recipient of an unwelcome admission by her father – a secret that she must carry to her grave.
As Charlotte sets off on a quest to find the centuries-old clues that could establish her career as an art historian, she experiences the serious consequences of the competition and professional jealousy amongst her colleagues at the university.
Meanwhile, as Antonia deals with her own heartbreak and the barriers to leading a fulfilled life as an independent woman, she must struggle with the consequences of her father’s behaviour:
I owed him my gratitude and loyalty, yet something inside me – my ingrained stubbornness, whispers of doubt, a yearning for independence – stopped me from fully submitting to his will. How can I remain loyal to my family and stay true to myself?
The Engraver’s Secret p 371Underlying both stories is the relationship between the two protagonists and their fathers, and the constraints imposed by the times and places in which they live.
I loved the mysteries at the heart of the novel; the wonderful detail provided of seventeenth century life and culture in (what was then) the Spanish Hapsburg Empire; the descriptions of the beautiful artworks and their creators. The author has a background in both art and history and her knowledge and love of these subjects inform the book in a natural and accessible way. As always I enjoyed reading about places and historical periods that I know relatively little about; it always makes me want to know more.
But most of all I enjoyed the very human dilemmas of the two women and the relationships at the heart of their stories.
The author’s next book will be set in Vienna and feature the artist Gustav Klimt. I can’t wait to read that one!
You can find out more about Lisa Medved and her work here.
The Engraver’s Secret is published by HarperCollins Australia in April 2024.
My thanks to the publishers for a review copy.Different worlds: ‘The Sea Captain’s Wife’ by Jackie French
Possibly one of Jackie French’s more unusual historical fiction creations, The Sea Captain’s Wife takes us into a vivid world of her own imagination, informed by folklore and research.
The protagonist is Mair, a young woman who lives on a remote fictional island. It is 1870. Her tiny community is made up almost entirely of women, after a tsunami hit a nearby island, sweeping away many of the men who’d gone there to collect bird’s eggs. It’s a matriarchal society where women make the decisions. They wait for those men who’d survived The Wave to return from sailing ventures, or search the beaches in case a shipwreck washes a man onto their shore.
‘Wait’ and ‘search’ are perhaps misleading verbs here. These are not passive women, pining for a man, or immobilized by grief. They build gardens on the poor rocky soil of their volcanic island, birth babies and raise children, fish, prepare meals and create beautiful, functional garments. It’s essentially a subsistence life, where what they grow and produce is supplemented by occasional visits from a ship with goods to trade. They are busy and, largely, content.
They wait for, or seek out husbands for companionship, support, procreation. Potential husbands must be approved by the council of women. The community has their own way of dealing with any man who poses a threat to their way of life or to the peace and safety of the island. There are strong expectations and rules; however the individuals who live here enjoy freedoms only dreamt about by most women in western society at the time.
They named their island ‘Big Henry Island’ after the active volcano that rumbles beneath them, throwing out black boulders and sulphur-laden fumes. Islanders have lived with Big Henry for two centuries and know its moods. But they are mostly unaware of the danger it poses.
Into this world arrives Michael, a ship’s captain washed onto the beach. Mair takes him to her cottage and nurses him back to health, during which time he learns a little of the customs and ways of living. He can barely comprehend the enormous differences between the world of colonial-era Sydney, and the seemingly free and easy lifestyle on Big Henry, especially for women. However he admires Mair’s intelligence, kindness and skills. Admiration turns to love and when the next ship arrives, Michael takes Mair back to live in Sydney.
Here is where the different worlds of Michael and Mair collide. She is shocked and bewildered by the restrictions on women, in a society where wives are expected to be helpmeets to their husbands, and have little in the way of individual freedom or agency.
Michael tries to understand, but he is preoccupied by the challenge to find a ship laden with gold that he discovered on the voyage which ended in him washed up on Big Henry Island. His upbringing leads him to believe that once Mair experiences his wealthy family’s life in Sydney, she will be happy there:
But all across the world women left their childhood homes to follow their husbands. It might not be the island way, but it was the natural order of things, and surely Mair would find it so once she had the luxuries and comforts that awaited her in Australia, with three women to make her feel she had family and a home there. The most important criterion for a sea captain’s wife was a woman who was used to waiting in a household of women for her husband’s ship to sail to harbour.
The Sea Captain’s Wife, p83There are several mysteries that wind through the narrative: the ‘ghost ship’ that haunts Michael’s dreams, and a series of accidents and deaths that take place within his family. Does the gold ship really exist? Were the accidents really mishaps or something more sinister? The conclusion brings these to a satisfying end.
But the novel has deeper themes. It asks questions about humans’ lack of perception of danger – all too relevant in today’s world, threatened by climate change and conflict. And it asks readers to reflect on our own lives. What makes a worthy life? What responsibilities do we have for others?
As always Jackie French has brought her setting to life, creating not one, but two very believable worlds.
Readers who enjoy her historical fiction will not be disappointed in The Sea Captain’s Wife, which is published by HarperCollins in March 2024.My thanks to the publishers for a review copy.
Lives of crime: ‘Sanctuary’ by Gary Disher
Gary Disher writes the kind of crime stories I like best: ones that focus on the people more than the crimes. He manages to show the how and why of the crimes committed, sure; but also the impact on both perpetrators and victims. This is meaningful fiction, not showcasing crime for its own sake, but to say something about humans and why they do the things they do.
Sanctuary is unusual for this genre in that the workings of the world of law enforcement are of minimal importance to the narrative. It centres on several people whose stories overlap, though for much of the book we don’t necessarily know how or why.
There is Grace, formerly known as Anita, who grew up in an unlovely and unloving foster home, along with Adam. They become a team involved in petty crime, just the two of them against a hostile world, until Anita meets a man who teaches her the tricks of a higher level criminal life. When she decides she has had enough of this man’s cruelty and control, she becomes Grace and continues her life of crime alone.
But Adam harbours a grudge and when they inadvertently cross paths on a ‘job’, she runs again, fearful of what he might do.
So begins a series of intricate and well planned moves; staying several steps ahead, constantly checking on surrounds and on people, distrusting of others, always looking for an escape, adopting a series of disguises.
Disher vividly conjures the loneliness and insecurity of this life, and we feel some sympathy for Grace as she tries to adopt another way of being, the kind of ‘legitimate’ and ordinary life that she now longs for. It takes enormous mental and physical energy to live like this. I was reminded of Maxwell Smart in the 1960’s cold-war spoof series Get Smart, in which he often says of the ‘baddies’: If only they could use their cleverness for niceness instead of nastiness.
Through the viewpoint of another character we are given insight into the mind of someone who indulges in digital stalking and illegal surveillance of people. It’s an unpleasant place and I was always relieved to move onto another scene, away from this sordid and rage-filled character’s world view. But I am very aware that sadly, technology has provided increased opportunities for people like this to frighten and hurt others.
The tension mounts as the trajectories of Grace, Adam and other characters head towards collision, with complications cleverly woven in.
The resolution does not tie everything up in a neat bow; that would be unrealistic and too tidy. But we are left with a hope that perhaps, at some future time, Grace and Adam can find a more satisfying way of being in their world.
Sanctuary is published by Text Publishing in April 2024.
My thanks to the publishers and to NetGalley for an early review copy.