‘Original sin’: ‘The Seven’ by Chris Hammer
I read Chris Hammer’s first, best-selling novel Scrublands soon after its publication in 2018 and was taken by its visceral descriptions of an outback Australian community and landscape. Crime fiction must always be about more than the ‘whodunit?’: I like stories that transport me to a place and time, with characters that I come to care about, and Hammer’s stories fit the bill.
‘The Seven’ takes place in the western part of NSW, the region known as the Riverina. This was country made fertile by an ambitious and extensive irrigation scheme, the Murrumbidgee Irrigation Area, and Hammer has set his story in a similar, though smaller, fictional region, with the town of Yuwonderie at its centre.
It was here that one hundred years earlier, seven founding families established the scheme, creating a network of companies and trading arrangements that fueled their wealth, prestige and power in the district.
The story is told across various time-frames and points of view. There are letters from Bessie, an indigenous woman employed by one of the Seven households, just before, and during, WWI. In the 1990’s we follow Davis, a young man from one of the Seven families, on the edge of making a decision about his future. And in the present time there is Detective Sergeant Ivan Lucic, brought to the town with his detective colleague, Nell, to investigate the murder of Athol Hasluck, from another of the Seven.
Ivan and Nell feature in two earlier books, but there is no need to have read those to enjoy this one. They are terrific characters: with strengths that complement each others, and their own weaknesses too, which seem to be a must-have in crime fiction!
As I read this novel, I thought about the many country towns I have visited or driven through, and found myself wondering about their foundation stories and people. Certainly this is a solid thread running through The Seven: how the establishment of a town or farming community frames its future.
The author makes the case here:
He flipped to the first chapter, ‘Foundation.’ The text was heroic…no mention of any Indigenous people, no mention of how the Europeans had come to the district, no mention of any pre-existing ecosystem. But that in itself might prove useful: the document reflecting bygone attitudes, still alive, maybe even more so, by the 1970’s.
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In the case of Yuwonderie, its origins are mired in misdeeds that carry down to the present, where criminal activity, corruption and deceit lie at the heart of the current murder, and also an unsolved double-murder from decades before. We are indeed looking at ‘original sins.’
The part of the book that didn’t work so well for me was the series of letters written in the early twentieth century by Bessie to her mother. The events and relationships related in these letters prove crucial to later events and I usually enjoy novels set over different time periods. It was something about the voice used in the letters that somehow jarred a little, drew me out of the story for a bit.
Overall, however, I enjoyed this novel and the light it shines on essential resources and the role they play in communities: in this case, water, without which none of the Seven founding families would have been able to create or maintain their wealth and influence.
See that line of trees, that grey-green line? That’s the river. The Murrumbidgee. That’s where the water comes from. And the money. Everything, really.
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Readers who like gritty crime fiction set in recognisable Australian landscapes will enjoy this one.
The Seven is published by Allen & Unwin in October 2023.
My thanks to the publishers and NetGalley for a review copy.